李義山의 詠物詩에 관한 小考

河運淸 서울대학교 동아문화연구소 1982 東亞文化 Vol.20 No.-

李賀詩 小考

河運淸 韓國中國語文學會 1981 中國文學 Vol.8 No.-

李商隱家系考

河運淸 漢陽大學校 人文科學大學 1987 人文論叢 Vol.14 No.-

This thesis is intended to elucidate the alleged relationship between Tang's imperal house and the great poet Li Shang-yin, who through a number of his works claimed to have descended from the same imperial ancestry. Also clarified herein is the genealogy from his great-great-grand father to his father, all of whom held junior provincial pasts, and the nativity of Li Shang-yin, whose ancestral home was in Huai-zhou (懷州) prefecture,which according to Chinese custom, was regarded as his native place, though actually brought up in Zheng-zhou(鄭州), where from the time of his grandfather the family took residence. Through analysis of available materials can the upper and lower part of the Lis family tree be smartly reconstructed as shown in this thesis, the middle part of which, though, still waiting for excavation of new materials to complete a whole tree of Li Shang-yin's genealogy.

李商隱政治諷刺詩考

하운청 덕성여자대학교 인문과학연구소 1995 인문과학연구 Vol.2 No.-

없음 This thesis is intended to study the characteristics of his satirical poems,elucidating the ambiguities thereof, which are generally attributed to the strongpolitical colors of his satire. A general analysis shall cover works concerned with fouremperors under whose reign Li Shang-yin spent most of his whole life. A deeperexamination shall be made to expound the structural peculiarities in satirizing variousmaterials of historical figures, landscapes, animals and plants.

曹魏兄弟古體詩比較硏究

하운청 덕성여자대학교 인문과학연구소 1996 인문과학연구 Vol.3 No.-

This thesis is a comparative study of two Cao siblings', Caopi ( 曹丕 )'s and Caozhi ( 曹植 )'s poems, the former of whom is more noted as a literary critic than as a poet, while the latter is better known as a pure poet. Herein are analyzed poems thereof written under the same material and theme for detailed comparison of form and substance of their poems. Emphasis is placed on stylistic features in studying Caopi ( 曹丕 )'s poems, while on materialistic characteristics in examining Caozhi ( 曹植 )'s poems. In the conclusive part of this paper is the difference of poetic profundity revealed as to the two poets who are said to have trodden respective path of life, for Caopi ( 曹丕 ), that of glory and success and for Caozhi ( 曹植 ), that of frustration and disappointment.

李商隱出生年代考證

河運淸 漢陽大學校 人文科學大學 1988 人文論叢 Vol.15 No.-

This thesis is intended to elucidate the exact birthdate of Li Shang-yin, which has so far been a matter of controversy, and any argument of which is inevitably based on the internal evidences gained through tortuous readings of Li's own writings. Herein are carefully analyzed some very important materials, which have thus far supported three main arguments, namely, Fenghao's Theory(馮浩說), Theory of Yuanhebanianshuo(元和 8年 說), and Theory of Yuanhebanianshuo(元和 7年說), and whereon is established Theory of Yuanhebanianshuo(元和 7年說) as an orthodox theory. This thesis will show a systematic process of coming up to the conclusion and a microscopic method of analysis in compromising contradictory elements of various writings written by Li Shang-yin himself.

