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영화와 텔레비전의 소수집단 현실 구성방식에 관한 비교연구
황인성(Whang In-Sung) 한국영화학회 2004 영화연구 Vol.0 No.23
The basic assumption for this study has been that mass media do not simply ret1ect the social reality of certain groups of people in passive manner, but instead actively participate in constructing it through the use of various types of representation. Along with this assumption, this study attempted to examine how 〈Bad Movie〉, a film and 〈Follow-up News〉, a current affair television documentary had constructed the reality of delinquent teenagers in our society, and tried to grasp the implications of two different realities so-constructed. What the case study has revealed is like the following, 〈Follow-up News〉 appears to be a sequel of 〈Bad Movie〉 in the sense that the same characters appeared in both texts and that the story of the episode of 〈Follow-up News〉 was actually a follow-up of the stories with regard to the same characters who showed up in 〈Bad Movie〉. And 〈Follow-up News〉 appropriated some of sensational scenes of 〈Bad Movie〉 very strategically in the process of constructing the reality of the target delinquent teenagers. In this process, the techniques of, I would call, 'de-contextualizarion' and 're-contextualization' was utilized in the process of transforming original meanings of the scenes. And, this whole process also resulted the transformation of the open form of narrative structure of the story regarding the same teenagers into the closed one. Finally, this study can argue that the medium of film seems relatively more progressive than television in its treatment of socially serious problems.
영화〈꽃잎〉과 〈화려한 휴가〉의 영상 재현과 대중의 기억(Popular Memory)이 구성하는 영화와 역사의 관계에 관한 연구
황인성(Whang In Sung),강승묵(Kang Seung Mook) 한국영화학회 2008 영화연구 Vol.0 No.35
The purpose of this article is to explore the relationship between film and history based on the critical concepts and theories of visual representation in film and popular memory. In order to do this, this paper studies how visual representations of film in general, and those of A Petal and Remember U 518 cases in particular, describe the history of 5ㆍ18 Gwang-Ju Democratization Movement on the basis of 'memories' that are embedded in the complex relationships between the present and the past as well as between the history and historicity. Finally, the case study in this paper has come to an conclusion that the films only offered a partial and limited perspective regarding historical events that are especially sensitive in terms of politics all around the country. So, based on this conclusion, we suggest that the formation of popular memory tends to be negotiated and heavily influenced by the relationship between the past and the present. Futhermore, we argue that Korean films in this case function as the device of public representation that reinforces the official history through re-construction and re-production of the dominant memories.
한국영화에 드러난 동화주의적 다문화주의에 대한 일고찰: 2000년 이후를 중심으로
김보연 ( Bo Yeon Kim ),황인성 ( In Sung Whang ) 한국커뮤니케이션학회 2016 커뮤니케이션학연구 Vol.24 No.2
본 논문은 2000년 이후 상영된 9편의 국내 영화에 등장하는 외국인 캐릭터들에 대한 구조주의적 분석을 중심으로 이들이 우리 사회의 ‘다문화주의’ 이슈와 관련해서 어떤 의미를 갖는지 탐구하였다. 분석을 위한 도구로서 레비-스토로스의 이항대립 개념과 토도로프의 내러티브 스키마가 활용되었다. 연구결과, 상기 영화들에서 외국인 캐릭터들은 대체적으로 낯선 이방인으로 재현되면서 결국 한국 사회 내에 병합되거나 또는 한국 사회로부터 배제되는 헤게모니적 통제의 대상으로 인식되는 경향을 보였다. 이것은 다분히 동화주의적전략의 일환으로 보이며, 실제 외국인들의 삶이나 현실적 갈등, 한국 사회의 억압적태도 등에 대한 문제제기의 기회를 봉쇄하는데 기여하는 것으로 드러났다. The purpose of this paper is to explore what the recent trend of representation of foreign characters in Korean popular films since 2000 tells us about the emerging issue of Multiculturalism in Korea since 2000. Among the major methodological tools used in the present study of the films are the concept of binary oppositions by Levi-Strauss and the narrative schema developed by Todorov. According to the result of the study, it has been argued that the narratives of the film texts under study tend to perform hegemonic control by accepting foreign characters as strangers while incorporating them into or excluding them from the dominant Korean social group. This tendency looks like an assimilation strategy and contributes to the blockade of possible criticism concerning the various problems and conflicts that the foreigners actually face in their everyday lives in Korea.