에니메이션 노동자가 되기까지(上)

류재운 한국비정규노동센터 2006 비정규 노동 Vol.51 No.-

애니메이션 노동자가 되기까지(下) - 누가 나에게 이 길을...비정규노동자의 증언 ③

류재운 한국비정규노동센터 2006 비정규 노동 Vol.53 No.-

에니메이션 노동자가 되기까지(中)

류재운 한국비정규노동센터 2006 비정규 노동 Vol.52 No.-

세종대 대명관계와 관복제도(Ⅱ)

류재운(Ryoo Jae-Woon) 한복문화학회 2008 韓服文化 Vol.11 No.1

King Sejong positively accepted all systems of Ming that was a political, military, economical and cultural power as well as the origin of Confucianism. He was thoroughly active In making distributed Confucianism-based systems. And he devoted himself to the study of classical Ideologies with a view toward making Joseon a fully Confucian nation by implementing an Independent policy In all fields. During the regime of king Sejong in Joseon, Ming was Internally unstable as Its throne was seized by 5 emperors, including Yong-le, in turn, so It was very passive about foreign policies. This made exchanges between the two nations not political, but economic and cultural, affecting the official uniform system establisment of Joseon. In the regime of king sejong, Joseon asked Ming to grant official uniforms or otherwise created them after fully considering Its social Situations, not Just following the official uniform system of the Chinese nation. Independent and Positive attitudes Joseon showed about granding official uniforms from Ming and official uniform system establishment suggests the stablized society and royal authority of the then Joseon.

조선후기 여자 저고리 단소화와 상징적 의미

류재운(Jae Won Ryoo),전혜숙(Hea Sook Chun) 한국복식학회 1998 服飾 Vol.39 No.-

This study aims to analyze the shortening tendency of women`s hanbok chogori (upper part of the Korean traditional dress) in the latter period of Chosun in three respects-socially, economically, and aesthetically. First, from the social point of view, sexual role and social status were examined. The strict sexual roles between males and females made the latter inferior to the former. The relatively lower sexual role had the woman look receptive and passive and wear a short and narrow kind of chogori. Also, the confusion of the social status system weakened the function of the costumes to differentiate social classes and, consequently, almost all classes wore short chogori. Second, the economic progress in the wake of the commerce-centered positivism at that time helped raise the economic status of the middle and low classes. As a result, with their social and economic status elevated, they tried to wear somewhat luxurious chogori. Third, aesthetically speaking, erotically-looking and much-shortened chogori derived from the weakened male-centered Confucian traditional ethics in conflict with the humanitarian positivism.

조선 태조대 복식정책에 관한 연구

전혜숙,류재운 한복문화학회 2005 한복문화학회 학술대회 Vol.- No.-

明朝의 服飾制定에 관하여(Ⅰ) : 男子冠服을 中心으로

전혜숙,류재운 東亞大學校 附設 生活科學硏究所 2002 생활과학연구 논문집 Vol.10 No.-

The Kings Hong-Mu(洪武帝, 1368-1398) and Young-Lak(永樂帝, 1403-1424) ages are considered the fathers of the strongest imperial power in all Chinese history. In those days, many national dress institutions were caused by the amalgamation of old and new power and the effort subsequent to stabilize society. A traditional chinese dynasty had severe regulations regarding its dress system, in showed the authority and power of the dynasty. These factors were an important way for keeping their political power. King Hong-Mu tried to get out of Won(元) institutions by taking the traditional manners of the Han race seriously, so he could restore order and being about a cultural revival. He then used national dress institutions as a way for establishing these aims. He also needed a strong absolutist monarchy to restore order and lay the groundwork for social and political stability. In the first year of the reign King Hong-Mu(1368), the traditional dress system of Oh-Myun(五冕) was suggested. In the 3rd year of his reign(1370), he adopted the rules of Zhou(周), Han(漢), Tang(唐), Song(宋), and so idolized the color red. At that time, the foundation of the Ming dress institution was layed, embodied chiefly by the imperial Myun-bok(冕服, included Myun-Liu Kwan, 冕旒冠), Sang-bok(常服, included Ik-son-kwan, 翼善冠), an the empress' full dress and so on. In the 16th and 26th year of King Hong-Mu, regulations returned to the original uniform system, again on a large scale. All dress institutions of King Young-Lak were established in his third year, mainly imperial Myun-bok, and the emperor and empress' official dress. They represented the partial alternation of the King Hong-mu's dress setting. But sovereign and subject's official dress system followed after the King Hong-Mu's dress constitutions. It is supposed that King Young-Lak intended to avoid conflict with old subjects. Many of the national dress institutions ordered all classes to confirm to this dress code, in a manner similar to the Tang policy during the ages of Kings Hong-Mu and Young-Lak. Those national dress institutions constituted the foundation of national dress institutions in the Ming dynasty and kept is for a long time.

