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      • KCI등재

        일본문학(日本文學),일본학(日本學) : 시마자키 도손(島崎藤村)의 「수채화가(水彩畵家)」론 -장르 의식의 변화를 중심으로-

        김남경 ( Nam Kyoung Kim ) 한국일어일문학회 2010 日語日文學硏究 Vol.75 No.2

        「水彩畵家」(1904)は、島崎藤村の最後の詩集『落梅集』と最初の長篇小說『破戒』との間に發表された短篇小說である。この作品は、繪畵の單一な印象と現在の瞬間とをエピソ―ドという形式で描きながら、短篇の寫生的なリアリティ―を表した作品であったと思う。小說の短篇化は、人生の劇的な表現を、短縮されたリズムで散文化することで、ジャンルの藝術的な可能性を可視化したと見える。作品の中で注目したいのは、<つれづれ>の解消であり、航海紀念となった鸚鵡が異國情緖や運命的な巡り合いの象徵として終始を飾っている点と、そして一年間の逸話を展開するにあたっても、秋(日暮れ)·冬(早期)·春(夜明け)·夏(夜)を意識しての構成である点から、淸少納言の自然に關する寫生を積極的に配置することによって、藤村が自分だけのエピソ―ドの展開方式を探し求めようとしたと思われる。藤村は、主人公の運命を夢と日常の對立、すなわち幻影と現實の巧妙な交差に誘い導くことで、讀者に作家の結婚生活のジレンマと文學の龜裂を追跡させているようである。また、期待と不安という二重情緖でスケッチするにあたって、<眞夏の夜の夢>と係わるシェ―クスピアの劇とメンデルスゾ―ンの音樂の揷入裝置は、ジャンルの潛在力を可視化させようとする彼の意圖であったと言える。作品に登場する主人公の三つの結婚を作家の文學ジャンルに當てはめて分析してみると、第一の結婚は、<幸せな夜>の夢をみたような美しい詩との出會いである。「落梅集」を最後に、詩との因緣を舊い情人としたのは、耐えがたい大衆からの指摘もあったが、生明の力であった<夢>を失いたくない氣持ちが强かったと言える。第二の結婚は、漠然とした空想の中でみた<晝の幻影>である。藤村の夢見た結婚生活と文學が、實狀とは違う幻影であったことを、優曇華や鸚鵡のような動植物を通じて、象徵的に描寫したのである。第三の結婚は、<新しく迎る朝>、新な生涯への出發である。暗い夜、夢の中での悲劇や喜劇は、眠りから覺めると虛妄で無意味になるように、人間の食い違った運命もやはり生命の循環の中でその意味が失われてしまうのである。藤村にとって、新しい朝を迎たとは新しいビジョンを迎ているという意味として解釋できるのであろう。以上、三つの結婚を綜合すると、夜と晝と朝が一日を成すように、詩と隨筆と短篇は小說という巨大なメカニズムの一部として、藤村文學の骨格を形成してきたことが分かる。特に、當時の水彩畵ブ―ムは藤村の短篇の習作を推動し、引いていく動力として作用していたようである。

      • KCI등재

        구급방류 의서의 언해 비교

        김남경(Nam Gyeong Kim) 언어과학회 2005 언어과학연구 Vol.32 No.-

        This study has been written to prove the linguistic traits of Gugeupbang, Gugeupganibang, Eonhaegugeupbang that were published for the common people so that they could easily relieve general diseases. These data are priceless not only as a medical book but also as a documentary record of the Middle Korean. In addition, they are very worthy for the study of translation, since these books were written in Chinese characters with Korean annotation, Chinese characters of the original text and proper terms of the Korean annotation are studied and Korean annotations from the three books are examined. The results of this study are as follows ① The entire catalogues are 164 kinds. But those catalogues that exist in all three books and came down to these days are only sixteen kinds: 墮壓傷, 中風, 舌腫, 吐血, 凍死, 溺死, 自縊死, 卒死, 골경, 失音, 귀염, 中寒, 難産, 곽란, 纏侯風喉閉, 中暑. ② Gugeupbang is generally listed in the order of `the names of disease` → `the causes of disease` → `symptoms` → `prescriptions`. Gugeupganibang is generally listed the in order of `the names of disease` → `professional prescriptions` → `simple symptoms` → `various emergency formulas` and Eonhaegugeupbang is generally listed in the order of `the name of disease` → `symptoms` → `prescriptions` → `acupuncture formulas`. ③ This study has compared the organization of letters from the three books. How the same original Chinese text has been annotated depends on the document and context. The difference is analyzed by the presentation of the original text and annotation (word order, structures of sentences, elements of grammar). The rate of agreement between Gugeupbang and Gugeupganibang is very high and Gugeupbang has more completely annotated the original text than Gugeupganibang.

