유기적인 상응인과론에서 본 사회과학에서의 인과추론 모델

김순금 한국원불교학회 1997 圓佛敎學 Vol.2 No.-

제2부 웰빙과 불교수행 : 요가의 이해와 실습 -제1부 요가의 본질과 한국요가-

김순금 사단법인 한국교수불자연합회 2007 한국교수불자연합학회지 Vol.13 No.-

《呼蘭河傳》作品中體現的地域文化研究 - 以地方語言和地域風俗爲中心

김순금 한국중국언어문화연구회 2016 한중언어문화연구 Vol.- No.40

Xiao Hong is one of the most prominent female writers in the Chinese modern literature. Since young, she had experienced all kinds of hardships in the northern wilderness where northerly wind severly blows. Therefore, the climatic features well match the pitches and tempos of her literary works and clearly characterize the local colors she reflected in her works. That is, she described the transitions of the local colors of her native place in a pure and familiar northern dialect. Every phrase of her works vividly embrace the ideas and lifestyle of the northern residents people. Therefore, Xiao Hong’s works not only draw a keen attention from the novel circle but also contribute a lot to the research of the northern dialects. One of her major works ‘Hu Lan He Zhuan’ depicts the natural characteristics and the natives’ lively life in the northern dialect. Even it seems that she reflected the life consciousness and mental world of the northern people in the literary work. Xiao Hong described the aspects of the small town and the living scenes of the residents in the northern border region. The reason why her novels have become recognized and acknowledged as unique works in the Chinese modern literature is that she described the local characteristics with a plenty of the northern dialects and regional customs. In her ‘Hu Lan He Zhuan’, Xiao Hong intentionally used the norther dialects for words that could have been written in standard language to convey to readers the taste of the northern rural area. Amazement is more magnified for the fact that she died very young, at 31. Since ‘Hu Lan He Zhuan’ is about daily routines the local people did, there is nothing particular to invite readers to fantasy or rapture, but readers love to read and enjoy her works. It is because she has her unique local color in her literary works. In pure and simple northern dialect, she jotted down the happenings of a small village in a good orderly manner and lively depicted messy rural lives. She used a local dialect in her novels neither because we wanted to draw a separating line between regions, or because she wanted to stress a language and custom with a certain ethnic sense. It demonstrates her success in creating simple and lively effect in her sentences by pursuing reality and nature.

Au@TiO2 코어쉘 미세 입자의 합성 및 특성 평가

김순금,장하준,장재원,심재현,백성준 한국전기전자재료학회 2022 전기전자재료학회논문지 Vol.35 No.4

We present the structural and optical properties of Au@TiO2 core-shell microsphere structure prepared by a hydrothermal synthesis method. As a way to improve the efficiency of organic solar cells, the Au@TiO2 core-shell microsphere was synthesized to use the local surface plasmon resonance (LSPR) phenomenon. The synthesized results were confirmed to have the Au@TiO2 core-shell structure using a high-resolution transmission electron microscopy. An absorption was observed to occur at 527 nm belonging to the visible light region using a visible light spectroscopy, which supports the LSPR phenomenon. We suggest that the Au@TiO2 core-shell microsphere is highly likely to be applied to organic solar cells including dye-sensitized solar cells. In addition, we expect it to be widely used not only in the energy but also in the bio as well as in the environmental fields.

“불교와 청소년의 심성교육”에 관한 논평

김순금 한국종교교육학회 1998 宗敎敎育學硏究 Vol.5 No.-

蕭紅의 空間意識에 대한 硏究 - <呼蘭河傳>의 작품을 중심으로 -

김순금 한중인문학회 2016 한중인문학연구 Vol.51 No.-

<呼蘭河傳>은 ‘東北作家群’에서 활발하게 활동한 蕭紅의 대표작이면서 동시에 동북지역을 대표하는 장편회고록소설이다. 蕭紅은 중국의 20세기 30년대 동북지역에 자리 잡고 있는 呼蘭이라는 큰 공간의 틀 안에서 蕭紅의 경험과 그 경험 속에서 일어난 일들을 지리적 공간과 물리적 공간을 이용하여 서사적으로 구성하였다. 일반적인 문학 장르에는 대체로 시간적인 공간 속에서 일어나는 일들을 ‘보여주기’와 ‘말하기’ 등의 서술 방법으로 보편화되어 있지만 <呼蘭河傳>소설은 하나의 큰 공간을 설정해 놓고 여러 개 작은 공간 매체들을 구성하여 다양한 주제와 이야기들을 蕭紅의 기억과 경험을 통하여 서술하는 공간적인 양식이 두드러진다. 이러한 공간 중심적 구성은 蕭紅의 창작의식에 의해 呼蘭이라는 동북의 작은 도시를 재현하는 서사의 커다란 틀이 만들어졌고 이 공간 속에 흩어져 있는 마을의 풍경, 고향집의 후원, 그리고 고향집 및 주위 이웃들의 삶을 담았다. 따라서 본 연구는 우선 기존에 연구된 공간성에 관련된 논문들을 고찰하면서 작품 속에 설정 해 놓은 呼蘭지역에 내재되어 있는 공간매체를 탐구하고 더 나아가 蕭紅의 기억과 체험을 통한 그녀의 공간의식을 분석하고자 한다. <Tales of Hulan River> is the major work of Xiao Hong who took active part in “Northeastern writers group” and is one of the most representative full-length novel of Northeaster China. Xiao Hong used geometrical and physical space and incidents and experiences she had in the space under the big space frame “Hulan river” located at northeastern China in the 1930s and created this memoirs novel with narrative structure. The general description method of literature genre is generalized in methods such as “showing” and “telling” the incidents happening in time space, but <Tales of Hulan River> sets one large space and composes various small spaces to talk about various topics and stories by describing Xiao Hong's experience and memories which is quiet unique. This space-focused composition is huge frame of narration reliving the little town in northeastern China named Hulan, while the town scenery, house, the background is spread around the space which compose the stories, characters and images with stories from various genres in the space. Also, Xiao Hong space-visualized the incidents and stories through the space of memory and experiences. Therefore, this study aims to study the space image by analyzing the space factor inherent in Hulan the setting of the literature, and analyze Xiao Hong's consciousness of space through her memory and experience.

