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다문화 관련 연구에 대한 소고 : 언어장애, 특수교육, 일반교육 분야를 중심으로
박혜성 국제다문화의사소통학회 2014 다문화의사소통 Vol.3 No.-
This study attempted to compare trends of ‘multiple culture’-related studies in language disorder, special education and general education and have a general prospect. For this, a total of seven trend analysis-related papers including those published on either registered or candidate journals of National Research Foundation of Korea with at least a decade-long interval and reliable papers (ex: Master’s or Ph.D. degree papers) were investigated. Then, the similarities and differences derived from ‘multiple culture’-related study trends were classified into four categories.
즉흥뮤지컬의 대중 미학 - <오늘 처음 만드는 뮤지컬>을 중심으로
박혜성 한국예술종합학교 한국예술연구소 2019 한국예술연구 Vol.- No.23
본 연구는 즉흥 뮤지컬 <오늘 처음 만드는 뮤지컬>(2018)의 대중 미학적 특성을 탐구하였다. 이를 위해, 연구자는 공연현장에 대한 참여관찰을 수행하여, 공연장에서 공연 형식과 연행 과정 그리고 관객 활동을 탐색하였다. 이에 본 공연은 극의 설정에 공연장 내 관객들을 참여시켜 공동창작과정의 몰입감을 조성하고 있었으며, 상연 시 통상적인 공연생산 분업의 경계를 모호하게 함으로써 배우의 숨은 역량을 드러내는 한편 공연생산 과정의 권력작동 변화를 꾀하고, 뮤지컬 마니아 관객 공동체의 정체성에 기인한 즐거움을 생산하는 자리이기도 했다. 하지만 본 공연은 시즌 종반으로 갈수록 반복 관람객 위주의 공연 참여가 두드러졌고, 이에 따른 극 소재의 한정성 및 일반 관객들의 소외가 관찰되었다. 따라서본 공연이 관객이 문화생산의 주체가 되는 대중 미학 실천의 통로가 되기 위해서는 폭넓은 관객층의 참여를 이끌 방법에 대한 모색이 필요하다. This study explores the popular aesthetics of improvisational musical theatre Every Show’s a First Today!(2018). For this purpose, the researcher participated in musical theater to explore its form and process and also investigated audience participation. The show adapted a heroic epic and using fixed musical numbers. This enabled the show to maintain performance stability while the audiences contributed ideas. Moreover, the actors in the show had various roles besides acting, so they had more responsibility in the production. The audience was able to recognize the actors' diverse roles throughout the show. Therefore, involving an Improvisational musical theater production could be an emancipating experience for both audiences and actors. However, there was a participation gap between musical theater fans and first time audience members. Therefore, it is necessary to find a way to activate the audiences' ability and cultural resources to allow for wider variety of audiences.
성대 결절 및 후두 폴립의 수술 후 보충 치료로서 Accent Method의 유용성
박혜성,박영실,최두영,김상윤,유승주,남순열 대한후두음성언어의학회 2000 대한후두음성언어의학회지 Vol.11 No.1
Background and Objectives : Accent method is one of holistic approaches for behavior readjustment of voice therapy The aim of this study is to evaluate the efficacy of the accent method of voice therapy for the patients who have no improvement after LMS. Materials and Methods : Of the patients who had been undergone LMS during the period from Jan. 1999 to Dec. 1999, medical records of 38 patients who had not been improved were studied retrospectively. 19 patients(treatment group) were applied accent method and the other 19 patients(control group) refused voice therapy. The voice of all the patients of both group were analysed with CSL and Aerophone II programs in pre- and post operative period. The voice of treatment group were analysed with Visi-Pitch II program before the application of accent method and after the completion of accent method. Then, the results were compared using paired t-test. Results : The results of voice analysis were not different statistically between pre- and postoperative examination in both group. After application of accent method in the treatment group, fundamental frequency(F$_{0}$) of male, relative average pertubation, and shimmer were revealed significant differences(p<0.01), and decrease in grade(G) scale and roughness(R) scale were statistically Important in perceptual analysis using GRBAS criteria(p<0.01). But $F_0$ of female, maximal phonation time and S to Z ratio were not revealed significant differences. Conclusions : Accent method of voice therapy may be as a supplement- ary therapy in the patients who were not improved after surgery.