9세 남아에서 발생한 결핵성 장요근 농양에 의한 다발성 복강 및 흉강 농양

정은영,박우현,최순옥,Jung, Eunyoung,Park, Woo-Hyun,Choi, Soon-Ok 대한소아외과학회 2013 소아외과 Vol.19 No.2

Tuberculous Iliopsoas muscle abscess is a rare manifestation in patient with extrapulmonary tuberculosis and hardly observed in developed country. Paradoxical response to anti-tuberculous medication could make difficult therapeutic decision to clinicians. The authors report a case of tuberculous iliopsoas muscle abscess with multiple intraabdominal and thoracic abscesses in 9 year-old-boy who presented paradoxical response to anti-tuberculous treatment.

Hemorrhagic Complication of Protruding Preperitoneal Fat Presenting as an Incarcerated Inguinal Hernia in a Patient with Clinically Occult Inguinal Hernia

정은영,박우현,최순옥,Jung, Eunyoung,Park, Woo-Hyun,Choi, Soon-Ok Korean Association of Pediatric Surgeons 2013 소아외과 Vol.19 No.2

전복막지방 탈출로 인한 합병증은 소아에서 매우 드물며 서혜부 탈장과의 감별이 어렵다. 저자들은 술 전 초음파에서 대망 지방을 포함하고 있는 서혜부 탈장으로 진단된 5세 남아의 수술 중 출혈이 합병된 전복막지방탈출증을 경험하였기에 보고하는 바이다.

휴대용 전자기기 기내 사용에 대한 기준 분석

정은영,진영권,김성겸,Jung, Eunyoung,Jin, Youngkwon,Kim, Seungkyem 항공우주시스템공학회 2010 항공우주시스템공학회지 Vol.4 No.2

Use of wireless portable devices, like mobile phones, PDAs and Laptops is explosively increasing. Used in the aircraft, these PEDs can introduce EMI problem to aircraft Com/Nav systems. This paper addresses some foreign research result on interference caused by PEDs which are used onboard and policy of Japan and USA to limit use of PED on board.

복강경 Nissen 위저추벽성형술 후 발생한 위배출지연에 대한 에리트로마이신의 유용한 효과 - 1예 보고-

정은영,황진복,최순옥,박우현,Jung, Eunyoung,Hwang, Jin-Bok,Choi, Soon-Ok,Park, Woo-Hyun 대한소아외과학회 2012 소아외과 Vol.18 No.1

Delayed gastric emptying (DGE) commonly occurs after Nissen fundoplication in patients with gastroesophageal reflux disease. Since the understanding of its pathogenesis is insufficient, an effective method of management has not yet been suggested. The authors report a case of a 16-year-old girl with DGE after laparoscopic Nissen fundoplication and treated with intravenous injection of low dose erythromycin.

형제간에 발생한 히르쉬스프룽병

정은영(Eunyoung Jung),최순옥(Soon-Ok Choi),박우현(Woo-Hyun Park) 대한외과학회 2009 Annals of Surgical Treatment and Research(ASRT) Vol.77 No.6

Hirschsprung’s disease (HD) is one of the major pediatric gastrointestinal disease entities which is associated with an absence or lack of intrinsic ganglion cells in the myenteric and submucosal plexus in the gastrointestinal tract. It is commonly assumed to be a sex-modified multifactorial trait. The development of diagnostic and therapeutic modalities has been ongoing. Herein, we experienced two siblings who were confirmed as having HD histologically and were treated. We think further family evaluation regarding HD is needed. Also we could see a changing modality of diagnosis and treatment.

줌(Zoom)연극의 특성에 따른 배우의 연기 접근 방법 연구 - 프로젝트, 홍도(2020)의 제작 과정을 중심으로

정은영(Eunyoung Jung) 한국콘텐츠학회 2021 한국콘텐츠학회논문지 Vol.21 No.12

코로나19의 출현 이후 국내외 공연계는 온라인 플랫폼을 활용해 다양한 예술적 실험을 시도하고 있다. 이에 본 연구는 연극 공연을 위한 창작 도구로 활용된 줌(Zoom)의 기능적 특성에 주목하였다. 우선 줌을 활용한 국내외 연극 공연 사례와 그 특징들을 살펴본 후, 줌 연극 〈프로젝트, 홍도 Project, Hong-Do〉의 제작 단계를 리서치 중심의 프리-프로덕션(Pre-production)단계, 대본을 바탕으로 각 장면을 구성하는 장면 워크숍(Scene Workshop)단계, 장면별 실시간 녹화를 진행하는 레코딩(Recording) 단계와 공연을 상영하기 위한 스트리밍(Streaming) 단계로 구분하여 살펴봄으로써 줌을 통해 창작한 연극의 특성을 고찰할수 있었다. 또한 이러한 제작 과정에서 나타난 배우의 연기 접근 방법을 시선의 분리, 공간의 재인식, 표현적 제스처의 활용, 능동적 행동으로서의 리액션(Reaction)으로 상정하여 살펴보았다. 그 결과 줌을 활용한 연극 작업의 지속적인 발전 가능성과 이에 따른 배우의 연기 접근 방법을 제안할 수 있었다. Performing industries in Korea and abroad have been attempting a wide range of artistic experiments utilizing online platforms ever since the Covid-19 pandemic. Accordingly, this study will shed light on the functional characteristics of Zoom, which was used as a creative tool for theater performances. At first, after examining theater performances presented in Korea and abroad using Zoom and their characteristics, the production stage of the Zoom play 〈Project, Hong-Do〉 will be analyzed by dividing it into following stages; a research-based pre-production stage, a scene workshop stage that composes each scene based on the script, a recording stage filming each scene on Zoom, and Streaming stage for presenting the show. Furthermore, the actors approaches to acting in this production process was presumed to be separation of gaze, re-recognition of space, utilization of expressive gestures, and reaction as an active action. As a result, it proposes the possibility of ongoing development of theatrical work using Zoom and the evolutionary aspect of actors acting approaches in accordance with theatrical work via Zoom.

