수경재배 시 적산 일사량과 배지 수분 함량 복합 급액 제어에 의한 '설향' 딸기(Fragaria annanassa Dutch. cvs. 'Sulhyang')의 생육 및 품질

최수현,김소희,최경이,정호정,임미영,김대영,이선이,Choi, Su Hyun,Kim, So Hui,Lee Choi, Gyeong,Jeong, Ho Jeong,Lim, Mi Young,Kim, Dae Young,Lee, Seon Yi 한국생물환경조절학회 2021 생물환경조절학회지 Vol.30 No.4

우리나라 딸기 재배는 시설 재배로 이루어지고 있으며, 대부분 농가의 급액 관리는 재배자의 경험을 토대로 타이머 제어 방식으로 이루어지고 있다. 타이머 급액 방법은 재배 환경, 작물의 생육 단계, 배지 수분 함량 등을 고려하기 어려워 작물을 최적 수준으로 관리하지 못하고, 급액 관리의 정확성이 결여되는 문제점이 있다. 적산 일사량과 배지 수분함량을 이용한 급액 방법은 작물의 생육 상태에 따라 정밀하게 양액을 공급하는 친환경적인 방법이다. 본 연구는 코이어배지를 이용한 딸기 수경재배에서 적산일사량과 배지 수분함량을 이용한 복합 급액 제어와 타이머 제어 급액 방법을 비교하고 복합 급액 제어 시 최적의 적산 일사량 기준을 설정하고자 수행하였다. 적산일사량 급액 방법은 외부 일사량을 기준으로 100, 150, 250J·cm^-2에 도달하면 자동으로 급액하며 배지 수분함량이 60% 미만이면 강제 급액하고, 1회 급액량은 50mL로 공급하였다. 타이머 제어는 대조구로 설정하였다. 급액을 개시하는 적산 일사량 기준이 작을수록 일일급액량이 많았으며 100J·cm^-2 기준 급액 시 급액량은 250J·cm^-2 처리구 대비 46% 많았다. 지상부 생체중과 건물중 모두 복합 급액 제어 방법이 타이머 제어보다 높았으며, 100, 150J·cm^-2 처리구에서 지상부 생체중이 높았고 100J·cm^-2 처리구에서 건물중이 유의하게 높은 값을 나타냈다. 수량 또한 타이머 제어 방법보다 복합 제어 방법에서 유의하게 높았으며 적산 일사량 기준이 작을수록 초기 수량이 증가하였다. 평균 과중은 타이머 제어 급액 시 가장 낮았다. 본 연구 결과 딸기의 정밀 급액 관리를 위하여 적산 일사량과 배지 수분 함량 센서를 이용한 복합 제어 활용 가능성을 확인하였다. Strawberry cultivation in Korea is grown in greenhouse, but most farms manage their water supply using a timer control method based on the experience of growers. The timer control has problems in that it is difficult to consider the weather condition, the growth stage of crops, and the moisture content of the substrate, so that the crops cannot be managed at an optimal level, and the accuracy of cultivation management are lacking. The watering methods using integrated solar irradiance and substrate moisture contents are control systems that provide eco-friendly and precise water supply considering the growth conditions of crops. The purpose of this study was to compare the combined water supply control with integrated solar irradiance and substrate moisture contents and timer control method in hydroponic cultivation of strawberries using coir, and to set the optimal integrated solar irradiance level for complex water supply control. The irrigation system was automatically watered when it reached 100, 150, 250 J·cm^-2 based on the external solar irradiance, and forced irrigation was performed at a substrate moisture content of less than 60% in all treatments. The amount of irrigation at once was 50 mL. The timer treatment was applied as a control. The smaller the level of integrated radiation to start watering, the greater the daily amount of irrigation. Both the fresh weight and dry weight per plant were higher in the complex irrigation control method than the timer control, and the 100 and 150 J·cm^-2 treatment had the highest fresh weight, and the 100 J·cm^-2 treatment showed a significantly higher dry weight. The yield was also significantly higher in the complex control method than in the timer, and the early yield increased as the level of integrated solar irradiance was smaller. The fresh weight of fruit was the lowest in the timer-controlled irrigation. As a result of this study, the possibility of combined control irrigation method using integrated solar irradiance and substrate moisture content was confirmed for precise water supply management of strawberries in hydroponics.

