간호요구도에 따른 중환자간호 분류도구 개발

유정숙,김금순 병원간호사회 2013 임상간호연구 Vol.19 No.1

Purpose: This study was done to develop a valid and reliable Classification System for Critical Care Nursing (CSCCN) to be used in Intensive Care Units (ICUs). Methods: Head nurses and staff nurses of 17 ICUs in 6 hospitals classified 307 patients to verify interrater reliability. To verify construct validity, the staff nurses classified 404 patients according to CSCCN comparing difference in medical department and type of stay in ICU. For conversion index, 78 patients from 4 ICUs of 'S' hospital were classified and nursing time was measured by 107 nurses and 18 nurse aids using stopwatches. Results: The developed CSCCN has 11 categories, 76 nursing activities and 101 criteria. The reliability was verified as having high agreement (r=.946). The construct validity was verified comparing differences in medical department and type of stay in ICU. According to scores, four groups in the CSCCN classification were identified. According to the conversion index, one score on the CSCCN means 7.2 minutes of nursing time. Conclusion: CSCCN can be used to measure diverse and complex nursing demands including psycho-social aspects of ICU patients and convert nursing demands to numbers.

『핸드메이드 이야기』에 나타난 여성의 디스토피아와 글쓰기 작업에 관한 연구

유정숙 전주대학교 교육문제연구소 1997 敎育論叢 Vol.12 No.1

Margaret Atwood's The Handmaid's Tale, strictly speaking, consists of two stories. One is told by a handmaid, Offred, of the Republic of Gilead in the 21st century. The other is "Historical Notes" on this text by a male professor in 2195. The first story reveals feminist dystopia through the control of women's body and language. For survival the female narrator reconstructs her won story in her head. The second story is in a form of future symposium on the first story, on the historical background of Gilead and textual authentication of The Handmaid's Tale. It implies the sexist attitude of male discourse. The male-dominated Gilead, based on a new religious fundamentalism, eliminates any sexuality beyond what is required for procreation and divides women into several status. Handmaids exist as national resources and are assigned to the homes of party officials in order to procreate. They are controlled in all aspects of their lives, including their clothing, residence, food, and language. This paper focuses on the control of language, on such things as erasing a woman's name. It is an effective method for the control of a woman's body and identity. It brings feminist dystopia. As an act of resistance and survival in the totalitarian Gilead, Offred steals the language from the patriarchy and writes her story in her head. Thus she reconstructs her own private space, a verbal space. To write, to speak, is to assert one's subjectivity. While telling her tale, however, she deconstructs it. She plays with and questions the limits of language and of storytelling. Her narative can be examined in the light of feminie writing. She uses dazzling word play, puns paradoxes, and metafictional revisions. The Handmaid's Tale shows feminist dystopia through the control of language, and in order to survive in such a terrible situation the storyteller reconstructs her won verbal space against the controlling social space. Her tale is feminine writing against male-dominated logocentrism.

만성질환자와 정상인간의 피부건조상태에 관한 비교조사

유정숙,오필주,김금순 서울대학교 간호대학 간호과학연구소 1999 간호학 논문집 Vol.13 No.2

This study was done to find out the effective nursing intervention by comparatively evaluating the factors that affect skin condition in chronically ill patients who were diagnosed diabetes, chronic renal failure, altered mobility and in normal persons. Data were collected from December 7th, 1988 to January 9th, 1999. The subjects of this study were 35 patients with altered mobility, 34 patients with Diabetes, 32 patients with chronic renal failure, and 38 normal persons. The subjects were chosen from the ICU, diabetes unit, renal unit, and hemodialysis rooms of 'S' University Hospital. Method: The two observers inspected the skin condition of dryness with skin condition data form (SCDF) and measured transepidermal water loss (TEWL), skin pH, and content fo sevum at the forearm of subjects. Itching scale was recorded by researchers about the questionare to the subjects. Data were analyzed using SPSS/PC+; percentage to aalyze the general characteristics; Pearson correlation to find out the relation of each sysptoms; ANOVA to compare the significant differences among groups. Results can be summarized as; 1. The skin-dryness scores showed over 15 points in each chronic desease groups (altered mobility, 17.1857, diabetes, 15.5882, chronic renal failure 19.6250. 2. Chronic renal failure patients showed significant higher degrees than the other groups in itching score(5.0938, p<.000), and dryness of skin (19.625). 3. Diabetes patients represented the lowest scores in the skin pH(4.74). We recommand follows based on the above results; First, the study be extended to the other chronic disease patients like those who have jaundice or thyroid dysfunction, that is, affecting the skin condition. Second, using the varied methods to check the skin condition, we need to perform the repeated studies that enhance the reliability of test results.

