문어 텍스트와 구어 텍스트의 담화 표지와 텍스트 구조 비교 연구

이숙의(Suk-eui Lee),김진수(Jin-soo Kim) 어문연구학회 2008 어문연구 Vol.56 No.-

This study is focused on the comparative analyzing between the literary expression and the oral expression, but those two texts belongs to same prototype. One of the research material of this study is Oakdanchoonjeon which is a Korean classical novel, the other is a Lee Hyunryong and Kim Jinhoi which is an oral narration of Oakdanchoonjeon. Firstly discourse markers of two texts were compared. Most of cohesive devices in Oakdanchoonjeon are grammatical, logical and semantical binders. However, in Lee Hyunryong and Kim Jinhoi, pragmatical and internal binders are remarkable, like "ah, in-ja, mak". Secondly, each text structure was analyzed and compared. On the case of literal text, it was focused on the success story of Lee Hyunryong. On the contrary, in the oral text, it was focused on the love story between Oakdanchoon and Lee Hyunryong. It shows that a text structure of oral text can be changed by speaker"s focusing, narrative place and time. Also discourse markers are related to the episodes, it functioned as a cohesive device between episodes. Especially, using discourse markers was remarkable in oral text.

애니메이션 주토피아에 나타난 문화의 역할: Pop-Culture References와 Easter Eggs 1 를 중심으로

이숙현(Lee, Sook-Hyun),강문구(Kang, Mun-Koo) 영상영어교육학회 2019 영상영어교육 (STEM journal) Vol.20 No.3

The aim is to examine what role culture can play in movies and to describe what culture stands for from an L2 learners’ point of view. Roell (2010) has made a list of movies, suggesting 33 movies which she considers to be suitable for intercultural training. Academic societies emphasize categorical culture types to enhance cultural awareness and knowledge. However, many EFL college students tend to focus on superficial culture. In this paper, the American animation Zootopia (Howard & Moore, 2016) was analyzed to see what role culture can play. Four scenes were selected. The first was a satire on an American government administration, the Department of Motor Vehicles, which is notorious for its terrible service. The second contained pop-culture references. Zootopia borrowed an authoritative image from the movie The Godfather (Coppola, 1972). The third was about Easter eggs. Zootopia borrowed one scene from the animation Frozen (Buck & Lee, 2013). In the fourth scene, Doug played the chemistry teacher’s role from the American drama, Breaking Bad. This was another Easter egg. We are sure that most Korean college level students enjoy learning about pop-culture references and finding Easter eggs, even though they are very superficial in terms of cultural knowledge. It is also apparent that they learn the L2 implicitly.