대학교 행정실 실내 외 공기 중 나노입자와 중금속 농도에 관한 연구

최수현,임지영,박희진,정은경,김종오,손부순,Choi, Su-Hyeon,Im, Ji-Young,Park, Hee-Jin,Chung, Eun-Kyung,Kim, Jong-Oh,Son, Bu-Soon 한국환경보건학회 2012 한국환경보건학회지 Vol.38 No.6

Objectives: The purpose of this study is to investigate the mass concentration of nanoparticles and understand the characteristics of elements of heavy metal concentrations within nanoparticles in the air using Micro-Orifice Uniform Deposit Impactor Model-110 (MOUDI-110), based on indoor and outdoor air. Methods: This Study sampled nanoparticles using MOUDI-110 indoors (office) and outdoors at S University in Asan, Korea in order to reveal the concentration of nanoparticles in the air. Sampling continued for nine months (10 times indoors and 14 times outdoors) from March to November 2010. Mass concentrations of nanoparticle and concentrations of heavy metals (Al, Mn, Zn, Ni, Cu, Cr, Pb) were analyzed. Results: Indoors, geometric mean concentration of nanoparticles ranged in size from 0.056 ${\mu}m$ to 0.10 ${\mu}m$ and those of 0.056 ${\mu}m$ or less recorded 0.929 ${\mu}g/m^3$ and 1.002 ${\mu}g/m^3$, respectively. On the other hand, the levels were lower outdoors with 0.819 ${\mu}g/m^3$ and 0.597 ${\mu}g/m^3$. Mann-Whitney U tests showed that the difference between the indoors and the outdoors was statistically meaningful in terms of particles of 0.056 ${\mu}m$ or less (p<0.05) in size. These results are possibly influenced by the use of printers and duplicators as the factor that increased the concentration of nanoparticles. In seasonal concentration distribution, the level was higher during the summer compared to in the autumn. Those of 0.056 ${\mu}m$ or less in size presented a statistically meaningful difference during the summer (p<0.05). These results may be influenced by photochemical event as the factor that makes the levels high. Regarding zinc, among the other heavy metals, the fine particles ranged in size from 0.056 ${\mu}m$ to 0.10 ${\mu}m$ and those of 0.056 ${\mu}m$ or less recorded 1.699 $ng/m^3$ and 1.189 $ng/m^3$ in the outdoors. In the indoors, the levels were lower, with 0.745 $ng/m^3$ and 0.617 $ng/m^3$. Cr and Ni at the size of 0.056 ${\mu}m$ or less, both of which have been known to pose severe health effects, recorded higher concentrations indoors with 0.736 $ng/m^3$ and 0.177 $ng/m^3$, compared to 0.444 $ng/m^3$ and 0.091 $ng/m^3$ outdoors. By season, Zn, Ni, Cu and Pb posted a high level of indoor concentration during the fall. As for Cr, the level of concentration indoors was higher than outdoors both during the summer and the autumn. Conclusion: This study indicates the result of an examination of nano-sized particles and heavy metal concentrations. It will provide useful data for the determination of basic nanoparticle standards in the future.

딸기 수경재배 시 ‘베리스타’와 ‘죽향’의 생육과 품질 향상을 위한 적정 양액농도 설정

최수현(Su Hyun Choi),최경이(Gyeong Lee Choi),정호정(Ho Jeong Jeong),김승유(Seung Yu Kim),이성찬(Seong Chan Lee),최효길(Hyo Gil Choi) (사)한국생물환경조절학회 2017 생물환경조절학회지 Vol.26 No.4

