이청준 소설에 나타난 종교관 고찰

방재석(Jae Seok Bang),김민정(Min Jung Kim) 한국현대소설학회 2012 현대소설연구 Vol.- No.50

Literature and religion have the same aspect of dealing with the fundamental matter concerning human and the world. Literature treats the world with the daily life of human, while religion has the understanding of the world focused on the Providence of God. Lee Cheong-jun studies deep into the matters concerning the existence of God and the salvation of human. To him, a novel is regarded as religion because of art as the process to seek the truth. Although he accepts Christianity, he criticizes its blind obedience and the way of one - sided salvation. He understands Almighty God reigning over people as an incomplete being needing human help, and gives human the responsibilities to lead their lives independently. His ideal religion is not oppressive with a dominant-subordinate relationship between God and human, but ``horizontally open``. The religion in his novels is ``the present progressive form`` to be accomplished by both God and human. Its truth is an object of creation, not faith. God and human make the truth together and share the process. Always the truth is incomplete, and that means it has the possibility of sustainable progress, not deficiency. The core of views of both art and religion of Lee Cheong-jun is to pursue genuine freedom and faith by doubt and question, not blind obedience to the absolute. He disagrees on the literature hindering religion as well as the religion restricting human. His literature is well worth studying in the ways that it is understood the religion pursuing the salvation of human by infinite freedom of literature following uselessness, and the truth is changing into the object of creation.

베트남전쟁을 통한 의식의 변화양상 비교연구

방재석(Jai Suk Bang) 한국현대소설학회 2011 현대소설연구 Vol.- No.46

Korea and Vietnam have similar histories and geographical features. And, nowadays there is the intimate relationship between them in the economic, political, social and cultural aspects as well. The internal understanding based on the relative thinking of Korea and Vietnam histories is essential to build the desirable relationship continually. Vietnam war was the historical event for the youth of Korea and Vietnam to face each other in the same place. This study pursues the deep understanding of Korea and Vietnam by the deep comparative analysis of the youth`s consciousness and behaviors in Korea-Vietnam novels focusing on Vietnam war. As a text, two novels are chosen because they are typical of Vietnam war novels in Korea and Vietnam: Hwang Seokyeong`s 『Shadow of Arms』 and Van Le`s 『If you are alive』. The consciousness and behaviors of two main characters are divided into three periods such as before, during and after war. By having experience of war, their consciousness are changed individually. However, regardless of the changes of their consciousness. their ways to overcome war are classified by their nationalities like their motivations to participate in a war. This separation between consciousness and behaviors originates with the irresponsibility for Vietnam war. However, the matters of Vietnam war should not be restricted to the ethical matters of Korean soldiers. Regardless of their personalities, four main characters have different ways to overcome war according to their nationalities. That proves the matters of Vietnam war to be social problems which cannot be solved by each individual. Therefore, the matters of Vietnam war should be settled by both the solidarity from the individual responsibility for Vietnam war and the social access to heal the pain of the times.

문예지 정책 수립을 위한 소비자 실태 조사 연구

방재석(Bang, Jai-Suk),신은정(Sin, Eun-Jung) 한국문화관광연구원 2010 문화정책논총 Vol.23 No.-

문예지에 대한 문학 작가의 인식과 정책적 대안

방재석(Bang Jai-suk) 한국문화관광연구원 2012 문화정책논총 Vol.26 No.2

현덕 유년동화의 놀이 모티프에 나타난 현실 인식 -노마 연작을 중심으로-

방재석 ( Jae Seok Bang ),김하영 ( Ha Young Kim ) 건국대학교 동화와번역연구소 2015 동화와 번역 Vol.30 No.-

본 연구는 현덕이 놀이모티프를 활용한 유년동화에서 자신이 인식하고 있는 현실의 문제를 제기하는 방식을 살펴보고자 하였다. 이를 위해 현덕의 유년동화39편 가운데 놀이 과정이 형상화 된 16편에 나타난 놀이 모티프를 유형별로 분류하고 그 의미를 분석하였다. 로제 카이와의 놀이 구분에 따르면 현덕 유년동화의 놀이모티프는 아곤, 미미크리, 아곤과 미미크리의 혼재가 나타나는 놀이로 분류할 수 있다. 현덕은 아곤형놀이를 통해 현실의 계급 문제를 제기하고, 미미크리형 놀이를 통해 문제의 해결책을 강구한다. 아곤과 미미크리가 혼재된 현덕의 작품에서 계급적 질서가 투영된 세계는 아이들이 제시하는 다른 놀이를 통해 새로운 질서를 가진 세계로 재구성된다. 현덕이 제기하는 현실의 계급적 문제는 현덕의 소설이나 소년소설에서도 나타난다. 그러나 유년동화에서 제기되는 계급 문제는 타 장르에 비해 간접적으로 드러나고, 놀이 모티프를 장치로 사용함으로서 부유한 환경의 아동마저도 포용하는 대안적 세계를 제시한다는 점에 주목할 필요가 있다. 현덕 유년동화에서 놀이 모티프의 활용은 아동 모두를 포용하는 세계를 재구성하는데 기여하고 있다는 점에서 매우 중요하다. This research aims to study about how they question problems in reality that they recognise reflecting to the play motif of Hyunduk children’s story. It is toassort the play motifs on episode 16, which the play process is exemplified, of the whole 39 series by type in order to analyse the meaning. According to Roger Caillois’s play sort, the play motif of Hyunduk children’s story can be sorted as agon, mimicry, and combination of agon and mimicry. Hyunduk suggests hierarchy problems by agon game, and looks for a solution by a mimicry type game. In Hyunduk’s work of the combination of agon and mimicry,the world reflecting to hierarchical order is re-created as a new world with a new order through another game suggested by the children. The hierarchical problems in reality that Hyunduk suggests appear in Hyunduk’s works and adolescence novels. However, hierarchical problems suggested in children’s stories appear indirectly comparing to that in other genres, and as using a game motif as the tool, it is worth looking at the point that it suggests an alternative world embracing children with wealthy backgrounds. It is very important to notice that the use of a game motif in Hyunduk children’s story contributes to the reconstitution of a new world embracing all children.

