세계태권도연맹 경기규칙 제정 기록의 오류

신현규(Shin, Hyun-Gyu),김영수(Kim, Young-Soo) 한국사회체육학회 2015 한국사회체육학회지 Vol.0 No.60

The purpose of this study was to examine and correct the error about enactment recording of competition rules in World Taekwondo Federation(WTF). Through this study, the following conclusion were drawn; Now official notice recording of enactment on May 28th in 1973 at WTF is wrong. At that time competition rule of WTF was not enacted by Yang’s(2005), Shin’s(2012), elders of Taekwondo, etc. I didn’t found at any references and anywhere. Then competition rule of Korea Taekwondo Association(KTA) applied intactly for the 1st World Taekwondo Championships on May 25 ~ 27 in 1973. Also competition rule of WTF was not enacted until in 1979 to be held biennially from the 2nd to the 4th World Taekwondo Championships by same reason as mentioned earlier. In addition, first amendment on October 1st in 1977 at WTF is wrong for such reasons. Therefore this study was found an estimated competition rule of enactment on May 1st in 1980 by quarterly magazine on April in 1980 at KTA. This competition rules was comprised the 35 article and additional clause. On comparative analysis has considered that this competition rule was the real enactment of WTF. In conclusion, the enactment of competition rule in WTF is not on May 28th in 1973, but on May 1st in 1980. And so the enactment of competition rule in WTF was to correct again recording of enactment May 1st in 1980. Later I hope future studies about amendment of competition rules in WTF.

동아시아 서사시 유형 고찰

신현규(Shin Hyun-gyu) 중앙어문학회 2000 語文論集 Vol.28 No.-

A Study on east-asia epic types are to growing up the academic my to study. Not only study on Korean epic literature, but also China west-boundary land the minority nation epic. The purpose of this thesis is to examine China west-boundary land the minority nation epic literature and east-asia epic types relation a rules. Specially, one of east-asia epic literature is a China west-boundary land the minority nation on the epic literature. The present study defines epic literature as a China west-boundary land the minority nation epic literature type to Korean tradition on study. Chapter Ⅰ entitled China west-boundary land the minority nation epic forms. In addition, makes "Selchangche"ㆍ"Gangchangche" forms concept. On the basis of this observation, Chapter Ⅱ entitled China west-boundary land the minority nation epic type, to be accessory makes creation epic "Changsegy"ㆍhero epic "Gesalwangjeon"ㆍcommon epic "Asima" etc. As a result, a study on China west-boundary land the minority nation epic literature type concept to be connected with Korean epic literature.

기생 ‘백운선’을 콘텐츠로 한 스토리텔링의 가능성 고찰 : 『매일신보』에 연재된 「백운선의 비밀」을 중심으로

신현규(Shin Hyun-Gyu) 중앙어문학회 2010 語文論集 Vol.43 No.-

Digital content from the cultural circle of the country as the target of 'kisaeng' are attractive. Femme fatale, such as distinctive flamboyance, and the twists and turns of life have double the target because it dramatically exposed, As with other content, kisaeng content, cross-cultural relevance from the perspective that is much better than the absence of the target, Moreover, the modern Japanese colonial rule of the kisaeng, namely the kisaeng gwonbeon most dramatic life narrative itself contains a variety of scenarios have to be re-doing the glass. First, by default, newspapers, magazines and related materials remain much yet remains to interview. The story of the kisaeng social to be treated contemp, but because of superior talent that the public can not be done with love is tragic. Kisaeng associated with the lives of people around the deep bend itself also has a serious point configuration and dramatically. To recast historical figures, especially the development of storytelling, multi-story One Life 'finn the perspective constantly must be contiguous. He takes the discussion to target "Secrets of Baekunseon" 『maeilsinbo』 1919 년 7 of 16 from August 2 through 15, four times a practical format serialize wrote. Baekunseon of modern storytelling kisaeng in serialize article for a number of ongoing situations good writing and complemented by a variety of other materials, while multi-won life story was to try. Configuration has the structure of the episodes and characters separate ongoing relationship based on conflict is tragic.

고려속요 ‘처용가’의 미학적 접근 가능성 연구

신현규(Shin, Hyun-gyu) 한국문화융합학회 2010 문화와 융합 Vol.32 No.-

‘Cheoyong’ can gauge the dual structure of meaning, while describing the shape ‘Cheoyong Dolls’. In other words, the idea of the relative auxiliary Arche-idea and may properly be expressed in two ways. See also could find the Cheoyong aesthetics in the works ever order. Literature is recognized as a language is made have had a double meaning, because the structure of the shape it is. The result could look at the order of ‘Cheoyong aesthetics.’ In the ‘Cheoyong aesthetics’ is korean folk, in dance, has been variously expressed in the play. ‘Korea cheoyong-song’ is both scenarios of ‘cheoyong Theater’, the lyrics of ‘cheoyong-song’ can be called dance movement directive of ‘Cheoyong dance’. In particular, Cheoyong Dolls look appropriate the conditions for accessing the appearance of Cheoyong aesthetically done. This specification will this make him a sense of beauty around the contents of the ‘Cheoyong Dolls’. Therefore, Cheoyong aesthetics is seen to hold However, the lack the system, albeit on its own order.