최근 국내에서 육성된 딸기 신품종 ‘베리스타’와 ‘죽향’ 의 수경재배 시 생육 단계별 적정한 양액 농도가 품질과 생산성에 미치는 영향을 구명하기 위하여 연구를 수행하였다. 길이 40m, 폭 10m의 플라스틱 온실 내에 높이 1m, 폭 33cm의 수경재배용 베드를 설치하고 원예용상토를 충진한 후 ‘설향’, ‘베리스타’, ‘죽향’ 묘를 정식하였다. 배양액은 네덜란드 PBG 배양액을 사용하였으며, 생육 단계를 생육초기-개화기-수확초기-수확후기로 나누어 처리 2는 ‘설향’ 기준 급액 농도 EC 0.68-1.0-1.2-1.0dS·m<SUP>-1</SUP>, 처리 1은 30% 낮은 농도인 EC 0.68-0.8-0.85-0.7dS·m<SUP>-1</SUP>, 처리 3은 30% 높은 농도인 EC 0.68-1.2-1.55-1.3dS·m<SUP>-1</SUP>으로 급액 하였다. 재배기간 동안 딸기품종별 생육과 수량 등을 조사하였다. ‘베리스타’는 2번 처리구와 3번 처리구 간의 지상부 생육에 차이가 없었으며, ‘베리스타’와 ‘죽향’ 모두 양액 농도가 높을수록 엽색이 짙었으나 양자 효율은 차이가 나지 않았다. ‘죽향’은 급액농도에 따라 3월 이후 생육 후기에 생육 차이가 뚜렷하였고, 3번 처리구에서 가장 생육이 왕성하였다. ‘베리스타’와 ‘죽향’ 모두 과중, 과장, 과폭 및 과실 경도가 3번 처리구에서 유의하게 높은 값을 나타냈다. 수확과의 총 당 함량은 처리 간에 차이가 없었으나 환원당과 비환원당의 조성 비율은 처리별로 다르게 나타났다. 수량을 조사한 결과, ‘베리스타’는 급액 농도가 높아질수록 수확과의 수가 많았으나 수량은 처리별로 큰 차이가 나타나지 않았다. 반면, ‘죽향’은 급액농도 간에 뚜렷한 차이를 보였으며, 3번 처리구에서 가장 수확량이 많았다. 생육 특성과 과실 품질을 종합적으로 고려해 본 결과, ‘베리스타’는 ‘설향’ 표준 급액농도와 동일하게 EC 0.68-1.0-1.2-1.0dS·m<SUP>-1</SUP>로 관리하는 것이 경제적이며, ‘죽향’은 ‘설향’ 기준 급액농도보다 30% 높은 EC 0.68-1.2-1.55-1.3dS·m<SUP>-1</SUP>로 공급해 주는 것이 고품질의 과실을 많이 수확할 수 있는 방법으로 판단된다. This study was conducted to set the optimum nutrient solution concentration by growth stage for new strawberry cultivars ‘Berrystar’ and ‘Jukhyang’(Fragaria × ananassa Duch. cvs. ‘Berrystar’, ‘Jukhyang’) grown through hydroponics to improve the quality and yield. Three different EC levels were applied to the nutrient solution. The treatment levels were 0.7, 1.0 and 1.3 times higher than the nutrient concentration standard for ‘Seolhyang’ based on the ‘Manual for strawberry cultivation’ of Rural Development Administration. Based on the results, there were no significant differences in growth of ‘Berrystar’ by EC level. ‘Jukhyang’ showed the most vigorous growth grown in 1.3 times higher nutrient concentration. While the growth of ‘Berrystar’ and ‘Jukhyang’ grown in higher EC level has leaves with more chlorophyll concentration. However the quantum yield of leaves was not affected by the treatments. On the treatment with 1.3 times higher EC level, the weight, length, width and firmness of ‘Berrystar’ and ’Jukhyang’ were significantly high. The sugar contents of the harvest analyzed by HPLC did not differed particularly, but the percentage composition of reducing sugar and non-reducing sugar were presented differently depending on the treatments. Marketable fruit yield increased as nutrient concentration increases. However, there were no large differences by treatments. Meanwhile, ‘Jukhyang’ showed significant difference by nutrient concentration and had the largest yield for a treatment grown in 1.3 times higher EC level. Based on these results, it is recommended to provide the same nutrient solution concentration level to the nutrient concentration standard of ‘Seolhyang’ for ‘Berrystar’, and the 1.3 times higher level for ‘Jukhyang’.

딸기 수경재배시 양액 농도에 따른 딸기 신품종의 생육과 수량 변화

최수현(Suhyun Choi),김승유(Seung Yu Kim),최경이(Gyeong Lee Choi),이성찬(Seong Chan Lee),최효길(Hyo Gil Choi) 한국원예학회 2017 한국원예학회 학술발표요지 Vol.2017 No.5

