대만의 한국학 교육 수요 증대 방안: 타이베이와 가오슝의 수요 비교를 중심으로

홍유선 한국외국어대학교 대만연구센터 2023 대만연구 Vol.- No.22

We recognize that there is a high demand for Korean studies in Taiwan due to the Korean Wave, but we do not know whether it will develop in the future or the level of difference between cities. Against this background, this study aims to diagnose the current demand for Korean studies in Taiwan and propose a plan to increase the total demand. First, the research method to achieve this purpose analyzed the number of the test of proficiency in Korean applicants, Korean studies majors, and the number of Korean studies subjects students in Taiwan. Second, the test of proficiency in Korean applicants in Taipei and Kaohsiung, subjects for opening Korean studies at schools, students, majors, and the number of jobs were compared. As a result of the study, it was found that the demand for Korean studies currently exists in Taiwan. In addition, it was found that there is a potential demand for Korean studies in the southern city of Kaohsiung. However, the number of students in jobs and universities was high in Taipei, by a significant difference. To solve this problem, the researcher suggested two solutions. First, the local tourism industry and related jobs were suggested by increasing the inflow of Korean tourists to Kaohsiung. Second, the necessity of opening convergence majors, double majors, and linked majors between schools offline and online was presented. This study is meaningful in that it is valuable to judge the current gap and demand level in Korean studies by region in Taiwan and to use it as a reference for regional balanced Korean studies development policies. 우리는 한류로 인해 대만에서 높은 한국학 수요가 있다고 인식하지만, 향후 발전 여부 및 도시 간 격차는 알지 못하고 있다. 이러한 배경으로 현재 대만의 한국학 수요 현황을 진단하고, 총수요량을 늘리는 방안 제시를 연구 목적으로 설정하고자 한다. 이 목적을 달성하기 위한 연구 방법으로 첫째, 대만의 토픽 지원자, 한국학 전공자, 수강생 수 변화 추세를 분석하였다. 둘째, 타이베이와 가오슝의 토픽 지원자, 층위별 학교의 한국학 개설 과목, 수강생, 전공자, 일자리 수를 비교하였다. 연구 결과, 현재 대만에서 한국학 수요가 여전히 있는 점을 알 수 있었다. 그리고 남부 도시 가오슝에도 한국학 수요가 잠재함을 알 수 있었다. 하지만 일자리와 대학의 수강생 수는 타이베이가 큰 차이로 높았다. 이 문제를 해결하기 위해 연구자는 두 가지 해결 방안을 제시하였다. 첫째, 한국인 관광객의 가오슝 유입을 통해 지역 관광 산업과 관련 일자리 증가를 제시하였다. 둘째, 온·오프라인을 통한 학교 간 융합 전공, 복수전공, 연계전공 개설의 필요성과 학점은행제 도입을 제시하였다. 이 연구는 현재 대만의 지역별 한국학 격차와 수요 수준을 판단하고, 한국학 균형 발전 정책에 참고 자료로 활용 가치가 있는 데 의의가 있다.

한국 예능콘텐츠에 나타난 대만의 장소 재현 연구

신정아(SHIN Jungah) 한국외국어대학교 대만연구센터 2018 대만연구 Vol.- No.13

Korean travel program has changed significantly since the mid-2000s. It was on August 5, 2007 that the narrative of the new travel began. A program called 〈1 night and 2 days〉 was newly added to the Sunday evening program which was broadcasted on Korean Public Broadcasting station KBS 2TV. The format of 〈1 night and 2 days〉 was a concept that six entertainers composed of comedian, singer and actor traveled together. The difference with the existing travel program was that it was not an information based program to visit and introduce the destination. Rather, the episode that took place while traveling was the main story of the program. It was a real variety that emphasized the appearance of the performers enjoying the trip without any script. tvNs 〈Better Late Than Never〉 broadcasted on July 5, 2013 was a program organized by the production team of 〈1 night and 2 days〉. 〈1 night and 2 days〉 were the subject of domestic travel, the concept of 〈Better Late Than Never〉 is more like backpacking abroad. Also, while the performers of 〈1 night and 2 days〉 were entertainers in their 20s to 40s, the average age of performers of 〈Better Late Than Never〉 was 76 years. It had a concept of a backpacking tour project of the elders. The performers were four actors working on Korean TV and screen for many years. The production team parodied the pin-up boys called F4 in popular drama 〈Boys Over Flowers〉 and made the character H4 after the first consonant of Halbae, which means grandfather in Korean. H4 was set in order of age, Lee Soon-jae (H1), Shin Gu (H2), Park Geun-hyung (H3) and Baek Il-seop (H4). Deep friendship, trust and consideration act as the main motif of the program. This program showed the process of creating memories of life vividly, considering the safety and health problems of old age trip. In this study, we analyze the episode, interview and image reproduction method the performers experienced on Taiwan episode of 〈Better Late Than Never〉. Through this, we would like to reveal the significance and limitations Taiwan episode of 〈Better Late Than Never〉 have as travel program.