대학에서 한자교육, 어떻게 운영할 것인가? : 중앙대 한자(한문) 교과목 중심으로

신현규(Shin Hyun-Gyu) 중앙대학교 교양교육연구소 2011 교양논총 Vol.- No.4

한자 교육을 하려면 교육 기능을 강화해야 한다. 교육하지 않고 성과를 바란다면 존재의 의미가 상실한다. 바로 한자 관련 교과목의 활성화가 전제되어야 한자 교육의 운영이 된다는 점을 잊어져서 안 된다. 다른 대학에서 실시하고 있는 졸업인증제처럼 중앙대에서도 '한자능력인증'으로 '브랜드(Brand)화'를 제안한다. 또한 상용한자 1,800자를 지정한자로 정하고, 교내인증 시험은 '한자능력인증시험'으로 실시해야 한다. 그리고 교외인증 한자시험은 현재 국가공인한자단체 10개 모두를 대상으로 삼는 것이 합리적이다. 물론 취득 급수로 2급 이상으로 정하여 국가공인 자격 수준이 되어야 한다. 이러한 한자 졸업인증제를 관리하기 위한 중심 기관이 있어야 한다. 바로 중앙대 한자교육의 운영은 교양학부대학 부설 '한자교육센터(Chinese characters education center, CEC)'가 있어야 한다. 이 교육센터가 중앙대 전교생을 대상으로 한자교육 콘트롤 센터 역할을 해야 한다. 주요 업무는 한자 인증제 관리 및 검증, 한자 인증 시험 출제 및 감독, 그리고 채점까지 포함한다. 또한 한자 교과목의 체계적 관리를 통한 교과목 및 매뉴얼 교재 개발이 필요하다. 그리고 중요한 업무라고 할 수 있는 강의 평가에 따라 우수한 강사진의 인력풀 확보와 강의 모니터링을 통한 끊임없는 강의안 개발이 전제되어야 한다. 덧붙여서 긴요하게 중심으로 삼아야 하는 것이 바로 한자 LMS(learning management system), 즉 학습관리시스템이다. 이것은 온라인으로 학생들의 성적과 진도, 출석 등을 관리해주는 시스템이다. 학습관리시스템의 구축을 전제로 한자 콘텐츠 문제은행DB를 진행하고자 한다. 이를 위한 학교 본부에서는 지속적이면 지대한 지원이 필요하며, 이러한 한자교육의 투자는 한자 교육의 우수한 여러 결과물로 증명해야 한다. Chinese Character education should be to enhance education. Without the presence of educational achievement, if you want to lose the meaning. Subjects directly related to the activation of Chinese Character education to be the premise that the operation of Chinese character education should not forget it. Conducted at other universities and in CAU(ChungAang University) as a graduate certification 'Chinese characters skills certification' as Brand Change is proposed. In addition to Chinese characters 1,800 qualifier, school exam 'Chinese characters skills exam' should be conducted. And the suburbs now a nationally recognized certification exam Chinese characters for both groups are targeting 10 is reasonable. To get the water as well as Level 2 or higher should be the level of a nationally recognized qualification should be. The Chinese characters for managing graduate certification must have a central institution. Chinese characters directly CAU Faculty of Liberal Arts education annex of the operations 'CEC(Chinese characters education center)' should be. The training center to target all students CAU education should serve as the control center. The main task management and verification of certification Chinese characters, Chinese characters certification test questions and the coach, and includes up to score. In addition, through the systematic management of Chinese characters Course curriculum and textbooks need to be developed man. And that can be considered an important task based on an evaluation of teaching make excellent teachers and teaching through monitoring of the Manpower-pool and Teaching lesson plans continuing development is a prerequisite. We need to critically addition to the center right Chinese characters LMS(learning management system), that is a learning management system. As an online student's grades and progress, attendance, and for managing system. Subject to the Chinese characters learning content management system built in the question bank DB would like to proceed. If what this great school for the Division's continued support is necessary and this Chinese characters education educational investment should prove superior to multiple deliverable.