비파괴 검사를 위한 초음파 영역의 음향 메타 물질 개발

정은영(Eunyoung Jung),한제헌(Je-Heon Han) 대한기계학회 2018 대한기계학회 춘추학술대회 Vol.2018 No.12

육군 영관 장교의 신종 호흡기 감염병에 대한 지식, 태도 및 예방행위

정은영 ( Jung Eunyoung ),서양숙 ( Seo Yangsook ),권은지 ( Kwon Eunji ),조순영 ( Joe Seunyoung ) 국군간호사관학교 군건강정책연구소 2021 군진간호연구 Vol.39 No.1

Purpose: The purpose of this study was to identify the relationships between knowledge, attitude, and preventive behaviors on emerging respiratory infectious disease among field-grade officers in Republic of Korea Army. Methods: This cross-sectional descriptive study included 194 participants who currently serving as field-grade officers. Data were collected by structured questionnaires and were analyzed through descriptive statistics, independent t-test, analysis of variance, and Pearson's correlation coefficient. Results: Knowledge, attitude, and preventive behaviors score related to emerging respiratory infectious disease were 8.42±1.25 points out of 11 points, 60.78±4.63 points out of 65 points, and 54.25±5.29 points out of 60points, respectively. There were strong positive correlations between knowledge, attitude, and preventive behaviors, despite no correlation between knowledge and attitude. Conclusion: Results of this study provided basic data for establishing health policy for the prevention and management of military infectious disease. To promote emerging respiratory infectious disease preventive behaviors, various education and methods should be considered to improve the knowledge of field-grade officers and change their attitude.

미니멀리즘의 동어반복<SUP>tautology</SUP>이 지니는 위상학적 함의

정은영(Eunyoung Jung) 현대미술사학회 2015 현대미술사연구 Vol.0 No.37

This paper explores the topological meanings of “Less is less”, a representative Minimalist tautology, in the context of modern history and philosophy. “Less is less” is the title of Mel Bochner’s critical essay on Dan Flavin’s Minimalist exhibition in 1966. On the one hand, in the context of the late twentieth century when orthodox formalist modernism was challenged and negated, the tautological statement “Less is less” rendered ironic criticism against both the instrumental rationality of formalist modernism embedded in “Less is more” and the playful regression of ludic postmodernism asserted by “Less is a bore.” On the other, in the context of the socalled ‘linguistic turn’ in modern philosophy and its impact on conceptual art, Bochner’s essay “Less is less” positioned itself in the critical turning point from Minimalist objects to a Postminimalist field wherein a variety of philosophical investigations were practiced under the influence of Wittgenstein’s philosophy of language. Illuminating the topological implications of the Minimalist tautology within the matrix of history and philosophy, I suggest Bochner’s “Less is less” was not a meaningless self-repetition but a strong assertion that we should ‘return to things themselves,’ and further argue it was not the self-evident axiom of logic but a skeptical inquiry questioning the law of identity.