1990년대 대만영화 문화연구에 대하여

치룽런,최이슬(번역자) 한국외국어대학교 대만연구센터 2013 대만연구 Vol.- No.6

대만에서 문화연구란 무엇을 의미하는가?

천광싱(陳光興),정성아(번역자) 한국외국어대학교 대만연구센터 2013 대만연구 Vol.- No.5

한국-대만의 경제협력 강화를 위한 법적 과제와 전망

김명아(金明?) 한국외국어대학교 대만연구센터 2012 대만연구 Vol.- No.3

대만 경제발전모델의 회고

장영희 한국외국어대학교 대만연구센터 2012 대만연구 Vol.- No.4

‘本土’와 ‘海洋’: 대만 ‘네이션’의 안과 밖

최말순(CHOI Mal Soon) 한국외국어대학교 대만연구센터 2020 대만연구 Vol.- No.17

Taiwan is a place with a diverse population distribution consisting of several ethnic groups and a hybrid of history and culture. Due to these characteristics, it is also a place with a continuous phenomenon that is quite heterogeneous and confrontational with the formation of national and national identity. The main text first attempts to find out the social structure and types, conflict and conflict patterns through the diverse population composition and their historical trajectory in Taiwan, and focus on the issue of “nation” related to the imperfections as a nation-state. It was around 1990 that interest and intensive discussions about Nation began in Taiwan. At that time, I would like to examine how the private sector and government offices attempted to find Taiwans identity through separation from China, and through what kind of discussions they formed Nation. “Native” and “Ocean” in the titles can summarize discussions related to the formation and establishment of the concept of Taiwan literature, which represents Taiwans internal cohesion, and the Southbound policy, which symbolizes external responsiveness. It is a word that has been used to look inside and outside Taiwan Nation through consideration of these two layers.

대만의 토양오염관리를 위한 국가재원 체계와 법제에 관한 연구

김명아 한국외국어대학교 대만연구센터 2013 대만연구 Vol.- No.5

한국에서의 대만문화연구의 의미

정성아 한국외국어대학교 대만연구센터 2013 대만연구 Vol.- No.5

한국 관객의 대만영화 수용 태도 연구: 웨이더성(魏德聖)의 영화를 중심으로

임대근(LIM Dae Geun) 한국외국어대학교 대만연구센터 2021 대만연구 Vol.- No.18

This paper examines the attitude of Korean audiences to Taiwanese films, focusing the director Wei Te-Sheng’s films. Unlike the situation in which Korean pop culture is producing a cultural premium in Taiwan, it is revealed that Taiwanese films are being accepted rather passively by Korean audiences. This passive attitude was most conspicuous when films were consumed in theaters. On the contrary, it was also found that the favorable sentiment toward Taiwanese films was very high when consumption through online platforms other than theaters were used. First, Korean audiences do not have specific preconceived notions of Taiwanese films. If the film itself is a great achievement, the film is highly appreciated and has the attitude to watch it. Second, Korean audiences tend to view Taiwanese films in order to understand them better only if they understand the specifics of Taiwanese history and culture. The cultural discount phenomenon is considered to be the biggest obstacle for Korean audiences to access Taiwanese films. Third, the Korean audiences preference for blockbusters or melodrama is combined with the industrial system, creating a situation in which Taiwanese films are not often seen in Korea. Therefore, the provision of a online platform where Taiwanese films can be touched is considered an important factor in determining the attitude of Korean audiences. The passive attitude revealed in the process of general audiences consumption of Taiwanese films centered on theaters is presumed to cause a chain phenomenon of indifference among professional audiences. As the interest of the general audience increases, the interest of the professional audience is also expected to increase.