국문장편소설 공간 구성 고찰 -<임씨삼대록>을 중심으로-

최수현 ( Sue Hyun Choi ) 한국고소설학회 2012 古小說 硏究 Vol.33 No.-

이 글은 국문장편소설인 <임씨삼대록>의 공간의 특징을 살피고 그 의미를 밝히고자 한 것이다. 18세기부터 20세기까지 널리 향유되어 온 <임씨삼대록>은 국문장편소설 가운데서도 특히 다양한 중국 지역이 등장할뿐더러 중심인물들이 생활하는 근거지가 구체적으로 묘사되어 있는 작품이다. 그리고 이러한 공간들은 단지 장소로서만 기능하는 것이 아니라 소설 구성상 다양한 기능들을 효과적으로 하고 있어 국문장편소설의 창작방식의 한 측면을 확인하게 해 준다는 점에서 주목을 요한다. <임씨삼대록>의 공간은 세 가지 큰 특징을 보인다. 다양한 중국 지역의 활용과 수도 연경의 부각, 황실 권위에 기댄 근거지 입지 선정과 근거지 건축물의 끊임없는 확장, 중심가문 건축물의 구체적 명명과 인물 성품에 따른 배치가 그것이다. 이러한 특징을 바탕으로 <임씨삼대록>의 소설공간은 구성상의 기능을 수행한다. 위에서 살펴본 공간의 특징들은 크고 작은 사건들을 끊임없이 촉발시키는 계기가 되어준다. 또한 도술이나 변신과 같은 소재의 활용으로 작품의 비현실적인 분위기가 만들어질 때에도 한 축에서 공간을 통해 일상적인 분위기를 조성해 작품의 분위기를 균형 있게 만들어준다. 이와 함께 근거지와 별장의 배치, 근거지 입지 선정, 근거지 건물의 끊임없는 확장을 통해 임부가 지향하는 바를 효과적으로 드러내준다. 이로 미루어보건대 <임씨삼대록>의 공간은 작가가 단지 장소로서만이 아니라 서사세계를 보다 입체적으로 만들어 작품에 실감을 부여하며, 구성요소의 하나로 소설 공간이 여러 기능을 수행할 수 있도록 고심한 가운데 탄생한 것으로 보인다. This study aims to explore the characteristics of space in the feature-length story in Korean Language, LimSsiSamdaerok, and to examine its significance. The LimSsiSamdaerok widely read from the 18th century to 20th century is particularly note worthy amongst its kind as it features a variety of regions in China and describes the residence of the characters in detail. These spaces not only function as location but also perform important roles in construction of the plot. They mirror one aspect of the way in which a feature-length story in Korean Language was created and call for more profound scholarly attention. The space in the LimSsiSamdaerok has three distinctive characteristics. First, it features diverse regions in China and in particular highlights Yan Qing. Second, the residential location is selected under the imperial favor and the buildings are constantly expanded. Third, the buildings that belong to the major family are entitled in the particular way and hierarchically posed in accordance with the residents` status. With these features, the space in the LimSsiSamdaerok is employed for the construction of the story. These features trigger big and small events in the story. When such subject matters as magic and transformation create an uncanny scene, the realistic space balances it with a mundane backdrop. Additionally, the arrangement of residence and vacation home, the selection of location, and the ceaseless expansion of buildings clearly reflect Lim Bu`s aspiration. In conclusion, the space in the LimSsiSamdaerok, surpassing the role of simple location, contributes to creating a more realistic world in the fiction and is implemented as a component that enables the fictional space to function in diverse levels.

『화학물질 등록 및 평가 등에 관한 법률』 대비 시험난해성 화학물질 그룹별 유수식 수생태 독성시험방법 개발

최수현(Suhyon Choi),김민아(Mina Kim),이시원(Siwon Lee),조유진(Yujin Jo),이정현(Junghyun Lee),신호상(Hosang Shin),강혜인(Hyein Kang),정용안(Yongan Jung),진영민(Youngmin Jin),구선혜(Sunhea Ku),최진희(Jinhee Choi) 환경독성보건학회 2015 한국독성학회 심포지움 및 학술발표회 Vol.2015 No.10

