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정문권 우리어문학회 2001 우리어문연구 Vol.16 No.-

나혜석 · 강경애 수필의 구성 연구

정문권,이영조 배재대학교 인문과학연구소 2004 人文論叢 Vol.21 No.-

1910년대 아동신문 『붉은 져고리』 연구

정문권,이희영(Jeong, Moon-kwon,Lee, Hee-youn) 한국언어문학회 2013 한국언어문학 Vol.84 No.-

In this paper, a children’s publication, 『Red Korean jacket』 was analyzed, which was published by Shinmungwan in 1912 as the foundation to discuss the formation of modern children’s literature. How the western modern children image was found was noticed and how those images were exposed in our modern history was examined. Modern children were also finally ‘found’, as they came in to modern times. Adults recognized that the child is not an immature existence but a pure existence and also thought they are the existence that should be ‘protected’. 『Red Korean jacket』 is a periodical which aimed at the children at those times. Generally, homogeneous levels of works are included and the active name calling is calls are done for modern children. But this has the totally different characteristic in that the 『boy』 has called the boy as an object that would save the country. Examining the contents of 『Red Korean jacket』, things are found which can give interests to the children. Great men or the old stories are completely reorganized and written for the levels of the children. Additionally, humors or quiz which appeared at the corners like ‘laughing’ or ‘one page of drawing’, ‘seeing doctor’ ‘next how?’ became good play things for the children. And, through the corners of ‘What is it?’ or ‘stories’, basic knowledge and the modern civilizations are introduced. Besides, in ‘enlightening words’, right attitudes of the children are requested through the article. 『Red Korean jacket』 has the meaning in that it is the first newspaper which has aimed for the ‘modren children’. However, in the reason that it is the first trial, modern movement for the children didn’t have the complete system or contents in contents. But, if it is considered that the perfect thing does not exist from the start, it cannot be disregarded that the level is low even though the shape or the content has the insufficiency. And the fact that 『Red Korean jacket』 doesn’t show the active enlightenment movements compared with 『boy』 cannot be criticized as the retreat of enlightenment because its subjects’ ages become low and the level of works are intentionally lowered. On the other hand, those active efforts which try to meet the levels with the thoughts of the specific objects in mind can be seen as one part of the modern movements.

황순원 소설의 휴머니즘 담론 양상 : 1950년대 단편소설을 중심으로

정문권 배재대학교 인문과학연구소 2004 人文論叢 Vol.21 No.-

장용학 소설 연구 : 人間救援, 그 永續性의 變奏

정문권,이영조 배재대학교 인문과학연구소 2005 人文論叢 Vol.22 No.-

This dissertation analyzes Jang Yong-hak's fiction 'Archetype's Legend'. He was a writer that stood out in the middle of the time when our nation was suffering deeply. He wanted to present the wicked and wretched wars, which caused mental damages, as a literary work. The book's expression of the negative perspective shows the true wanting of liberty but the impossibility because of the present situation. Jang Yong-Hak used allegory literature technique and imagination to express our nation's sadness in a piece of literatury work. The dissertation is divided as the writer's world of awareness and the main character's awareness. As you trace twisted life of "Lee Jang", you have a glimmer of Author's rebellious spirit about the morbidly contradicting and irrational world. The novel's main thesis is focused on human salvation and to find out the mysterious consequence of people's ethics that opposite the choice of corruption. It demands humans to reflect on one's conduct and about their desirous life.