Hemingway 문체의 본질과 계보

유정숙 全州大學校 1992 論文集 Vol.21 No.-

The Origin Of Hemingway's Style Twentieth century novelists like James Joyce and William Faulkner introduced the stream-of-consciousness technique into modern fiction. The technique was based on William James idea that human consciousness does not consist of a set of fixed perceptions and ideas but is fluid, moving like a stream. Thus the novelists who wished to come close to the truth of subjective human experience began to use the technique which would recreate this fluidity. Most of stream of consciousness novels are not rationally controlled or logically ordered. They represent private confusion. The overelaborate sentences have trailing and complicated clauses. But Hemingway's prose is called hard-boiled style. His sentences are short and simple. His words are easy. He relies on the objective, external description, instead of inner awareness. Wasn't he aware of stream of conscious? Of course he was! He has always been self-conscious and in the years of his apprenticeship in Paris he often discussed this art with Gertrude Stein-a trained philosopher and an admirer of William James and Henry Bergson. In my opinion the origin of Hemingway's style must be sought in Stein and James. In his The Principles of Psychology James elucidates the characteristics of the consciousness as a stream. Stein attempts to respond to the turn of the century preoccupation with the nature of consciousness and how to give it effective expression. The Making of Americans shows the idiosyncratic use of language and syntax that was to influnce Hemingway. Hemingway, like Stein, uses repetitions, which are his favorite glue. The short, active, declarative sentences are connected by "and" or "but". He avoids metaphors and similes. But he deals with the essential stuff of poetry-images and scenes which convey deep feeling. In short, he always tries to write on the principle of the iceberg. He doesn't show the stream of consciousness itself, but arranges things meticulously, I believe, to recreate the stream of consciousness for his reader.

As I Lay Dying에 나타난 문학적 기교

유정숙 全州大學校 1985 論文集 Vol.13 No.-

William Faulkner was born in the Southern states of America, and there spent most of his life. The majority of his novels are set in this region. In his novels he recreated the history of the South he know well. But he wanted to write about the nature of mankind "using the only tool I knew". It is through the power of his imagination and a variety of fictional techniques that he transcends the regional limitations into the universal significance. Faulkner continued to experiment with new techniques of fiction throughout his career. As I Lay Dying also deals with poor, white farmers in the South. The story appears simple; Addie Bundren has just died, and her family undertakes a difficult journey to a distant graveyard at Jefferson. But our immediate is the way it is told rather than the story itself. The aim of this dissertation is to examine the striking techniques of As I Lay Dying, that is, the multiple points of view and the interior monologue. The novel is divided into fifty-nine sections, each narrated by one of the fifteen characters. Each sections, as well as relating a moment in the action, shows us the feeling, secrets and personalities of each character. As in The sound and the Fury, Faulkner uses here "stream-of-consciousness" method. By the end of the book we know not only the details of the journey itself but also the individual personalities and interrelationships between the family. Faulkner explores and reveals to us the operations of the human mind through the series of interior monologues. And this exploration justifies the use of the characters and through the eyes of outsiders. We are exposed to so many differing viewpoints on various situations that we come to appreciate the irony of the disparity between appearance and reality. By using these brilliant techniques Faulkner sublimated the local, peculiar situation into general. As Faulkner himself ofter referred to this book, it seems possible to speak of it as a "tour de force".

Hydroxylamine 法에 依한 香料中의 Carbonyl-Compounds의 定量

劉貞淑 이화화학회 1968 梨花化學會誌 Vol.- No.7

담배에 包含되는 香料中의 Carbonyl Compounds의 定量을 Hydroxylamine法에 依하여 實驗하였다. 使用한 試料는 Vanillin, Cinnamic-aledhyde, Benzaldehyde, Heliotropin 等이며 이 實驗結果 Carbonyl Compounds에 의한 Hydroxylamine法에 어느 程度의 正確度를 가지고 있음을 알 수 있었다. Perfumes are used widely at the Cosmetic, Drug, Food, Soap and Tobacco Industry. Today, the determination of Carbonyl Compounds in perfumes are carring out by the Instrumental Analysis. In this experiment, We used one of the hydroxylamine method which is an interaction between Carbonyl Compounds and Hydroxylamine. We used Vanillin, Cinnamic aldehyde, Benzaldehyde and Heliotropin as test samples.

일무 구조에 관한 음양오행학적 연구

유정숙(Chung Sook Yoo) 대한무용학회 1998 대한무용학회논문집 Vol.24 No.-

근대계몽기"여성"담론의 형성과 계기들

유정숙 ( Jung Suk Yoo ) 한국언어문화학회 2009 한국언어문화 Vol.0 No.40

This paper is an attempt to trace back the emergence and the formation (the constitutive factors) of the discourse on women in Taekeukhakbo during the Korea`s enlightenment period, more precisely, in 1905-1910. Taekeukhakbo is the major academic journal during that time. In order to examine the socio-historical conditions and the constitutive factors of women`s discourse in Taekeukhakbo, this work should be understood/dealt within the context of the making of modern `nation-state` discourse and civilization-enlightenment. Obviously, they are the major dominant discourses during that time. This paper will mainly deal with the following topics: how they define `women`; what is to be women; what are women`s duties and positions in the social reality of the time; what is a good mother and wife; in what context, the discourse of good mother and wise wife are produced and mostly needed; how `real` women writers as historical beings acted and reacted to those dominant female`s values and social norms. Initially, the discourse of women in Taekeukhakbo operates in the framework of the concepts and ideologies on modern nation-state and civilization-enlightenment. Within doing so, Korean `women` emerged as new gungmin(國民, the citizen of nation-state) in the public communication world of Korea. Korean women are identified as gungmin (identification). To create the new identity of modern women, they often utilize a series of contrasts; duality, opposition, and symmetry. In this sense, western women are modernized (civilized women) and educated, which are the representations of ideal women. In this discourse, Korean women are often described as slave for or inferiors to Korean men. More importantly, the discourse of Korean women and its constitutive principles often present paradoxes. For example, Korean women are equal as gungmin like men. They, however, are to be gendered gungmin such as wise mothers and good wives excluded from the society. The women`s discourse in Taekeukhakbo are constructed through either the difference or equality of gender.

