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Hawthorne작품에 나타난 죄의식과 역사에 대한 연구
김재신 건국대학교 1991 대학원 학술논문집 Vol.33 No.-
Hawthorne's use of historical material and his interest in the past have long been recognized as characteristics of his fiction. It was Puritan New England which provided Hawthorne a meaningful vehicle in which his ideas could be given form. Hawthorne moves between his historical world and another world dreamed history. It is in this light that many have come to label him an Puritan allegorist: one who symbolically portrays certain truths or generlizations about human conduct. However, Hawthrone was not an allegorist in the traditional sense. Hawthorne was too skeptical, too unsure because he tended to take the spiritual problems of his Puritan forebears more seriously than any of the other prominent writers of his time. Hawthorne's use of the past is often related to his treatment of sin and guilt. His fiction, such as The Scarlet Letter, The House of the Seven Gables, and The Blithedale Romance, often implies that we must accept the past and the guilt it entails. When Hawthorne shows concern with the necessity of man's acceptance of his past, he expresses his own conviction that man must accept his sinful state and its consequences. It is misconception to suppose that Hawthorne felt any piety or honor toward his Puritan ancestors. Much of his ficition emphasizes the resentment he nurtured against his ancestors, and he often uses a resentful tone when writing about them. It is Crews' feelling, though, that Hawthorne took license to exaggerate the cruelty, fearsomeness, and guilt of historical persons, and to treat history more as a nightmare. He suggests that this must be connected to his oppressive sense of his own ancestry. Although Hawthorne never exercises any amount of congratulatory pride in the deeds of his Puritan ancestors, there is a strong and undeniable force from his past which repeatedly allows the Puritan influence to find its way into his fiction. Moreover, he trys to demonstrate the organic system of the past, present, and future in his romances which are expressive of profound, transcendent or idealistic truths.