베트남전쟁과 한

방재석(Jae Seok Bang),조선영(Sun Young Cho) 한국현대소설학회 2014 현대소설연구 Vol.- No.57

Although exchange between Korean and Vietnam has been increased dramatically from all areas in society after resuming diplomatic relations in 1992, there are still lack of understanding of each other. To overcome prejudice and hostility between two countries and contribute to development of ethical culture, understanding Vietnam War which led to discontinuities must be a priority. The United States intervened Vietnam War under the domino theory and anti-Communist logic. Korea also participated in the War as an ally of the United States, Park Chung-hee government expanded and reproduced domino theory and anti-Communist logic from the United States in order to stabilize regime and build infrastructure of economic development. Of many literatures regarding Vietnam War, 『White Badge』 by Ahn, Jung-Hyo is a work that specifically embodied domestic and foreign circumstances and operational tactics. In 『White Badge』, metal trauma and destroyed life of the characters were resulted from the war, which allows Korean literature to encounter with Vietnam literature. A Vietnamese writer, Bao Ninh describes the cruelty of war and human devastation in 『Sorrow of War』. Vietnam literature and Korean literature encounters in the course of realizing the fact that people unrelated to the war would eventually become victims by ruling ideology and external force. Since Korea has established diplomatic relations with Vietnam, ``a meeting of young writers for understanding Vietnam`` was started in 1995 and has constantly performed human exchange in the field of literature. There is a paucity of literary works in spite of many efforts in the field of creation and translation. To let the world know about the fact that literature of the two countries endeavors to protect the universal values of human rather than ruling ideology and interests in favor of their countries, more efforts will be required to introduce many works and translate them. Without being limited to bilateral relations, literary exchange between Korea and Vietnam has significant meanings because that the center can not save the periphery; that only human and life stand for values; and that two countries meet together serving as supporters on the ground of historical assets.

Effect of Imperfect Channel Statistic on Power Control in Two-Hop MISO Relay Systems

Jae-Seok Bang(방재석),Hee-Nam Cho(조희남),Yong-Hwan Lee(이용환) 한국통신학회 2011 한국통신학회 학술대회논문집 Vol.2011 No.6

재난을 다루는 SF 소설의 다중시점을 통한 윤리적 서사 연구 : 이경희의 『그날, 그곳에서』와 김보영의 『저 이승의 선지자』를 중심으로

최수진(Choi, Su-jin),방재석(Bang, Jai-suk) 건국대학교 스토리앤이미지텔링연구소 2021 스토리&이미지텔링 Vol.22 No.-