唐代 化粧 硏究

전혜숙,이애련,류재운 東亞大學校 附設 生活科學硏究所 2003 생활과학연구 논문집 Vol.11 No.-

The purpose of this study is to look into the cosmetic culture of T'ang and its characteristics through reviewing historic relics such as paintings and 'doyng'(陶俑), which were created when the Chinese nation was founded and then prospered, and relevant literature. First, make-up for skin was based mainly on 'baekjang(白粧)' using 'bun(粉)' that had been applied to facial whitening since the period of Seonjin. But in the period of T'ang, methods of make-up with differently colored and perfumed 'buns' were popularized. 'Yeonji(연지)' as a main material for 'hongjang(紅粧)' was a red pigment, which was later added with oil and fat. The reason why 'hongjang' with yeonji added was in fashion in T'ang was not only because people of the Chinese nation pursued the beauty of red color, but also because the method of make-up was effective in protecting the skin. Second, partial make-ups of the T'ang period were investigated here in terms of some body parts, forehead, eyebrow, cheek and lips. 'Aekhwang(額黃)' meaning the make-up of the forehead was performed by way of decorating the middle of the body part with a yellow pigment. Originated from the decorative style of Buddhism, 'Aekhwang' was widely distributed as the religion prospered in the period of T'ang. 'Hwajeon(花鈿) used more colors, materials and patterns than 'aekhwang'. But the former was a transformation of the latter. The make-up of the eyebrow varied in shapes and names, having 15 to 16 methods ranging from 'ami(蛾眉)' meaning a thin, long eyebrow to 'kwangmi(廣眉)', wide eyebrow, as a variety of make-up materials were introduced into the Chinese nation. The traditional 'seokdae(石黛)' was not used any longer. Instead, one of imported cosmetics, 'najadae(螺子黛)' came to be widely used. For 'sahong(斜紅)' as the make-up of the cheek, yeonji was used to decorated scar shapes onto between hair on the temples and the eyebrow. While, 'jangyeop(粧?)' was a facial decoration which was made onto the dimple. It had been extended onto the rounded sides of the nose and varied in shapes since T'ang began to prosper. 'Sahong' and 'jangyeop' contributed to developing an unnecessary decoration like scar into a cosmetic culture. This is not easily acceptable from aesthetic views. So, the twos should be further studied. For a beautiful decoration of lips, 'sunji(脣脂)' and 'kuji(口脂)' were mainly used to dye the body parts. Lips as red as a cherry small in 'jeomsun(点脣)' and sensually mature in appearance, were popular in the period of T'ang. Based on the import of a great amount of cosmetic materials and trends of the imitation of aliens' white skin, make-ups in fashion in the period of T'ang were too much various and diverse in methods, including 'hongjang' making the face red for skin care and protection, 'buljang(佛粧)' seeking happiness under the prosperity of Buddhism and other special and unique decorations beyond conventional aesthetic views.

Phase Specific Activated Modules from a Protein Interaction Network of Yeast Cell Cycle

김학용,강희영,류재운,윤창노,한승기 한국물리학회 2007 THE JOURNAL OF THE KOREAN PHYSICAL SOCIETY Vol.50 No.1I

We have constructed the cell cycle-related protein interaction network of Saccharomyces cerevisiae from the MIPS (Munich Information center for Protein Sequence) database. The network shows a character of scale free and hierarchical networks. The protein interaction database obtained from a yeast two hybrid screen and a composite data set includes high random false positives. To filter the false positives, we employed cellular localization and then reconstructed the cell cycle network in which preserves the scale free and hierarchical organization and displays inherent modularity of protein clusters. Interestingly, several modules, denoted phase specific activated modules, active in response to the phase of cell cycle. From the derived modules, we predicted tentative functions for unannotated proteins and estimated some proteins that would be activated in a periodic manner coincident with the cell cycle.

조선 태종대 관복제정에 관한 연구

전혜숙(Hea Sook Chun),류재운(Jae Woon Ryoo) 한국복식학회 2006 服飾 Vol.56 No.7