근대 단군민족주의의 계승과 단군운동

이숙화(Lee, Sook-Hwa) 고조선단군학회 2018 고조선단군학 Vol.39 No.-

이글은 한말에서 임시정부수립에 이르기까지 단군민족주의 인식의 동향을 추적하면서 ‘단군 자손’의 주체적 의식이 근대적 민족의식의 성장을 주도하고 단군운동, 독립운동과 밀접하게 결합되어있음을 분석하였다. 단군은 한국사의 오랜 부침을 함께 했다. 특히 한국인이 ‘근대적 민족’으로 거듭날 때 핵심적 매개로서 그 역할을 다하였다. 단군과 단군사상은 항일민족운동 및 독립전쟁의 논리를 제공하고, 국내외 한민족의 결집을 이루는데 중요한 역할로서 기여하였다. 이 글에서는 근대 단군민족주의의 계승과 운동을 세 단계로 살펴보았다. 첫째, 한말 역사교과서 저술과 교육을 통한 국민계몽의 단계, 둘째, 민족적 정체성을 재확립하고, 단군문화운동으로 항일의식을 키워가는 단계, 셋째, ‘단군 자손’과 ‘배달민족’의 이름으로 재탄생한 근대적 한민족이 3・1운동의 주체가 되어 임시정부를 수립하고, 독립운동의 주역으로 성장하는 단계이다. 민족은 탈민족주의적 관점에서는 ‘상상의 공동체’로서 배척되지만, 이 글에서 한민족은 근대 민족국가 건설과 독립운동에 투신했던 ‘역사적 실체’로서 그 의미를 찾고자 한다. 이러한 문제의식은 향후 단군의 문제가 평화운동의 원리로서, 통일운동의 이론으로 제시될 충분한 가능성과 연결되는 지점이기도 하다. This article is about recognition tendency of Dangun Nationalism between late Korean Empire and the Korean Provisional Government. The recognition of Dangun Nationalism led Korean’s national consciousness and is related with independent movement. Dangun was a mediator when Korean people became a modern nation people. Moreover Dangun and Dangun’s thought offered a logic to the anti-Japanese national movement and made an important role to gather Korean people together. The succession and movement of Modern Dangun Nationalism has four stages. Firstly, national enlightenment through writing and education of history books. Secondly, reestablishment of national identity and development of anti-Japanese consciousness. Thirdly, the modern Korean people which had a rebirth as “Dangun’s descendant‘ and ’Baedal Nation‘ led 3・1 Independence Movement, established the Provisional Government of Republic of Korea. Through these all stages, they became a leading role of Independent Movement. A nation is rejected by Post-nationalism as an imaginative community, but Korean was analyzed in this article as a historical entity which went into the establishment of modern nation state and independent movement. It means that Dangun’s thought could be used as a theory of peace-movement and unification-movement.