본 논문은 이경희의 『그날, 그곳에서』와 김보영의 『저 이승의 선지자』가 지닌 SF적 특성과 다중시점 서술 방식이 현실세계의 재난을 효과적으로 성찰케 하는 장치임을 살피고 그 윤리적 의의를 연구했다. SF 장르의 대두는 오늘날 재난문학 속 상상력으로 구현된다. 그러나 재난을 다루는 방식은 윤리적 고민과 무관할 수 없다. 프리모 레비의 ‘가라앉은 자’와 ‘구조된 자’라는 분류 개념은 윤리적 재현을 위한 단서를 제공한다. ‘구조된 자’의 증언은 구조되지 못해 ‘가라앉은 자’의 경험을 대변할 수 없다. 따라서 재난을 증언하는 문학은 다중적인 구술을 통해 재난의 전모를 윤리적으로 파악하고자 시도한다. 본 논문은 다중시점 서술방식의 윤리성이 현실세계에 불연속적 변수를 더하는 SF 소설의 속성을 매개해 배가될 수 있음을 구체적인 텍스트 분석으로 검토한다. 『그날, 그곳에서』는 SF 소설이기에 가능한 시간여행 장치를 통해 어머니, 딸, 동생의 시점을 교차하며 재난을 해결한다. 『저 이승의 선지자』는 자아의 분열과 통합으로 배움을 추구하는 사변적 세계관을 통해 타자에 관한 윤리를 탐색한다. 두 작품은 다중 시점과 SF적 요소를 통해 재난에 맞서는 새로운 해결책을 제시한다. 이는 독자로 하여금 현실의 한계와 불가해한 가능성을 함께 성찰케 하며 문학으로써의 윤리를 완수한다. This paper examined that the multiple viewpoints description method of Kyung-hee Lee"s That Day, There and Bo-young Kim"s The Prophet of Mundanity classified as SF novels, is a device that effectively reflects on disasters in the real world and studied its ethical significance. The emergence of the science fiction genre is embodied in today"s imagination in disaster literature. However, the way of dealing with disasters cannot be irrelevant to ethical concerns. Primo Levi"s “The Drowned” and “The Saved” provides clues for ethical reproduction. The testimony of the Saved cannot represent the experience of the Drowned because it is not rescued. Therefore, literature that testifies to disasters seeks an ethical approach with subjective and multiple oral phrases. This paper reviews the fact that the ethical methodology of multi-gwan writing described above can be doubled by mediating the attributes of science fiction novels that add discontinuous variables to the real world. As a SF novel, That day, There solves disasters by intersecting the viewpoint of mothers, daughters, and younger siblings through time travel devices possible. The Prophet of Mundanity explores ethics about others through a speculative worldview seeking learning through self-division and integration. The two works present new solutions to disasters through multiple viewpoints and SF elements. This allows the reader to reflect on the limitations of reality and incomprehensible possibilities together and completes ethics as literature.

차현숙 소설에 나타난 사랑의 서사와 여성 문제의 극복

황유정 ( Youjung Hwang ),방재석 ( Jaisuk Bang ) 인문사회 21 2023 인문사회 21 Vol.14 No.1

연구 목적: 이 연구는 차현숙 소설에 나타난 ‘변절한 사랑의 서사와 여성 문제의 극복’이라는 주제의식에 주목하여 『나비, 봄을 만나다』에 수록된 소설들을 분석하였다. 이를 통해 차현숙의 소설에 나타난 사랑의 변절과 불륜의 서사가 여성 인물의 정체성 모색에 미친 영향을 검토하였다. 연구 방법: 차현숙의 첫 소설집 『나비, 봄을 만나다』에 수록된 단편소설 「또 다른 날의 시작」, 「나비의 꿈, 1995」, 「나비, 봄을 만나다」를 면밀히 분석하여 90년대 페미니즘 문학의 자장 안에서 차현숙의 페미니즘 소설이 갖는 사회적 의미를 연구하고자 하였다. 연구 내용: 차현숙은 90년대의 한국사회에서 시민이자 성원으로서의 자립 가능성을 모색하는 여성 인물을 통해 민족서사와의 연계성을 유지하는 한편, 불륜과 이혼 등의 소재를 활용하여 기혼여성의 문제를 날카롭게 해부하는 폭넓은 시선을 보여준다. 결론 및 제언: 변절한 사랑의 서사를 통하여 90년대의 한국사회의 보편적 문제를 아우르는 한편으로 여성을 소외시킨 과정을 정치하게 드러내는 차현숙의 소설은 90년대 여성 문학의 독특한 전형을 만들어내었다. This study focuses on the thematic consciousness of ‘Narratives of betrayed love and overcoming woman’s issue’ in Cha Hyun-sook’s novel and analyzes the novels in the short stories collection Butterfly, Meets Flower. This study reviews the influence of the narrative of betrayed love and adultery in Cha Hyun-sook’s novels on the identity search of female characters. This study explores the implication of Cha Hyun-sook’s work in the field of 90’s feminism literature by thoroughly studying The Beginning of Another Day, The Dream of the Butterfly, 1995, and Butterfly, Meets Flower which are included in Cha Hyun-sook’s debut novel “Butterfly, Meets Flower”. Cha Hyun-sook’s work relates to the national narrative by female characters that seek the possibility of independence as citizens and members of Korean society while showing a broad perspective that keenly anatomizes married women’s issues through motifs like adultery and divorce. Through narratives of betrayed love, Cha Hyun-sook’s novel formed a unique epitome of the 90’s feminism literature that precisely elaborates how 90’s Korean society excluded and isolated women.

바리공주 서사의 수용과 활용

김민정(Min Jung Kim),방재석(Jae Seok Bang) 한국현대소설학회 2013 현대소설연구 Vol.- No.54

The aims of this study is to examine the narrative structure and cultural element of Princess Bari folk tale, to analyze its reception, and to search its creation and usage. This folk tale is a typical adventure narrative, and its main features are a heroine, a altruistic and transcendental message, and a diverse meaning in both ‘divine nature and human nature’ and ‘life and death.’ It has the speciality of Korean folk tale as well as the universality of a adventure narrative with a heroine. In this folk tale, there are infanticide(boy preference), revival(death), river(water), round characters and animals as a culture element. Narrative structure has its role to lead stories, and culture element adds meanings to them in various ways. To make more use of Princess Bari as cultural prototype beyond Korea, it is needed to find a modern significance and value from its narrative in a more positively way.