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셰익스피어극 구현의 현대화 과정 연구- 유럽의 경우를 중심으로
이주영 동국대학교 영상문화콘텐츠연구원 2015 영상문화콘텐츠연구 Vol.0 No.-
셰익스피어극 구현의 현대화 과정 연구- 유럽의 경우를 중심으로이주영뮤지컬, 연극, 영화 등 다양한 장르에서 새로운 해석으로 끊임없이 재생되는 셰익스피어 작품의 인기는 상당하다. 이 현상은 셰익스피어가 과거와 현재의 변화과정의 기준이 되어준다는 면에서 긍정적으로 평가받으며 반면 문화제국주의의 발현이라는 부정적 평가를 받는다. 하지만 지금도 여전히 이루어지고 있다는 점에 있어서 그것은 그 자체만으로 커다란 의미를 갖는다. 따라서 셰익스피어의 동시대적 모습 자체를 판단하기보다 고전적 셰익스피어와 현대가 어떻게 공존가능하게 되는 가에 대한 방법론적 인식이 필요하다. 그러한 점에서 영국에서의 셰익스피어 극에 대한 새로운 해석과 더불어 탄생한 셰익스피어극단(R.S.C)과 그 속에서 새로운 방향성과 혁신적인 연극적 양식을 제시한 ‘피터 브룩(Peter Stephen Paul Brook)’에 대한 연구가 필요하다. 또한 영국 이외의 유럽에서 두각을 나타내는 ‘오스터마이어(Thomas Ostermeier)’와 ‘에이문타스 네크로슈스(Eimuntas Nekrošius)’같은 연출가들의 행보를 살펴볼 필요가 있다. 영화 통계 자료를 제공하는 IMDb(The Internet Movie Database)에따르면 지금까지 셰익스피어 작품을 원작으로 만든 전 세계 영화와 드라마는 모두 997편에 이른다. 인간을 통찰하는 능력이 뛰어난 셰익스피어는세대나 국적을 초원해 감정을 이입할 수 있는 캐릭터를 창조했다. 또한 인간의 보편적 감성을 자극한다는 점에서 위에 언급되었던 유럽의 연출가들에 의하여 다양한 방법으로 해석되고 재창조되었다. 이렇게 작품의 힘을지닌 셰익스피어 작품은 시대에 따라 많은 형태적 변화를 겪어왔다. 또한지금도 진화 중에 있다. Research on Regeneration of Shakespeare Acts in a Modern Frame in the Eurocentric Lens Lee, Joo Young William Shakespeare’s work is simply immortal; being recreated in different formats like musical, plays and movies, Shakespeare’s literature has been highly popular for some ages. This phenomenon has been positively evaluated in a sense that Shakespeare defined the transition between past and present. Critics on the other hand have accused it as a manifestation of cultural imperialism. Regardless however, this phenomenon of reinterpretation and recreation is still ongoing, and the momentum deserves a scholarly attention. Thus, rather than evaluating the contemporaneous features of Shakespeare, it is important to understand the mechanism that has allowed the original work of Shakespeare to adjust itself in a modern frame. On this note, we need to pay careful attention to Royal Shakespeare Company(England) England who reinterpreted and recreated Shakespeare, and Peter Stephen Paul Brook(England) who innovated the theatrical frame and direction. We also need to take a close look on acting directors outside England like Thomas Ostermeier and Eimuntas Nekrošius, and what they have been doing with Shakespeare’s work.
이주영 서울대학교 규장각한국학연구원 2022 한국문화 Vol.- No.97
So far, <Chilseongpoori> type Shamanic Epic has been interpreted mainly as a family myth. However, considering that many myths use family relationships as symbols to explain various themes, since it is a family incident, it is not displayed only by talking about the family. There is also a need to explore possibilities that have different meanings. When classified according to the type of story, it is roughly divided into Salpoori and Sungshingut in the northern region, Chilseongpoori in the southwestern region, and MunjonBonpoori in Jeju Island. In all versions, the conflict between the stepmother and the child of the ex-wife appears in a major event. For Chilseongpoori and MunjonBonpoori, the separation of the parents and the resurrection of the real mother were added. The conflict between the stepmother and the child of the ex-wife was compared to the story of the origin of the golden fleece in ancient Greece, which is similar in content. The story of the origin of the golden fleece is about eliminating famine in the city, and trying to solve the problem with a ritual of human sacrifice. The story shows ritual traces of the murder of a prince on behalf of the king, who is responsible for resolving famine, was interpreted as being replaced by a royal woman represented by stepmother. She had an allegory of the Hinuwelle type, because she was a redemption for the abundance of crops. The separation and resurrection of the real mother shows that the range of redemption of the stepmother has been extended to the real mother. When redeeming, the original offering must be hidden from God. So the real mother was separated from her family and hid to death, but when stepmother died and the redemption was over, she was revived and redisplayed. The stepmother, who had been read as a wicked woman, could be read again as a redemptor for a family. When interpreted as an ancient human sacrifice ritual, the stepmother was a sacred being who promised family affluence and prosperity as a sacrifice. .