      • KCI등재

        문학에 나타난 근대 인권 감각 -도손(藤村)의 『파계(破戒)』를 중심으로-

        김남경 ( Kim Nam-kyoung ) 한국일어일문학회 2021 日語日文學硏究 Vol.117 No.-

        21世紀は人権時代と呼ばれるほど、人間の尊厳性が注目されている。これは、人権蹂躙と深刻な身分差別とに直面し、人権問題が切実になったことを表しているのである。本研究の目的は、こうした時代的な変化を読み取り、近代社会で差別を受けていた部落民の人権問題を一世紀前に正面から扱った島崎藤村の『破戒』にスポットを當てることで、人権は身分と時代を超えて実現されるべき課題であることを明らかにすることにある。 明治時代に身分制が撤廃された後にも日本の伝統社会の中で差別と抑圧の下に「捨てられた集団(outcast)」とされてきた部落民は、全国水平社の「人間平等」というスローガンの下で基本的な人権保障のための闘争を止めなかった。しかし、彼らは闘争をめぐる名分と実利との葛藤によって内部分裂を起こした。このため、『破戒』は初出 (1906年) 以後、再刊 (1929年) と絶版、再刊 (1939年) 、初版本復元 (1953年) を繰り返すという屈曲した受難の出版過程を経ることになった。小説への転向だけが最善策であった藤村にとって『破戒』が生存の問題だったとすれば、封建社会から近代に移行する時期の部落民にとって、人権保障というのは生存権の問題だったと言える。そうした意味で、部落解放運動の呼び水になると同時に人権問題を胎動させた『破戒』の意義は、現在も部落民に対して人権蹂躙が行われている限り、依然として有効なのである。 The 21st century draws attention to human dignity, which is called the era of human rights. This proves that human rights issues have become urgent in the face of human rights abuses and serious identity discrimination. The purpose of the study is to read these changes and shed light on the "hakai" of Shimazaki Toson's, who dealt with the human rights issues of the 'Buraku' who were discriminated against a century ago, to reveal that human rights should be realized beyond status and age. After the abolition of the Meiji-era status system, the Buraku people, who were considered abandoned under discrimination and oppression in traditional Japanese society, did not stop their struggle for basic human rights under the slogan of human equality Zenkokusuiheisya. However, they suffered internal divisions due to conflicts between the cause of struggle and practical interest. This led to the intervention of the Zenkokusuiheisya in every process of publication of "hakai", Therefore it took a long time for the restoration of the first edition (1953).The first edition was published in 1906 and sold out in 1929. "hakai" was a matter of survival for Toson, whose only solution was writing fiction, The right to survive was a matter of guaranteeing human rights for the Buraku people during the period of transition from feudal society to modern times. In this sense, "hakai", was the priming water for the Buraku Liberation Movement and brought human rights matters to the surface, is lt is still valid as long as human rights abuses are carried out against the Buraku people.