1930년대 한국 모던 걸(Modern Girl)의 화장문화(化粧文化)에 관한 연구

이숙연 ( Sook Yeon Lee ),정연자 ( Jung Yeon Ja ) 한국동양예술학회 2013 동양예술 Vol.21 No.-

본 연구는 현대 사회에서 서구와의 문화적 교류를 통해 한국식화장이 세계로 뻗어 나갈 수 있게 밑바탕이 되었던 1930년대의 化粧文化를 연구하는 것은 의의가 있다고 사료되어 본 연구를 시도하였다. 1930년대 일제의 억압과 2차 세계대전이 일어나면서 미용문화가 위축이 되었지만, 근대 교육을 받은 모던 걸이나 모던 보이가 유행할 정도로 미용 문화에 있어서 최고점을 이루었던 시대를 살펴봄으로써 1930년대 한국 모던 걸의 화장문화를 분석하고 한국뷰티 문화연구의 기초적인 토대마련을 하고자 하는 것이목적이다. 화장 문화와 사회질서 사이 화장의 경향과 유행의 변화속도는 사회적 영향력에 의해서 좌우된다. 특히 교육기회의 증가와 대중화는 화장의 변화를 가속화 시키고 화장 문화의 다양성을 가져오는데 영향을 미쳤다. 1930년대의 경성에서 최고로 세련된 여성인 모던 걸의 형상을 구축하는 요소들, 그들이 이상으로 추구한 개념이나, 화장의 형태는 새로운 관념의 등장이라 할 수 있다. 모던 걸은 근대의 상징이었다. 새로운 감각적인 멋과 지식의 소유자로 나타났으며 이들의 스타일(화장, 의상, 두발, 장식, 의식, 등)을 통해서 근대적 주체로서 스스로의 정체성을 찾아 가고자 한것이다. 본 연구방법은 문헌연구와 실증적 연구를 병행하여 고찰하였고 문헌연구는 각종 논문, 서적, 잡지 등을 참고로 살펴보았고 실증적 고찰을 위해서는 1930년대 발간된 여성지를 중심으로 사진을 수집, 조사, 분석, 평가 하여 사용하였다. 사진은 120개의 사진에 정은 뷰티관련 교수 10명의 집중적인 분석에서 모던 걸에 해당하는 사진이라고 공통적으로 평가한 사진을 대상으로 살펴보았다. 결과는 다음과 같다. 첫째 모던 걸들은 특히 서구 여성 스타에 열광적인 반응을 보였다. 여성 스타의 브로마이드를 사고 패션과 화장, 머리스타일과 같은 스타의 외양을 따라하거나 제스처나 말투, 걸음걸이와 같은 행동 양식들을 미메시스 하였다. 둘째 淡粧文化의 중요요소인 외형을 가꾸는 일은 곧 내면의 미를 표현하는 것으로, 이러한 미덕을 바탕으로 온화하고 우아한 화장 문화를 이루었다. 셋째 모더니즘은 근대적 감각을 나타내는 현상으로 모더니즘이라는 풍습과 유행을 따르고 그것을 체험한 사상을 신속하게 받아들이는 선두주자인 모던 걸들은 서양 여배우의 아름다움이 근대여성의 아름다움의 척도가 되어 코를 높이고 눈매를 깊고크게 보이기 위해 입체 화장법이 시작되었다. Korean makeup to be spread out into the world in modern society, the makeup of the 1930s culture to study the significance that this study tried to feed this study. Era was the oppression of the Japanese and World War II in the 1930s due to the atrophy of Beauty Culture, despite a peak in trained men and women from fashion to beauty culture had achieved. The 1930s, the modern Girl make of makeup culture analysis and Korea Beauty Culture laid the basic foundation of the research that you want to aim. Between the rate of change of trends and fashion makeup, makeup cultural and social order is influenced by the social influence. In particular, an increase in educational opportunities and accelerate changes in the makeup popularized and influenced the makeup to bring cultural diversity. It may be the emergence of new ideas and elements to build the most stylish women in the rigid shape of the modern girl of the 1930s, and they pursue more than one concept, in the form of makeup. Modern girl was a symbol of modernity. New sensual style and knowledge of the owner, showed through the style of these (costumes, hair, decoration, language, rituals, etc.) will go to find their identity as a modern subject. Professor of beauty ten intensive analysis in the modern girl that corresponds to the 120 photos from the Western and South Korea``s modern walk to work compared to the feasibility of the selected photos and pictures are commonly rated targets examined. The results are as follows. First modern girl, especially Western women, was an enthusiastic response to the Star. Mimesis bromide thinking of the female star like fashion, makeup, hair style and according to the star``s appearance or behavior such as gestures or speech, gait. Second traditional Damjang important elements of culture to cultivate the appearance of things soon to express the inner beauty of these virtues, culture became gentle and elegant makeup. Third modernism, I experience it follows the fashion phenomenon as representing the modern sense of modernism that customs and ideas quickly accept the forerunner of modern western actress beauty of your eyes to the nose of the modern woman``s beauty is the measure of the deep greatly to show the three-dimensional makeup began.

'맞다, 보다, 삼다, 얻다,' 의 공통의미

이숙의(Lee Suk-eui) 어문연구학회 2004 어문연구 Vol.45 No.-

In this study, I tried to analyze the polysemous properties of predicate in Korean language. I also tried to analyze the meaning structure and the arguments in Korean sentences. It is interesting that each four verbs which has the different prototype of meaning category can be tied by common meaning. ‘Matta/boda/ samtta/eotta’ can be tied by common meaning as ‘having relation with someone’. Therefore, I classified according to common meaning as a 'relational verb'. General meaning of ‘matta’ is the ‘closing up the terms between agent and object’. ‘Matta’ limited the meaning category of N₂, which has the feature [+relation] . The verb ‘boda’ combines the argument which has a feature [+kinship]. It is remarkable that the only noun that has a feature [-senior] can be the argument of ‘boda’. ‘Samtta’ has same argument category as compared with the verb ‘matta’. But, the verb ‘samtta’ itself has the meaning [+unnatural]. Therefore, though the verb ‘samtta’ could combine with the noun which has the feature [+kinship], it means ‘having relation with someone by some contract’. The meaning of ‘eotta’ is ‘drawing the object into the scop of agent’. That verb combine with the argument same as ‘matta’ and ‘samtta’. However, the meaning of ‘eotta’ is not ‘having relation with someoneㅣ by some contract’ but ‘having kinship’.