뿌리깊은나무박물관 소장 <소씨직금기봉(蘇氏織錦寄封)> 수록 고소설 고찰

최수현 ( Choi Sue-hyun ) 한국고소설학회 2018 古小說 硏究 Vol.46 No.-

이 글의 목표는 뿌리깊은나무박물관 소장 <소씨직금기봉>에 수록되어 있는 고소설을 소개하고 검토하는 것이다. 한창기 선생이 수집한 <소씨직금기봉>에는 <소씨직금기봉>, <취미삼선록>, <여와록>, <사시풍경>이 수록되어 있는데, 이 중 <소씨직금기봉>, <취미삼선록>, <여와록>은 고소설이다. 이 필사본 책에 실려 있는 3편의 고소설의 내용과 특징을 정리해보면 다음과 같다. <소씨직금기봉>은 <소약란직금회문록>의 한 이본으로 전체 내용이 필사되어 있으며, 이는 소약란을 중심으로 한 이본계열에 속하는 작품이다. <취미삼선록>의 경우 완질본인 천리대본의 후반부 내용을 필사하고 있으며 사건의 생략과 축약이 많이 이루어졌으나 작품 말미에 다른 이본에서는 발견되지 않는 황실 가계에 대한 설명이 소개되어 있다. <여와록>의 경우 <여와전>의 한 이본으로 앞의 사건이 많이 생략, 누락되어 있으며, 마지막 사건의 경우가 비교적 온전히 필사되어 있다. 이 필사본 책에 수록된 고소설들은 모두 고소설 중에서도 여성과 관련된 문제가 두드러진 작품들, 구체적으로는 남편이 다른 아내를 두는 것에 대해 투기(妬忌)하지 말고 부덕(婦德)을 지킬 것에 대해 이야기 한 작품들이라는 공통점을 보인다. 또한 이 소설들은 부덕을 지켜야 하는 여성들이 겪는 고통을 섬세하게 드러낸 작품이자, 관련된 다양한 고소설에 대해 잘 알고 있을 때에 보다 더 잘 이해되는 작품이라는 공통점이 있다. 아울러 <소씨직금기봉>이 내용 전체가 필사되어 있는 것에 비해 <취미삼선록>과 <여와전>은 일부만 필사되어 있는 이 책의 모습은 필사자가 자신의 취향에 맞춰 소설을 선별하고 관심 있던 부분을 필사해 향유했던 점을 실증적으로 확인하게 한다는 점에서 의미가 있다. The purpose of this research study is to introduce and review the classical novels in Soshijimgeumgibong that are exhibited in the Deep Rooted Tree Museum. Soshijimgeumgibong collected by Mr. Han Chang-gi contains Sosshijiggeumgibong, Chuimisamseonrok, Yeowarok, Jiggeumdo, Jaemundo, Sashipunggyeong. The three stories, Sosshijiggeumgibong, Chuimisamseonrok, Yeowachon described above are classical novels. The order of which these works are described are as above. In the process of publishing them in book forms, a number of papers were jumbled to and fro. Originally, it seems that these works are contained in the order of 'Yeowachon- Chuimisamseonrok -Sosshijiggeumgibong-Jiggeumdo, Jaemundo- Sashipunggyeong.' As for the period of transcription, it is estimated that these works were transcribed in 1889 or 1949. Regarding the classical novels contained in these work collections, the common thing to be considered is that all of them have the stark awareness of women. Specifically, the novels tell the story that a wife must not show jealousy of her husband's having another wife, and but follow the virtue that women ought to follow. Furthermore, these works made the detailed descriptions about sufferings women have when they are in the situation in which they have to follow women's virtue. In this sense, it can be considered that these work collections were transcribed, especially with the greater focus of attention on difficulties that women suffer under the patriarchical system, compared to other various classical novels. Considering that the classical novels in the work collections were transcribed so that any reader reading various fields of novels including long novels in Korean could understand, it can be anticipated that the transcriber had the considerably broad scope of reading. This book consisting of a lot of transcribed works is of significance in that any reader reading classical novels selected and left the works again according to individual tastes- although Chuimisamseonrok and Yeowachon were partially contained, while Sosshijiggeumgibong was totally contained.

Al7075제 항공기 저장조의 제조공정 개선에 관한 연구

최수현(S.H.. Choi),김웅범(W.B. Kim),조영태(Y.T. Cho),정윤교(Y.G. Jung) 한국생산제조학회 2015 한국생산제조시스템학회 학술발표대회 논문집 Vol.2015 No.10