      • KCI등재

        『세 여자(三人)』론-야마베(山邊)여행을 통한 또 하나의 신생-

        김남경 ( Nam Kyoung Kim ) 한국일어일문학회 2014 日語日文學硏究 Vol.90 No.2

        『三人』は、島崎藤村的老年に書ける第二的靑春的序幕を暗示する作品である。1924年6月的二週間にわたる山邊旅行的物語で、これは『處女地』終刊直後、加藤靜子を伴う表面的にはヒ-リング的旅であったが、そ的底邊では、靜子に對する求愛へ的旅、すなわち新たな生活に向けた藤村的意圖的な産物にほかならない的であった。作品的創作に先立って、第一次世界大戰後が革新的時代であることを見拔いていた藤村は、當時最大的關心事であった「婦人的自覺」に觸發されて創刊した『處女地』を通し、「新しい女」、すなわち若い女性たち的生命的覺醒と個體として的人格的育成とに土台を提供する一方、編集助手であった靜子的文學上的師弟關系を超元、男女兩性間的「特別な存在」として的生的軌道へと進んでいったと思われる。さらに、1920年代的イプセンブ-ムに乘った藤村は、『人形的家』的ノラを通しても、虛僞と偏見を排斥して生命的家を構築する「主體的な存在」として的新しい女性的時代的な嗜好を見出したとい元る。藤村的ノラ像が『處女地』的終刊という絶望的な運命を共に耐元た靜子に投影されることによって、彼女と的新しい運命、すなわち新生的胎動が可能だった的であろう。藤村的プ口術-ズ直後、二十四歲という年的差はもちろん、三人的子供を持つ男やもめと未婚女性、師と弟子という身分的違い、特に姪と的不倫という道德書よび遺傳的問題など、彼的陰鬱な過去に對し世間體を氣にしながら沈默を通してきた靜子をそ的偏狹な考元方から目覺めさせた的は、ほかでもなく、愛的前で過去的一切的ことに拘らない藤村的破壞精神であったとい元る。山邊旅行的後、靜子は、藤村的本格的な指導的下で、工レン·ケイをはじめ、カ-ペン夕-、アンデ兒セン、ゲ-テ、二-チェなど的芸術家的生き方と著書とを通し、戀愛と結婚、愛的術、永遠的愛、愛と友情を究めていくことにより、藤村と的同質感が形成され得た的である。これは、『三人』的話題が結婚と友情であることと、作品的共同創作を絶頂に靜子的「思惟」が徐-に「體化」されていったことを、反映するも的とい元よう。 『Sannin』by Toson Shimazaki is based on the story of his two-week Yamabe journey in June, 1924. On the surface, the journey which he took with one of his pupils, Shizuko Kato, was planned with an aim of refreshing himself right after the final issue of his magazine「Shojothi」was published. However, one could say that it was more of a journey for courtship toward Shizuko; in other words, underlying this two-week of journey was his eager for a new life. Prior to writing 『Sannin』, he recognized the coming era of renovation after the First World War. Consequently, it stirred him up with a concept of ``Realization of Women``, which was the center of attention of the time, resulting in the publication of 「Shojothi」. While the magazine worked as a stepping stone for the young women to raise their awareness to life and to develop their personality as an individual, the publisher entered the life as a ``special being`` for both men and women as well as being recognized as Shizuko`s literary teacher who worked as his editorial assistant. In addition, as Toson hitched a ride on the boom of Henrik Ibsen in 1920s, he found ``Nora``, a character from 「A Doll`s House」, as an iconic female figure of the time whom he saw as an ``independent being`` who overcomes falsity and prejudice and manages to build a house of life. His such understanding of Nora was reflected on Shizuko who went through facing a desperate end of 「Shojothi」together with him, which sparked an emergence of his new destiny with her. Shizuko had always been silent with her narrow-minded view toward life due to the worldly titles given to them such as a couple with an age gap of 24 years, relationship between an unmarried woman and a single father of three kids, a couple with a social class gap as a teacher and a pupil, and especially an affair between cousins carrying moral and genetic issues. Right after he proposed to her, however, she was stroke by his ``spirit of destruction`` which would not allow him to be bound by the past before love whatsoever. This indicates that after the trip to Yamabe, she was able to form a bond with Toson, as she thoroughly understood the concept of relationship and marriage, the technique of love, an everlasting love, and the authenticity of love and friendship by reading books of Ellen Key, Edward Carpenter, Andersen, Goethe and Nietzsche under the full-scale instruction by him. What one could conclude from this is that 『Sannin』 proves how Shizuko`s ``thinking`` gradually became ``embodied`` in her, given the both facts that the book was a collaborative creation of Toson and Shizuko and that its subject is marriage and friendship.