에토스와 삶의 형식: 비트겐슈타인 하우스에 대한 연구

정은영 ( Eunyoung Jung ) 미술사와 시각문화학회 2017 미술사와 시각문화 Vol.19 No.-

비트겐슈타인 하우스(Haus Wittgenstein)는 분석철학자 루드비히 비트겐슈타인(Ludwig Wittgenstein, 1889-1951)이 누이인 마르가레테 스톤보로우-비트겐슈타인(Margarethe Stonborough-Wittgenstein)을 위해 1926-28년 비엔나에 지은 개인 저택이다. 수학적 비례와 기능적 명료성을 강조한 비트겐슈타인 하우스는 논리실증주의의 형성에 지대한 영향을 미친 그의 전기 철학, 특히 『논리-철학 논고』의 논리적 엄정성이 그대로 구현된 것으로 이해되곤 한다. 또한 일체의 장식을 배제한 간결한 입방체들을 비대칭적으로 결합한 건물의 구조와 철근, 유리, 콘크리트 등 현대적인 건축 재료의 사용으로 인해 20세기 초의 전형적인 모더니즘 건축으로 여겨지기도 한다. 그러나 비트겐슈타인 하우스의 전체적인 구조와 각 층의 기능이 비엔나 부르주아의 전통적인 팔레 건축을 따르고 있고 특히 문화, 예술의 향유에 중점을 둔메인 플로어의 중요성을 그대로 계승했다는 점을 주목한다면, 그의 건축이 합스부르크 비엔나의 역사적 상황에 깊게 뿌리내리고 있었음을 확인할 수 있다. 또한 비트겐슈타인이 저택을 완성한 직후 긴 철학적 공백기를 끝내고 곧바로 철학 탐구로 되돌아갔다는 사실을 고려한다면, 그의 건축 작업이 자신의 전기 철학을 단순히 반영하거나 확인하는 과정 이상의 중요한 의미를 지녔을 것이라 추측해 볼수 있다. 이에 본고는 비트겐슈타인 하우스를 세기말 비엔나의 문화사적 맥락과 비트겐슈타인 철학의 사상사적 맥락에 재위치시켜 고찰하되, 전자에서는 합스부르크 제국의 모더니티의 모순과 부르주아 정체성의 위기를 보여 주는 링슈트라세(Ringstrasse) 건축 및 아돌프 로스(Adolf Loos)의 장식 비판을 중심으로, 후자에서는 논리적 명제의 명료화 작업으로부터 일상 언어의 사용과 실제적인 삶의 형식에 대한 탐구로 나아가는 철학적 이행을 중심으로 비트겐슈타인 하우스의 의미를 탐색한다. 비트겐슈타인의 철학적 사유의 핵심에는 윤리적인(ethical) 삶의 형식에 대한 고민이 깔려 있었다. 전기와 후기를 관통하는 윤리적 삶에 대한 고민은 `집을 짓는` 건축의 실천을 통해 더욱 분명하고 절실하게 다가왔을 것이다. `인간이 세계에 존재하는 거주의 방식`을 뜻하는 `에토스(ethos)`는 건축과 철학에 공통적으로 함축되어 있는바, 비트겐슈타인에게 집을 짓는 작업은 자신을 포함한 비엔나 부르주아의 삶을 윤리적 삶의 형식의 차원에서 다시금 깊게 숙고하는 계기가 되었을 것이다. 비트겐슈타인이 후기 사상의 대표작인 『철학적 탐구』(1953)에서 진정성 있는 `삶의 형식`에 궁극적인 중요성을 부여한 것도 거주의 방식을 구축하는 건축 경험에 힘입은 것이라 볼 수 있다. The Wittgenstein House is a mansion that the philosopher Ludwig Wittgenstein (1889-1951) built for his sister Margarethe Stonborough-Wittgenstein in Vienna between 1926 and 1928. Due to its mathematical proportions and functional clarity, the house has often been understood as directly influenced by the philosopher`s early thoughts, especially the crystalline clarity of logical propositions in Tractatus Logico-Philosophicus (1922). Because of its asymmetrical shape composed of simple cubic masses and the use of such materials as steel, glass, and concrete, it has also been seen as an example of typical modern architecture from the early twentieth century. Considering, however, that the overall plan of the Wittgenstein House follows the traditional Viennese palais architecture and that it inherited the importance of the main floor, with particular emphasis on the bourgeois life of culture and art, the house should be understood as part of larger historical situation of the Habsburg Empire, rather than as a decontextualized modernist building. Also, as Wittgenstein returned to philosophy immediately completing the house, putting an end to his long absence from the professional field of philosophy, it is most pertinent to think that his architectural practice performed an active role in his later philosophical development. As such, recasting the Wittgenstein House in the historical frames, this paper explores its rich and complex meanings within the two interrelated contexts. On the one hand, within the cultural context of fin-de-siecle Vienna where the paradox of modernity and the crisis of liberal bourgeoisie were increasingly intensified, the house positioned itself against the historical eclecticism of the Ringstrasse architecture and rendered a cultural critique on deceitful ornament by pushing the rule of Adolf Loos to the extreme degree. On the other, within the biographical context of Wittgenstein`s later philosophical development, the actual practice of architecture seems to have led Wittgenstein to discover the importance of the use-meaning of ordinary language and the significance of the moral and ethical life lived through, yet beyond, the limits of language. At the core of Wittgenstein`s philosophical inquiry was the quest for ethical life, and he seems to have discovered profound ethical implications in his practice of building a house. As `ethos` means the way human beings exist in the world, that is, a genuine way of dwelling, the architectural practice of building a dwelling place is essentially an ethical project. Thus, the practice of architecture must have provided Wittgenstein with a critical reflection on the form of life of the fin-de-siecle Viennese bourgeoisie, including himself and the Wittgenstein family. The `form of life` that Wittgenstein explored as a key concept in his Philosophical Investigations (1953) was much indebted to his architectural practice. For Wittgenstein, the task of architecture and philosophy consisted in posing ethical questions on how one should dwell in the world.