디자인 관점에서 옛 문헌에 나타난 한글 글자(활자)가족의 원형 연구

유정숙 ( Yoo Jung Sook ) 한국기초조형학회 2018 기초조형학연구 Vol.19 No.5

본 연구는 지금까지 연구사적으로 공백상태인 창제이후 옛 문헌에 나타난 우리 고유의 한글 글자(활자)가족의 원형을 발굴하고자 하였다. 이에 창제 이후 두 가지 이상 차별화된 한글양식이 나타난 15세기의 옛 문헌을 연구대상으로 당시 한자음 표기방식 기준 3가지 유형의 문헌을 선정 고찰하였다: 1. 동국정운식 한자음 한글 구성 문헌: <석보상절>1447, <월인석보>1459, <몽산법어언해>1460 2. 범어(산스크리트어)에 한자음 한글 구성 문헌: 한글판 <오대진언>1476, 국한문판 <오대진언>1485 3. 한국 한자음(현실 한자음)한글 구성 문헌: <진언권공>1496, <육조법보단경언해>1496 선정 옛 문헌 본문 유형에 따른 대표 글자를 집자하여 글자체(Typeface), 글자크기(Size), 획의 굵기(Weight), 글자 폭(Width), 경사도(Angle), 조판방법(Typeset) 등의 타이포그래피 기본요소아래 글자가족양식으로서 조형적 특성을 고찰 실험한 결과는 다음과 같다. 15세기 대표 옛 문헌 본문구성에 나타난 4가지 유형에 따른 한글양식들은 고유의 한국어, 외국어, 외래어로서 한자어 등을 구분하기 위해 타이포그래피 기본요소의 변화를 통한 차별화를 이루어 활자가족으로서 본문의 내용과 역할을 구분하고 있음이 새롭게 고찰되었다. 본 연구에서 규명된 옛 문헌의 다양한 본문유형에 따른 글자양식의 활용은 최초 한글 글자가족의 원형으로서 뿐만 아니라, 18세기 서구에서 이미 내용 전달을 위한 강조 및 구분으로써 활용했던 활자가족개념 보다 300여년을 앞선 것임을 실증적 사례로 입증한 것이다. 이 연구는 전통문화로서 오늘날 현대적 의미의 한글 글자가족 원형에 대한 디자인적 가치를 조명하는 연구 및 기초 자료로서 중요한 의미를 지닌다. This study aims to uncover the original form of the Korean alphabet Hangul's type family in old literature published after Hangul's invention, a so far unattended area in the history of research on Korean types. This study, therefore, focused on literature from the 15th century when more than two distinct Hangul styles emerged and grouped such literature into three different categories based on how Sino-Korean pronunciation has been transcribed in Hangul. 1. Works with Hangul transcriptions of Sino-Korean pronunciation according to the Dongguk jeongun system: “Seokbo sangjeol” 1447, “Worin seokbo” 1459, “Mongsan beobeo eonhae” 1460 2. Works with Pali (Sanskrit) text and Hangul transcriptions of Sino-Korean pronunciation: Hangul edition of “Odae jineon” 1476, Annotated edition with Chinese characters and Hangul 1485 3. Works with Hangul transcriptions of Sino-Korean pronunciation (actual pronunciation): “Jineon gwongong” 1496, “Yukjo beopbo dangyeong eonhae” 1496 The outcome of examining analysis can be summarized as below. Examining the various styles of Hangul from different categories of literature representative of the 15th century led to the discovery that vernacular Korean, foreign words, foreign languages, and Sino-Korean words were made distinguishable from one another by differentiating the Typeface, Size, Width, and Weight of types as well as their Typeset and placement within the text. The forms of Hangul and use of different styles identified through this study is not only meaningful for determining the original form of the first Hangul type family, but serves as proof through empirical examples that they existed nearly three hundred years prior to the various type families used in the West during the 18th century to emphasize and partition text for effective content delivery. Hence, the significance of this study lies in securing basic data for research aimed at shedding light on the design value Hangul's original, traditional form carries for Hangul type families in the contemporary sense.

한글 궁체 연구와 전통 서예 교육의 선구자로서 갈물 이철경 고찰 연구

유정숙(Yoo, Jung-Sook),조성자(Cho, Sung-Ja) 한글서예학회 2021 한글서예연구 Vol.- No.1