      • 자동차용 알루미늄 필라 튜브 개발에 관한 연구

        해지(Hae-Ji Kim),김남경(Nam-Kyung Kim),장정환(Jung-Hwan Jang),이운령(Un-Ryeong Lee) 한국기계가공학회 2008 한국기계가공학회 춘추계학술대회 논문집 Vol.2008 No.-

        The development of an aluminium filler tube for automobile is presented in this paper. The material of filler tube was used AL3003 aluminium. In our evaluation of aluminium filler, we measured the oil resistance test, the leak test and the weight. It has been shown that the corrosion phenomenon did not appear in oil resistance test of aluminum material for gasoline, ethanol, diesel fuel etc. And there is no leak on leak test. The weight of aluminium filler tube was approximately 0.7㎏. The weight decreased approximately 61% in aluminum filler tube developed comparing with steel filler tube.

      • KCI등재

        표준한국어의 매체 활용 양상 연구

        김남경(Kim Namgyeong) 한국문화융합학회 2021 문화와 융합 Vol.43 No.11

        이 논의는 보다 현실적이고 실질적인 매체 활용의 관점에서, KSL 교재인 표준한국어 34권을 대상으로, 매체의유형과 활용 양상을 분석한 것이다. 이를 통해 매체 활용의 현황을 밝히고, 매체 활용의 방향을 탐색하고자 한것이다. 또한, 교재에 제시된 매체에 대한 연구가 깊이 있게 진행되고 있는 국어교육에 비해, 교육과정을 함께하는 학생들을 대상으로, 거의 부재하다시피한 한국어교재에서의 매체 활용 논의라는 데 그 의의가 있다. 교재에 나타난 매체 유형은 일방적 매체로 책, CD, 신문, TV, 양방향 매체로 휴대전화와 컴퓨터였으며, 초등학교용에서 103건, 중고등학교용에서 53건의 목록을 추출하였다. 초등학생용에서는 책, 신문 등의 매체는 읽기와 말하기, 쓰기, 어휘 수업으로 활용되었으며, CD-노래는 초등학교용에서만 볼 수 있는 유형으로, 주로 어휘 교육을 위해 활용하고 있었다. TV는 교재에서 적극적으로 드러나지는않았으나 다각적으로 보여지고 있었다. 양방향 매체인 휴대전화와 컴퓨터는 기능을 익히게 하거나 말하기 소재로활용하기도 하였는데, 사용 예절, 사용 제한 등 부정적, 소극적, 교육적 태도를 취하고 있었다. 중고등학생용에서는 책, 신문은 주로 학습도구 교재에서 읽기, 말하기, 쓰기 등의 자료로 제시되고 있으며, 초등학교용에 비해 실제적, 적극적으로 활용하고 있다. 양방향 매체로서 휴대전화와 컴퓨터 역시 기능 학습, 정보 수집과 공유 등으로 빈번히 활용하고 있다. 그러나 매체 각각의 특성을 고려하여 효과적으로 활용하지 못하고 있어, 문자, 음성, 복합 양식을 고려한 다차원적인 교육적 활용 방안이 요구된다. 또한 매체 텍스트의 내용적인 면뿐 아니라, 감각적인 면의 적절한 활용이 더욱 필요하며, 주된 자료가 아닌, 예문, 예시, 보기, 상징물 등의 부수적인 자료에서도 사고 기능을 비롯한 효과적인 기능 활동으로 활용할 수 있음을 언급하였다. 마지막으로 한국어교육에서 논의되고 있는 다양한 유형의 매체제시와 활용이 뒷받침되어야 할 필요가 있음을 제안하였다. This study analyzes the types and usage patterns of media with 34 volumes of ‘Standard Korean’,which is the Korean as a Second Language(KSL) textbook, from the perspective of more realisticand practical media utilization. This allows to reveal the current status of media utilization andto explore the media utilization methods. Compared to Korean language education, which has been conducted an in-depth study intothe media presentend in the textbook, it is significant in the sense that it is a discussion on theuse of media in Korean textbooks, which has little to aim for students who are participating inthe National Curriculum. The media types shown in the textbook were books, CDs, newspapers, TV as one-sided media,and mobile phones and computers as interactive media. As for the media types, 103 cases wereextracted from elementary school textobooks and 53 cases were extracted from middle and highschool textbooks. For elementary school students, media such as books and newspapers were used for reading,speaking, writing, and vocabulary lessons, and CD-songs, a type that can only be shown forelementary school students, were mainly used for teaching vocabulary. TV is not actively shownin textbooks, but it is shown in various ways. Mobile phones and computers, which areinteractive media, have been used to learn functions or an material for speaking, and they takenegative, passive, educational attitudes such as etiquette and restrictions in using cell phones andcomputers. For middle and high school students, books and newspapers are mainly presented asmaterials for reading, speaking, and writing in learning tool textbooks, and they are used morepractically and more actively than for elementary school students. As interactive media, mobilephones and computers are also frequently used for functional learning, information collection,and sharing. However, it cannot be used effectively considering the characteristics of each medium, so it isrequired a multi-dimensional educational application plan considering text, voice, and complexforms. In addition, appropriate utilization of the sensuous aspect as well as the content aspect ofthe media text is more necessary. It was mentioned that it can be used as an effectivefunctional activity including thinking skills in supplementary data such as example sentences,examples, alternatives, and symbols that are not the main data. Finally, it is suggested that the presentation and utilization of various types of media discussed in Korean education need to be supported.