온톨로지 지식과 개체명 세분화를 통한 맥락의미 자동인식의 향상

이숙의(Lee, Suk-eui) 한국언어문학회 2019 한국언어문학 Vol.109 No.-

The named entities(NE) of the special domain to be covered in this paper is the concept category name of the vocabulary. Ontology integrates the conceptualization of the derivation and expansion of lexical semantics. Therefore, the ontology data are suitable for understanding the meaning of vocabulary according to context. The purpose of this paper is to utilize ontology knowledge in the construction process of NE learning data of special domain that can be used in automation system for query response. This paper proposed a method to improve the accuracy of NE recognition in automatic natural language processing. [Child Care] domain document and consultation dialogue data was constructed, and tried to find out how to classify the NE necessary for automatic classification of documents and Q & A system. In Section 2, the necessity of subdivision of NE category and similarity with ontology were introduced to understand object name recognition through context information. Chapter 3 introduces the collection of [Childcare] documents and describes the results of analysis of specific vocabulary use. In chapter 4, how to refine the NE in the [Childcare] documents was shown and illustrated the necessity of classification. As a result, the accuracy rate of recognition of the object name in all 6000 sentences was over 95%.

남성의 취업과 가족 상호작용

이숙현(Lee Sookhyun) 한국사회학회 1995 韓國社會學 Vol.29 No.SM

사회참여가 공적권위수용성에 미치는 영향: 문화의 조절효과를 중심으로

이숙종 ( Sookjong Lee ),유민이 ( Minyi Yoo ) 성균관대학교 국정관리대학원 2013 국정관리연구 Vol.8 No.1

문화는 한 세대의 구성원들이 공유하는 규범과 같은 존재로, 사회구성원들은 의도적·비의도적으로 문화를 학습하고 전수한다. 따라서 시민들의 사회 및 국가에 대한 가치관 형성에 문화는 중요한 영향변수이다. 그럼에도 문화의 효과는 측정의 어려움 뿐 아니라 정의의 모호성과 같은 문제로 많은 연구에서 소홀히 여겨졌다. 본 연구는 이를 보완하여 사회참여와 공적권위수용성의 관계의 정도가 개인의 문화적 성향, 개인이 속한 사회문화에 따른 차이를 분석하였다. 분석에 사용한 자료는 <2010 국가정체성 여론조사>로 공적권위수용성에 대한 사회참여의 영향, 개인성향·사회문화의 영향, 사회참여와 문화의 조절효과를 순차적으로 위계적 조절회귀방법으로 분석하였다. 그 결과, 사회참여 중에서도 이차참여가 높은 사람은 공적권위를 더욱 수용하는 것으로 분석되었으며 개인이 집단주의적 성향이 높을수록, 사회문화적 환경이 집단주의적이고 수직주의적일수록 공적권위수용성이 높았다. 문화의 조절효과 역시 검증되었다. 이차참여 활발한 개인이 집단주의적 성향을 가지면 공적권위수용성이 낮아지는 한편, 수직주의적 문화상황에 놓이면 공적권위에 대한 수용성은 더욱 높아지는 것으로 확인되었다. 본 연구는 사회참여가 많을수록 공적권위수용성이 높아짐을 발견함으로서 공적권위에 대한 불응에 따른 사회적 고비용을 해결하려면 시민의 사회참여를 활성화시켜야 한다는 시사점을 얻을 수 있었다. 또한 실증분석을 통해 문화적 특성이 공적권위수용성과 같은 정치적 태도에 의미있는 영향을 미친다는 것을 발견하였다. Culture as shared norms is consciously and unconsciously learned by people and transmitted to next generation. Accordingly, culture is influential in forming people`s values and attitudes toward their society and nation. Nevertheless, the study of cultural influence on political attitudes has been neglected due to its definitional ambiguity and measurement difficulty. This study tries to respond to this gap by analyzing people`s individual and collective cultural orientations that affect their social participation and compliance to public authority. Using the National Identity Survey Data of East Asia Institute, we ran hierarchical regression analysis examining the causal effects of social participation and cultural orientations upon people`s acceptance of public authority, and subsequently their moderating effects on dependent variable. Our results show that people tend to accept public authority the more they participate in civic associations, the more they have collectivist values, and the more they engage in group oriented and hierarchical social relations. Mediating effects of cultural factors are validated in different directions. Socially active people tend to accept public authority less when they hold collectivist individual values. But, they confirm to public authority more when they are put into hierarchical social situations. This study suggests that increasing people`s social participation is desirable for reducing high transaction costs deriving from noncompliance to public authority.