비정규직 탄압하는 악덕사용자는 바로 정부 - 불법파견 고용의무 회피하는 정부

김순금 한국비정규노동센터 2006 비정규 노동 Vol.53 No.-

유기체적인 세계관의 새로운 논리적 시도 - 상응인과율의 관계구조를 통하여 -

김순금 범한철학회 1996 汎韓哲學 Vol.13 No.-

말하기 지도에 관한 연구

김순금 서울교육대학 국어교육과 1991 초등 국어교육 Vol.- No.1

蕭紅 문학의 새로운 이해 -蕭紅 중편소설에 나타난 풍자 특징을 중심으로

김순금 한중인문학회 2021 한중인문학연구 Vol.72 No.-

蕭紅은 1930년대 중국 현대 문단에서 활발하게 활동한 여성 작가이다. 그녀는 31살이라는 짧은 생애 동안 40여 편의 소설과 3편(<生死場>, <呼蘭河傳>, <馬伯樂>의 중편소설을 창작 하였다. 특히 蕭紅의 중편소설을 살펴보면 그녀만이 지니는 독특한 풍자가 스며있다. 따라서 본 논문은 蕭紅의 중편소설에 나타난 풍자 특징을 고찰하고자 했다. 또한, 본 연구를 위해 다음과 같은 세 가지 과제를 수행하고자 했다. 첫째, 蕭紅의 중편소설에 나타난 풍자의 특징 이 20세기 초의 시대적 상황과 긴밀하게 관련된다고 보며, 그 관계의 대상을 구체적으로 규 명하였다. 둘째, 蕭紅의 중편소설에 등장하는 각 계층의 풍자 대상을 살펴 여성과 농민을 노 예화로 만든 봉건 제도와 비뚤어진 지식인의 일탈을 분석하였다. 셋째, 蕭紅의 문화적 가치를 탐구하는 것이 중요한 만큼 蕭紅의 독특한 풍자기법을 통해 풍자 특징을 고찰하였다. 기존 연구를 살펴보면, 蕭紅의 중편소설은 지나치게 서정성을 중심으로 문체와 서술 방식이 주를 이루고 있다. 이는 나름의 의미 있는 작업이지만 蕭紅 중편소설의 전반적인 특성에서 볼 때, 문학의 다양성에 대한 새로운 시각이 필요하다. 그러므로 본 연구는 蕭紅 문학에서 대안적인 풍자의 대상과 이해관계를 찾으려는 하나의 시도이며, 풍자기법이라는 문학적 특수성에서 출 발하여 풍자 특징들을 살펴보는 것이 우선 과제로 남는다. 이로써 본 연구를 통해 蕭紅이 단 지 수필적인 소설로 대표되는 미학적 가치와는 전혀 다른 풍자의 예술을 추구하는 문학이 존 재했음을 이해하게 될 것이다. Xiao Hong is a female writer who was active in contemporary Chinese literature in the 1930s. During her short life of 31 years, she wrote about 40 long-length novels and 3 medium-length novels (<On the Site of Life and Death>, <Hulanhezhuan>, and <Mabole>). In particular, the Xiao Hong's novels has a unique satire. Therefore, this thesis was intended to examine the satirical characteristics of Xiao Hong's novels. In addition, the following three tasks were performed for this study: First, it is considered that the characteristics of satire in Xiao Hong's novels were closely related to the situation of the beginning of the century; so, the subject of the relationship was specifically identified. Second, by examining the satire objects of each class appearing in Xiao Hong's novels, the feudal system that enslaved women and peasants and the crooked intellectual deviation was analyzed. Third, as it is important to explore Xiao Hong's cultural value, the characteristics of satire were considered through Xiao Hong's unique satire technique. By examining the previous studies, Xiao Hong's novels are mainly based on style and narration with an excessively lyrical focus. Although this is a meaningful work in its own right, a new perspective on the diversity of literature is needed in view of the overall characteristics of Xiao Hong's novels. Therefore, this study is an attempt to find alternative satirical objects and interests in Xiao Hong literature, and starting from the literary specificity of the method of satire, it remains a priority to examine the features of satire. Through this study, it will be understood that there existed a literature that the aesthetic value represented, which is completely different from Xiao Hong pursued the art of satire.