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정은경(Jung Eun Gyeong),유미리(You Mi Li) 낭만음악사 2006 낭만음악 Vol.18 No.4
한국 전통음악에 있어서 판소리 예술의 특징을 흔히 서민 의식의 반영이라고 말한다. 이것은 판소리가 서민들에 의해 형성?발전되었기 때문이다. 이처럼 판소리 예술에 있어서 그 당시 일반 백성들이었던 청중은 가장 중요한 요소로 취급될 뿐만 아니라, 청중을 거론하지 않고는 판소리의 진정한 가치에 대해 논할 수 없는 것이다. 따라서 본고에서는 판소리 예술의 형성에 중요한 역할을 담당하는 청중의 위상을 고려하여 판소리의 예술적 의미를 수용자의 관점에서 살펴보았다. 다시 말해, 본 연구는 21세기 판소리의 수용자에 대해 조망해 보고자 하였으며, 특히 오늘날의 판소리 수용자에 대한 다양한 정보를 얻기 위해 2006년 3월 전주에서 개최된 ‘21세기 귀명창대회’에 참석한 청중들에게 설문지를 작성하여 응답을 받아 그 데이터를 분석하였고, 이러한 분석의 결과를 바탕으로 오늘날 판소리 귀명창들에 대한 여러 의미 있는 내용들을 구체적으로 전개하고자 시도한 현장 조사 연구이다. 판소리의 역사적 전개과정을 살펴보았을 때, 항상 청중들의 힘이 크게 발휘되었기 때문에, 판소리의 음악적 가치는 연주자인 창자보다는 오히려 청취자의 입장 즉, 청중의 입장에서 그 예술적 가치가 가장 크게 발휘되는 예술이라 할 수 있다. 그러므로 앞으로 판소리에 대한 수용자의 입장에서 그에 따른 해석과 이론은 보다 새로운 관점에서 다양하게 논의될 수 있을 것이라 기대해 보며, 그러한 의미에서 본 논문의 의의를 찾을 수 있을 것이다. Pansori is the core of the vocal music of the Korean traditional music. Generally, it is said that Pansori applies the thoughts of ordinary Koreans. The reason is that Pansori is formed and developed by the ordinary Koreans. Like this, Pansori is considered as the essence of the Korean folk music. The most key and important element of Pansori is audience, and Pansori audience was usually general people in the late Chosun dynasty. Thus, audience is considered as the most important element for Pansori and we cannot talk about Pansori without its audience. However, still now, only small number of Pansori researches handles Pansori audience systematically and overall. Therefore, considering the state of the audience who is important for Pansori formation, the artistic meaning of Pansori is examined from the point of view of audience. That is, this thesis is a research on the current Pansori audience. The concept of Pansori audience can be classified into several meanings. However, this thesis is written based on the 1st 21st Century Jeonju Pansori Master Listener Contest in 2006. The participants of this event, especially people who are worth being called Pansori mania or master listeners in Jeonju, are asked to complete a questionnaire. The results of the questionnaires are analyzed and the analyzed results are applied to this thesis. First, the concept of Master Listener, Pansori audience or mania are presented. Second, the state change of current Pansori audience and the meaning of the 21st Century Pansori Master Listener Contest are examined. Last, based on the contest, this thesis presents Pansori in various ways by using and analyzing the questionnaires to identify the thoughts of current Pansori master listeners. That is, the results of the questionnaires of Pansori master listeners are analyzed to receive the information on master listeners in Jeonju, who are Pansori audience in the 21st century. Based on the result, this thesis tries to show various meanings of current Pansori audience. Audience always affects Pansori in its history. Thus, the musical value of Pansori is maximized from the point of audience view, which is listener view instead of singer view. Thus, the interpretation and theory of Pansori from the point of view of audience will be discussed in various views. The thoughts and views make this thesis meaningful.
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최기열(Choi, Ki-yeol),박예림(Park, Ye Rim),손민균(Son, Min Kyun),유미리(You, Mi Ry),유현정(Yoo, Hyun Jung) 충북대학교 생활과학연구소 2018 생활과학연구논총 Vol.22 No.1
This paper presents an investigation into the consumption behavior of aloners among college students according to the consumption trends of aloners recently on the rise. A survey was conducted with total 320 college students at universities in Cheongju for approximately three weeks from June 20 to July 12, 2016. The major findings were as follows: First, the study examined the overall consumption life of college students and found that they were more accustomed to consumption with their friends than consumption by themselves. The analysis results of their individualism/collectivism tendencies, however, showed that they preferred the individualism tendency, which indicates that their perceptions of being alone were less negative than before and changed to be daily and universal. Secondly, 42.8% of the entire college students belonged to aloners. Of them, 86.6% were voluntary aloner members, overwhelming their non-voluntary counterparts(13.4%). The reasons why they became aloners were divided into emotion and condition categories. Many of them became aloners voluntarily to avoid emotional losses. Thirdly, the study examined differences in consumption satisfaction between consumption by oneself and consumption with others and found that aloners had no big differences in satisfaction with consumption between them, whereas the non-myself aloners recorded considerably higher points in consumption behavior with others than consumption behavior by themselves. Finally, the study analyzed the effects of mental states regarding consumption by oneself on satisfaction and found that negative psychology had negative effects on satisfaction with consumption by oneself.
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