운초 시에 나타난 선연동(嬋娟洞) 연구

신현규(Shin, Hyun-Gyu) 우리문학회 2016 우리文學硏究 Vol.0 No.49

지금까지 김부용의 한시 연구는 조선 정조 때에 시인으로 유명했던 연천 김이양의 소실된 전후의 작품 중심이었다. 기생 시절에 운초 김부용의 한시 연구는 좀 더 진행된 재인식이 필요하다. 운초와 연천의 애정을 중심으로 사대부와의 교류에 편중되어 있기 때문이다. 성천 관기로서의 기생 김부용은 처연한 신세를 드러내는 한시를 찾을 수 있지 않을까하는 의문점에서 논의를 진행하였다. 바로 연구자들이 거의 거론하지 않는 운초의 작품 「고분」3편이 재인식의 추론 대상이다. ‘고분’은 ‘외로운 무덤’이지만 누구의 무덤인지 알지 못한다. 「고분」한시는 3편이기에 한 명의 무덤이 아니라 여러 명의 무덤인 셈이다. 기존의 선연동을 소재로 삼은 시들처럼 작시(作詩)의 유사성을 발견하게 된다. 선연동을 고분(古墳)으로 불렀다. 그 밖에 시어, 배경, 형식, 내용 등이 흡사하다. 평양기생은 기생의 숙명과 같은 차디찬 무덤으로 돌아가는 것이다. 따라서「고분」3편은 평양 칠성문 밖에 기생의 북망산, 즉 기생들의 무덤을 일컫는 ‘선연동’을 노래한 시라고 재인식하였다. 또한 기생으로서의 생활과 그 당시 풍속의 일면을 살펴볼 수 있게 표현한 운초 김부용의 시는 소중하다. 성천과 평양의 관서 지방의 명소를 소재로 한 기생의 작품은 거의 드물기 때문이다. 「고분」에서처럼 외로운 무덤으로 가득 찬 ‘선연동’으로 갈 수 밖에 없는 기생의 운명은 벗어나기 위해 관기 김부용은 자신의 능력으로 최선의 선택을 하게 된다. 바로 소실, 즉 첩이 되는 것이다. 이 때문에 시재가 뛰어난 부용의 경우는 남달라야 했다. 관기로서의 정체성에 대한 고민이 묻어있으며 그 신분적 갈등에 맨 끝에는 ‘선연동’이 자리잡고 있지 않았나 한다. 왜냐하면 선연동은 기생의 북망산이기에 누구나 예외없이 가야 할 곳이다. 관기의 정체성을 드러내는 공간이 바로 선연동이었기 때문이다. Up to now, studies of Kimbuyong’s poetry have focused on the time of her marriage to Yeonchun Kimyiyang, during which she was a famous poet. However, a study of Uncho Kimbuyong’s work her Gisaeng childhood requires a fresh understanding, as it concentrated on the exchange between Sadaebu and Gisaeng, especially regarding love. The object of this study is Uncho’s three pieces of work in “Gobun.” “Gobun” means “lonely grave,” but it remains unknown whose grave is referred to. Furthermore, “Gobun” refers to the tombs of at least three people’s, as the poetry comprises three pieces of work. These works bear similarities to other poetry about Sunyeondong. For example, the use of poetic language, background, format, content, etc. are similar. Pyongyang Gisaeng returns to the cold earth, as do others-that is the destiny of Gisaeng. Thus, we might deduce that “Gobun” means Sunyeondong, the graves of Gisaeng. The poetry of Uncho Kimbuyong is precious, in that it speaks of the time in old Gisaeng’s life, and shows the old customs. The fate of Gisaeng left no choice but to go to the full Sunyeondong, the lonely tomb. It entailed being a second wife to someone. Because of this, Buyong’s poetry is special, and reflects the identity of the public Gisaeng. Her main conflict, concerning social standing, ends with ‘Sunyeondong.’ ‘Sunyeondong’ was a graveyard for all Gisaengs, without exception, and so is the space that contains Gisaeng’s identity.

축구경기, 왜 우리는 열광하는가

신현규(Hyun Gyu Shin) 한국체육철학회 2006 움직임의철학 : 한국체육철학회지 Vol.14 No.1

일부지역 생애전환기 건강대상자들의 혈청 총콜레스테롤과 중성지질농도 비교 -40세와 66세를 대상으로-

신현규 ( Hyun-gyu Shin ),나영악 ( Young-ak Na ) 대한임상검사과학회 2010 대한임상검사과학회지(KJCLS) Vol.42 No.2

The National Health Insurance Corporation (NHIC) was performed population health checkup surveyprogram with especially two target ages, 40 years and 66 years old that were called as "life transition period" for national collective prophylaxis of cardiovascular diseases in Korea. We were investigated and compared between two age groups with the serum levels of cholesterol and triglyceride from data of the survey in Daegu province, Korea at April, 2007. Data of one hundred persons per each age (40 years and 66 years old) were collected and investigated for risk factors for chronic degenerative diseases including serum lipid concentration, health habits of drinking, smoking, exercise etc. In spite of the definite difference of life transition of the each age, the transition from adolescence to adulthood at 40 years old, and from adulthood to senescence at 66 years old, there were no significant difference of total cholesterol and triglyceride between two age groups.