李商隱 死亡年代考證

河運淸 漢陽大學校 人文科學大學 1989 人文論叢 Vol.18 No.-

This thesis is intended to elucidate the possible exact date of Li Shang-yin's death, which, unfortunately, is mistakenly or wrongly referred to in orthodox history of Tang Dynasty. A history book named Guan Zou Ji(東觀素記), though unorthodox, provides us with a sole and unique clue that he died as salt and iron assessor(鹽鐵推官). Analysis herein is proceeded to confirm, by analyzing his poems and proses, the alleged fact that he visited Jiang Dong(江東) districts when Liu Zhong-ying(柳仲?(영) ) was appointed commissioner for the transportation of salt and iron and secured a post as salt and iron assessor for Li Shang-yin. Liu was promoted to be minister of justice and ceased to be commissioner for salt and iron and Li returned to Zheng Zhou(鄭州) and soon died. The atmosphere and description of poems and proses herein set forth coincide with the route taken by the commissioners for iron and salt at the time and the atmosphere of his poems written in Zheng Zhou are densely penetrated by the instinctive feeling of death and intuitive insight into imment approach of death, which simultaneously cause him to lament and retrospect with longing a lifetime disappointments and frustrations the epitome of which is embodied in his master piece The Ornamented Zither(錦瑟) placed at the acme of his poems by critics.

李商隱應科行跡考

河運淸 中國語文硏究會 1993 中國語文論叢 Vol.6 No.-

This thesis is intended to trace the track of Li Shanf-yin's Literary Examinations and thereby to elucidate the hidden truth underlying the poet's frustration caused by discord between Li Shang-yin and Ling Hu-tao, son of his patron Ling Hu-chu. A close analysis of <A letter Sent to Master Tao> will reveal the poet's deep-seated disgust against favoritism enjoyed by condidates with no proved capacity or talent of noble families and against the malpractice of presenting their writing to high officials as a way of influencing examiners. The above mentioned letter will also expose the concealed reason for mutual hatred between Li Shang-yin and Ling Hu-tao, the two of striking contrast in social background and family status and the probable procedure of Li Shang-yin's determination to risk the marriage of convenience with Wang Family of opposite political fraction, though he himself asserts the pureness thereof. The Late Tang Dynasty's Literary Examination was no longer a sure guide to Li Shang-yin's abilities whereon he could only rely as a descendant of a family far from wealthy and influential. To add frost upon snow, contumacy to authorities and resistance to patronage, both of which are understandable with hindsight, though, coused disharmony between himself and Ling Hu-tao, son of his patron Ling Hu-chu, whose anger was in no way appeased by the poet's successive petitions for clemency through literary proses and poems written on all available occasions. Herein emphasis is put on the direct analyses and interpretation of his proses, some parts of which are rhythmic, and poems to extract biological informations and code out psychological intentions condensed therein.

曹魏三父子樂府詩硏究

하운청 덕성여자대학교 인문과학연구소 1996 인문과학연구 Vol.2 No.-

This thesis is intended to make a comparative study of Yuefu(樂府) poems written by Caocao(曹操). Caopi(曺丕) and Caozhi(曺植). who are said to have succeeded to the tradition of exhortation by innuendo established in shijing(詩經) and Yuefu( 樂府), with respective variations. Herein are shown the different thinges of the same lyric poetry, which all together culminate as a summit called Jianan Literature(建安文學) in the long history of Chinese Literary History.

유협의 문학이상논고 -《문심조룡》 (1)〈원도〉 (2)〈징성〉 (3)〈종경〉의 새로운 조명 -

하운청 영남중국어문학회 2002 중국어문학 Vol.0 No.39

Elucidated herein is the literary idealism embodied in the first three chapters of Liu Xie(劉협)`s Dragon-carving Literary Mind(文心雕龍). In the first chapter is expounded the interrelationship between the Literary Mind of Nature and the Literary Mind of Human, thereby establishing the idealistic principles of literary creation, and thenceforth in the second and the third are explained the idealistic creative writer and work in due order. Also detailed in this thesis is the interaction between the inner import expressed and the outer mode, the integration of which two heterogeneous components into one homogeneous organism being the idealistic stage to be reached by a good writer and a good work as well. An important critical terminology 「Wenzhang(文章), is also defined concisely ana decisively, thereby enabling the obscurity caused by an ancient jargon to yield to a lucid interpretation. Though treated herein are the first three chapters of the book Wenxindiaolong(文心雕龍), the entire fifty chapters are rearranged in one chart to help a reader understand the part in the context of the whole system.