      • KCI등재

        메밀의 항산화 및 카드뮴 방어 효능에 관한 연구

        김남경 ( Nam-kyoung Kim ),정재형 ( Jae-hyung Jung ),장경진 ( Kyung Jin Jang ),고인영 ( In Young Ko ),최신욱 ( Shin Wook Choi ),윤창순 ( Chang-soon Yoon ) 대한화장품학회 2005 대한화장품학회지 Vol.31 No.2

        본 연구에서는 춘천 지역에서 재배되고 있는 메밀의 부위별(종피, 종자, 줄기) 추출물을 이용하여 MTT assay 항산화 효능(수퍼옥사이드 라디칼, 하이드록실 라디칼 소거능), rutin과 phytic acid에 대한 함량 측정, 대표적인 중금속 중의 하나인 카드뮴에 대한 세포 수준에서 방어 효능을 평가하였고, 이들 자료를 토대로 주된 식품재료로 쓰이고 있는 메밀을 기능성 화장품의 소재로써 개발할 수 있는 가능성을 조사하여 보았다. HaCaT 세포와 B16F10 세포를 이용한 세포 독성 실험에서는 각 추출물 100 ㎍/mL의 농도 범위에서는 독성이 없는 것으로 나타났다. 수퍼옥사이드 라디칼에 대한 소거능은 종피>줄기>종자 추출물 순이었으며, 종피나 줄기는 거의 비슷한 수준의 효능을 보여 주었으며, 항산화 효능에 관여하는 주요 물질중의 하나인 rutin은 줄기 부위에 가장 많이 함유하고 있었다. 하이드록실 라디칼에 대한 소거능은 각 추출물 모두 거의 없는 것을 확인할 수 있었다. 중금속에 대한 chelate 물질로 알려진 phytic acid는 rutin처럼 줄기 부위에 높은 농도로 함유되어 있었다. 카드뮴에 대한 독성은 HaCaT 세포에서 50 μM의 농도일 때 50% 정도의 치사율을 보였으며, 카드뮴을 추출물과 같이 처리하였을 때는 카드뮴의 독성에 대해 약 10% 정도 방어 효과를 나타냈다. Confocal laser scanning microscope를 이용하여 카드뮴에 의한 세포내 활성산소종의 생성을 확인하였고. 생성된 활성 산소 종에 대한 방어 효능은 줄기추출물에서 가장 우수한 것을 확인하였다. In the present study, the Chuncheon buckwheat extracts prepared from its seed coats, seeds and stems were used to determine anti-oxidative effects, the content of rutin and phytic acid, and the protective role against cadmium at the cellular level. futhermore, it was evaluated whether the buckwheat, mainly known as a healthy food source, might be applicable to functional cosmetics. Up to 100 ㎍/mL of the extract was not toxic in HaCaT and B16F10 cell lines using MTT assay. The anti-oxidative capacity of superoxide radicals was shown in seed coats extracts > stem extracts=seed extracts. Although its content of rutin, known as one of effective anti-oxidants, mainly exists in the stem, any extract did not eliminate hydroxyl radicals. Phytic acid, known as a heavy metal-chelate agent, was highly concentrated in the stem. The Chuncheon buckwheat extract had 10% protective effect against the treatment of 50 μM cadmium at which 50% of HaCaT cells survived. Confocal laser scanning microscope revealed the intracellular generation of reactive oxygen species (ROS) by cadmium treatment. Finally, we identified that the stem extract had the most protective effect on the elimination of ROS.

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