미디어스포츠 수용요인과 스포츠가치관의 관계

신현규(Hyun Gyu Shin),장호중(Ho Jung Jang) 한국사회체육학회 2008 한국사회체육학회지 Vol.0 No.34

The purpose of this study is to investigate relationship between receptiveness factor of media sports and sports value. Firstly, It is relationship of receptiveness of media sports and sports value. The population for this study was to use media sports located in Seoul. The final 475 responses (Male 292, Female 183), collected by convenience sampling method, were used in the data analysis procedure. The items for measuring and receptiveness factor of media sports by Seo(2001) and Spots value by Oh(1999) study. and To analyze the final data (475), the reliability analysis, factor analysis and Covariance Structure Analysis. From the analyses of the data, the study reached the following conclusions: 1) There were statistically significant relation receptiveness factor of media sports and sports value. The results represented that the receptiveness factor of media sports positively influenced sports value.

1920년대 기녀 시조문학의 한 양상 연구

신현규(Shin, Hyun-Gyu) 한국시조학회 2011 시조학논총 Vol.35 No.-

이 논문은 1920년대 기생 잡지 『장한』에 창작 수록된 시조 작품의 작자가 기생이기에, 이를 기녀 시조문학의 전통성과 현대성의 한 양상으로 논의할 수 있지 않을까 하는 문제 제기이다. 이것은 기녀를 작가군으로 가진 시조문학의 전통성에서 연장선상에 있는 일제 강점기 기생의 시조 작품은 있지 않을까? 이에 대한 논의는 1927년에 경성의 권번 기생들이 만든 잡지 『장한』에 창작 수록된 3편의 시조를 출발점으로 삼았다. 기녀 시조문학의 연구에는 자료의 부정확성이 연구의 한계라고 지적된다. 연대 불명의 작가가 전체의 절반을 훨씬 넘어서고 있다. 역사적 이해 자체가 거의 불가능하고 연대를 알 수 있는 작자들조차도 거의 모두 조선 전기, 중기에 집중되어 있다. 조선 후기 기녀시조의 역사적 양상은 가늠조차 하기 어려운 형편이다. 텍스트 역시 수록 가집마다 작가의 부정확성이 심하기 때문이다. 이 상태로는 누구의 작품인지, 누가 몇 수를 남기고 있는지와 같은 원전의 확정까지도 거의 불가능하다. 기생의 한시도 이 부분에 자유롭지 못하다. 왜냐하면 문집을 남기지 못한 기생의 한시는 대부분 회자되어 전해졌다. 기녀의 시조문학도 남겨진 작품은 대부분 사대부 남성 편저자의 시선과 담론화의 과정을 거쳐 취사선택된 것이다. 이에 반해 기생 잡지 『장한』에 수록된 시조 3편은 작자가 분명하다. 아울러 출전도 명확하다. 일제 강점기 3편의 시조는 기녀시조의 전통성을 잇고 현대성을 구현한 작품으로 여길 수 있다. This paper 『JangHan(長恨)』author of works on the creative founders contained Gisaeng, it's traditional and contemporary literature Gisaeng is asked to discuss the issues that'd be. It authors in the literature with the Gisaeng of the tradition that is an extension made in Japan in the occupation of the Si-go literature work'd be Gisaeng? For a discussion of this in 1927, hard-magazine created by the Gisaeng Gwonbeon JangHan(長恨)His three founders contained in the original as a starting point will host. In the study of literature Gisaeng inaccuracy of the data indicated that the study's limitations are. Half of the entire regiment of unknown writers even go beyond the Historical understanding itself is almost impossible to know the age and almost all of the author even Choseon Dynasty, is concentrated in the middle. Founder of the Choseon Dynasty Gisaeng, even historical aspects is difficult to gauge is bad. Text also very more inaccuracy because of the author textbook. Not like this, whose work is, if someone, such as leaving a few number of original textbook is almost impossible to even confirm. In this area at all times be not free China poem of Gisaeng. Did not leave because the China poem of Gisaeng was said to have remarked on the most limited time. The Si-go literature of Gisaeng of the founders of literary works most of the remaining men Sadaebu compiler and The process of discourse through the eye need to be selective about. In contrast, Gisaeng issue its first number 1927 『JangHan(長恨)』magazine, contained in three the Si-go literature author of works is clear. In addition, exhibitors will be made clear. Made in Japan Occupation His three Gisaeng founder of the the Si-go literature work'd be Gisaeng followed the tradition of modernity can be implemented here to work.