손창섭 소설의 휴머니즘 연구 - 현실의 비정성에 대한 극복의지 -

정문권 한남대학교 한남어문학회 1995 한남어문학 Vol.20 No.-

영화 [아가씨]의 악인형 분석

정문권 한국콘텐츠학회 2019 한국콘텐츠학회논문지 Vol.19 No.1

The purpose of this study is to analyze the main character characters of the movie [THE HANDMAIDEN]. All four characters in the movie [THE HANDMAIDEN] have in common is that they all have seen ‘the Existence’ and have the factors behind the villainous figure. Kozuki and Hideko had clear and typical symptoms, have been diagnosed as a structural layer of perversion and neurosis by Lacan's psychoanalysis Methodology. On the other hand, since Sook-hee and Ko-pandol have the nature of being a criminal, they have long been faced up to the existence. It was difficult to approach to the structural layer of psychoanlysis Methodology. Therefore, the PCL-R diagnosis used to analyze the personality type of Sook-hee and Ko-pandol and add structural analysis again. As a result, Kouzuki had an Sadist, Hideko had an obsessive compulsive and Sook-hee had an anti-social lifestyle, but she was in a normal emotional category. It was noted that the Ko-pandol was a potential Sadist and part of a sociopath. 본 연구는 영화 [아가씨]의 주요 등장인물의 유형을 분석하는 것을 목적으로 한다. 영화 [아가씨]의 네 캐릭터는 모두 '실존'을 보았고 악인형의 요소를 가지고 있다는 공통점이 있다. 코즈키와 히데코는 라캉의 정신 분석 방법론에 의해 각각 전형적인 도착증, 강박증 증상을 보였다. 반면 숙희와 고판돌은 범죄 환경 속에서 실존에 직면한 성장 특성을 지니고 있기 때문에 정신 분석 방법론으로 분석해 가는 것이 어려웠다. 따라서 PCL-R 진단 항목을 바탕으로 숙희와 고판돌의 성격 유형을 분석하고 구조 분석을 병행하였다. 결과적으로 코우즈키는 사디스트이며 히데코는 강박증자, 숙희는 반사회적 생활 방식을 가졌지만 정상적인 감정적 범주에 속해있다고 보았으며 고판돌은 소시오패스이며 잠재적인 사디스트의 기질을 갖고 있다고 보았다.

나혜석과 강경애 수필의 문체 연구

정문권,이영조 우리어문학회 2004 우리어문연구 Vol.23 No.-

The aim of this thesis is to position Na Haeseok and Gang Gkyeongae as outstanding essayists in the history of Korean literature through analyzing essays of the two writers using the method of creative writing. Therefore, this paper studied the progressiveniss of consciousness and organizational characteristics of form in the essay works of them. Charateristics of style are studied. We can point the use of dialogue style as the characteristics in Na Haeseok's essays. It was due to Na Haeseok's motivation of writing to enlight the consciousness that Na Haeseok often used the form of dialigue and debate by which made others present their opinions and at the same time made them understood about her view. They leveled the literature of essay up higher. The awareness of the reality of desperate society in their age and the consciousness of women eager to be a human being were the material basis and configurated theme. 이 글은 1910~1930년대 한국 여성수필 문학의 중심에 있었던 나혜석과 강경애의 수필 문체에 대해 분석한 글이다, 나혜석과 강경애는 한국 근대수필 초창기에 많은 작품을 발표하였음에도 불구하고 정당한 평가를 받지 못하였다. 이에 필자는 이들 작품의 문체 분석을 통하여 두 작가의 문학적 지향점을 알아보고 한국근대 수필문학에서의 이들의 위치를 확인하는데, 이 글의 목적을 두었다. 이를 위하여 두 작가의 문체 특성을 비유법, 대화체, 표제, 글의 길이 등에 초점을 맞추어 통계적 분석을 시도하였다. 그 결과 나혜석과 강경애는 비유법이나 대화체 등 당시로써는 참신한 표현기법의 시도로 수필의 심미성과 문학성을 살려 한국 근대 여성수필의 위치를 확고하게 했다는 점을 발견할 수 있었다.

자기 서사적 글쓰기를 통한 상처 치유-박완서 소설을 중심으로-

정문권,이내관 한국언어문학회 2013 한국언어문학 Vol.87 No.-

Purpose of the research is Wound healing through writing the epic of self keep in mind that the only definitive focusing on Park Wan-seo’s novel. Park Wan-seo’s novel feature is individual’s day-to-day rather than age or aspiring democratic history. Section2 discussed in talking to a private confession with the appearance of the speaker, the speaker is a series of steps leading to self-purification. Confession is penitent believers being baptized sins. Park Wan-seo’s 「My latest possession」 is the grief of his son’s death in extreme listeners through the medium of the telephone ‘Brother’ to say the mono drama unilaterally is a novel type of enemy. Also Diary format novel 「Pray only one word」 is shown in his narrative describes that the problem of pain. The speaker has a self-purification through tears in both works. Section3 describes the healing through confessional writing said. Autobiographical novel is a writer and hero of the contents described in the text is a similarity. Confessional writing directly to the authors describe their own stories, as well as the artist’s style as is the autobiographical narrative experience, including the type. Everydayness of these women can be represented as a novel feature point can be seen as the Park Wan-seo literature. Park Wan-seo is such a private chat to start writing a confessional manner reaches self-purification through tears. After all personal belongings of the community away from the tendency to treat the individual’s position at the center of social life began to speak one-sided way of speaking of the inner wound up writing the author is intended to receive healing.

수필의 ‘허구성‘ 문제 고찰-허구인가, 상상력인가

정문권,이영조 한국비평문학회 2006 批評文學 Vol.- No.22

The argumentation on fiction in essays