국문장편소설에 나타난 기생 형상화와 그 의미

최수현(Choi, Sue-hyun) 원광대학교 인문학연구소 2012 열린정신 인문학연구 Vol.13 No.2

The purpose of this research thesis is to study about the characters of <Yussisamdaerok> and <LimSsiSamdaerok>, the two feature-length stories in the Korean language, and to clarify the awareness of Gisaeng(a kind of prostitutes who is well-versed in singing, dancing or composing poems.) Attracting attention, in the eighteenth century depicts, the two narrative works can be found to depict Gisaeng, on not a momentary or temporary but an important basis. Given that most feature-length stories in the Korean language hardly deal with Gisaeng, the two works, the central story of Gisaeng, deserve to be noted in that they lead readers to realize about how Gisaeng is perceived. Appearing mainly in the two works, the Gisaeng can be identified that in short, she becomes a concubine of a male character. In <Yussisamdaerok>, the concubine is depicted as a character who becomes one of the members of the family where her loving man belongs. At the same time, she is depicted as a character who remains "faithful" to her husband, and obeys to his legal wife, when she judges that the man is well-mannered. Meanwhile, the Gisaeng in <LimSsiSamdaerok> is depicted as a character who easily becomes a concubine of a man, in his work post, because the man is her "old lover", and he is vigorous- minded. But, in this work, the concubine slanders the male character"s legal wife, and prevents him from cultivating his moral training, and, at last, she is disqualified from the status of a concubine, without standing as the status for ever. Through Gisaeng or concubine, the two works show that the words like "old lovers" or "faithfulness", are used as the indicators of purity or chastity. Also, they unveil that a concubine can become one of the family members, only when she obeys to the legal wife of a family head, while a concubine who attempts to slander her husband"s legal wife, and rock the boat all around the family, is kicked. Also, the two works suggest that a man of a good character succeeds in managing his home, even when he makes Gisaeng his concubine, whereas, a man of vigorous-minded character is seduced by his concubine and fails in cultivating his moral training. Considering the fact, it can be identified that the two works see Gisaeng or concubine as one who seduces a man, and they perceive her as one who is difficult to become one of family members, since Gisaeng or concubine is in a low social status. In addition, it can be identified that Gisaeng or concubine belongs to the lowest position, unlike any other legal wives, taking into account that she carries out a role like maids, and is perceived as one who can be kicked out of the families, all the time. Such awareness of Gisaeng, described in <Yussisamdaerok> and <LimSsiSamdaerok>, mirrors that the works have a relatively conservative viewpoint of that Gisaeng is incorporated into a family and changes her status. This makes difference from Gisaeng appearing, in general traditional novels, as a character who gets the position as a man"s legal wife or a similar and equal position, after she remains faithful to her husband and supports him. Also, this shows difference from Gisaeng appearing as a character who is easily accepted as a concubine, after she carries out her duties.

<임씨삼대록>에 나타난 도술의 특징과 그 기능 - 애정 욕망 발현 여성을 중심으로

최수현 ( Choi Sue-hyun ) 한국고소설학회 2017 古小說 硏究 Vol.43 No.-

이 글은 국문장편소설 <임씨삼대록>이 신마소설로부터 받은 영향과 변별점을 애정 욕망 발현형 여성을 중심으로 살펴본 것이다. 18세기부터 20세기까지 향유가 이루어진 <임씨삼대록>은 <평요전>을 비롯한 중국 신마소설로부터 인물에 대한 상상력, 도술의 기원, 서사 구조 측면 등에서 영향을 받은 모습들이 발견된다. 특히 이 작품의 애정 욕망 발현 여성인물들은 신마소설의 핵심 소재라 할 수 있는 도술을 적극적으로 배워 직접 시행하는 모습들을 보여준다. 이들 여성들은 도술의 계보를 만들며, 애정 획득과 관련된 부분에 집중적으로 사용하는데, 이러한 도술은 이 여성들을 결집하게 하는 구심점이 되어주며, 더 나아가 가부장제에 도전하는 동력이 되고 있다. <임씨삼대록>은 이처럼 신마소설에 활용된 도술과 이를 이용해 보여준 사회인식들을 원용해, 애정 욕망 발현형 여성들의 형상화를 새롭게 하며, 애정 표출을 음란함으로 규정하고 비난하는 체제 규율 그 자체에 도전하게 함으로써 이를 문제 삼는 유교 가부장제가 지닌 모순을 들여다보게 한다. This research study examined a long novel in Korean Imsisamdaerok to understand the influences of novels dealing with divines and religions on this novel, and its point, focusing on women characters of the type of bad temper. The novel Imsisamdaerok which had been relished from the 18th century until the 20th century shows the influences and relations in terms of imagination of characters, the origin of Taoist magic, the structure of narrative derived from the Chinese novels dealing with divines and religions, including PingYaoZhuan. Especially, women characters of the type of bad temper appearing in this work show an active attitude to learn and perform Taoist magic to be called the main subject matter of the novels dealing with divines and religions. Such women draw up the pedigree of Taoist magic to use it mainly for the pursuit of love. Such a magic plays a central role to establish close ties between bad women and make them co-operate in unison. Furthermore, it becomes a momentum for those women to defy the established system. The novel Imsisamdaerok sheds new light on the image of bad women through Taoist magic used in novels dealing with divines and religions, and a lot of social awareness shown in it by making those women defy the social system and rule itself that defines women`s expression of love as a vulgar act and criticizes for it. By doing so, this novel unveils the contradictions that Confucian patriarchism taking the issue with it has.