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정상균 서울市立大學校 1996 論文集 Vol.30 No.-
A landmark in the history of Korean novel was achieved by Heogyun (1569∼1618) the author of the 'Honggildongjeon'. The author was keenly aware of the political and social troubles of that time. Heogyun executed on a charge of treason. The hero of the novel Honggildongjeon, has an aspiration similiar to that of the author. The novel 'Honggildongjeon' has the child archetype motif. If the child motif is a picture of certain forgotten things in our child, we are getting closer to the truth. Since the hero Honggildong is an image belonging to the whole human race and not merely to the individual Heogyun, we might put it better this way : 'Honggildong's child motif represents the preconscious, childhood aspect of the collective psyche. The invincibility of the hero Honggildong represents the collective psyche, and the invincibility of the hero Honggildong also represents the strongest, the most ineluctable urge of the author Heogyun. The urge and compulsion to self-realization is a law of nature and thus of invincible power, even though its effect, at the start, is insignficant and improbable. Honggildong's invincible power was revealed in the miraculous deeds of the child hero. The hero Honggildong demonstrated the enduring vitality of the child archetype.
정상균 한국고시가문학회 2004 한국시가문화연구 Vol.0 No.14
In succession to the poets Song Sun and Hwang Jin-I, Yi Hwang(1501-1570) composed Do-San-Sip-I-Gok(The Twelve Songs of Do-Mountain). This fact has a considerable meaning in the progress of Korean literary history. As the Buddhistic poet Gyun Yeo(923-973) had composed Bo-Hyeon-Sip-Weon-Ga in the form of the national poetry Hyang-Ga at his time, the Confucianistic poet Yi Hwang composed his poem Do-San-Sip-I-Gok in the form of Si-Jo. And as the Gyun Yeo had written his poem on the basis of Buddhism, so the Confucian Yi Hwang, according to the Confucianism, wrote his poem. First of all Yi Hwang's concerns for Korean language was a notable one. For this was an expression of independent spirit which was promoted after the creation of Korean alphabet. And it is noteworthy that Yi Hwang introduced a new method of philosophic poetry which had been widely favored in the Sung dynasty. That is, even the meanings of ordenary things and usual objects selected in the poems are transfigured as the Confucianistics. Therefore the poetic possility of Korean figurative language was, in result, enlarged and deepend. Though Yi Hwang's poetics might be connected with the Chinese philosophical one, the poem Do-San-Sip-I-Gok is not a plagiary. The poem Do-San-Sip-I-Gok composed in Korean native language is the fine example of success in utilizing a new poetic method.
정상균,전재호,김영욱,김준성,천승현 한국물리학회 2019 Current Applied Physics Vol.19 No.3
Multi-channel Bi2Se3 thin films were grown by combining molecular beam epitaxy and atomic layer deposition. High-resolution transmission electron microscope images showed that c-axis oriented Bi2Se3 grew on amorphous Al2O3 even after multiple stacking. While the surface morphology degraded for the upper layers, each layer was electrically similar. The electrical transport measurements showed that the weak anti-localization effect was quantitatively enhanced upon increasing the number of Bi2Se3 channels. Our results provide a promising approach to exploit diverse combinations of layered topological insulator films vertically stacked with amorphous insulator films.
정상균 서울市立大學校 1992 論文集 Vol.26 No.-
Kim Si-Seup(1435-1493), the first significant writer of imaginative, wrote his immortal Geum-o-sin-hwa influenced by Jeun-deung-sin-hwa. The book enjoyed a great popularity in Korea. But Kim Si-Seup was originally a man who turned from reality, because he could not come to terms with the demand for the renunciation of instinctual satisfaction as it was first made, and who then in fantasy-life allowed fully play to his erotic and ambitious wishes. In Geum-o-sin-wha, Kim Si-Seup's wishful phantasy remains repressed. It is also instructive to consider Geum-o-sin-hwa in the relation of anxiety-dreams. In the dreams, a repressed wish has found a means of evading censorship and the distortion which censorship involves. In Geum-o-sin-hwa, Kim Si-seup's obsessional self-reproaches also appear.