集體記憶・文化創傷 : 從《返校》系列談台灣的白色恐怖敍事

이숙연(LEE, Shu-Chuan)(李淑娟) 대한중국학회 2021 중국학 Vol.75 No.-

2017年初,台灣電遊《返校:detention》在全球遊戲平臺上綫,隨即熱銷廣受矚目。此遊戲以中學校園讀書會成員遭構陷入罪的情節為主幹,指涉台灣自50年代開始長達近40年的白色恐怖歷史。此歷史長期受壓抑,遲至90年代才逐漸浮現,但因政治因素導致真相隱晦難明。2016年,台灣‘轉型正義工程’正式展開,此現象才有所轉變。而在文學領域,受制于長期的記憶宰制,文本多呈現‘迷態敘事’特質,即内容斷裂、不明所以、表述閃爍其詞,這與台灣大衆對該歷史的關注程度一直呈現‘低溫稀薄’現象應有關聯。電遊《返校》之後,此現象有大幅轉變,隨後的同名電影和影集的上映更擴大了其影響面。筆者認爲,《返校》系列建構了台灣白色恐怖的集體記憶。本研究以集體記憶、文化創傷等概念,觀察白色恐怖歷史在此前不同形態的敘事中如何被建構、呈現,《返校》系列又以何種新的形態來呈現該記憶,及賦予其何種意義。 2017, Red Candle Games released a game called ‘Detention’ in the global gaming platform, ranking number three in sales in just one month. In the game lies a fictional story about members of a school book club who were framed in the 60 s under the Martial Law. It based on the historical event called the White Terror throughout the 50’s to the 80’s. White Terror had been a taboo in Taiwan for years, making the investigation of the event, damage, and accountability for a prolonged period of time. Since the termination of the Martial Law in 1987, the restoration of the forbidden history was commenced. Especially since 2016, Transitional Justice has become the core government policy, allowing the creation and execution of many policies in multiple aspects, such as fact-finding, restoration of records, rewriting history, compensation, and redemption of honor. Moreover, since the termination of the Martial Law, literature and personal biography based on the White Terror were created in the private sector. Nevertheless, it did not attract the attention of the general public. However, the release of ‘Detention’ has brought signs of change. ‘Detention’ grabbed the attention of teenagers who were distant with the history that happened 70 years ago. From the beginning of the release of the game, it has stirred up the internet and social media. In 2019, the game was made into a movie ‘Detention’. In addition, in December of 2020, ‘Detention’ made into a eight-series show. This is expected to create a collective memory of the White Terror in Taiwan. This study aims to find out how the White Terror in Taiwan is shown in various forms of narratives, using related concepts such as Assmann’s ‘Collective Memory’ and ‘Traumatic History’. Also, this study analyzes the new form of White Terror narrative of ‘Detention’ series.

제1문화 인지 형성법이 제2언어 습득에 주는 효력

이숙화(Sook Wha Lee) 이중언어학회 1997 이중언어학 Vol.14 No.1

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