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이영심(Lee, Youngshim) 한국외국어대학교 영미연구소 2012 영미연구 Vol.27 No.-
Both in the Western society and in the Eastern society the concept of "a chaste wife and good mother" has been considered as the most important virtue of a woman. The problem regarding this notion is that it replaces the individuality of a woman with the role of a wife and mother. Emecheta's The Joys of Motherhood and Joyce's Ulysses commonly focuses on the falsehood of motherhood with different narrative methods. The Joys of Motherhood highlights the miserable life and the tragic death of Nnu Ego who is trapped by the concept of "motherhood" in both the traditional African place of "Ibuza" and the modern place of "Lagos." Ulysses evokes Penelope, the most exemplary good wife and wise mother, and then replaces her with Molly whose character is contrary to that of Penelope who keeps her chastity in spite of the absence of her husband for 19 years. Molly's powerful inner monologue, which is arranged in the last chapter, enables her to subvert the statements of male characters such as Deacy and Citizen who reveals patriarchal perspectives. Molly flaunts her own sexual desire and sexual intercourses with other men, dismantling the double standard about chastity in the western society.
탈식민주의와 세계문학: 제임스 조이스와 박태원의 텍스트를 중심으로
이영심 ( Youngshim Lee ) 한국제임스조이스학회 2016 제임스조이스저널 Vol.22 No.2
This article analyzes the close co-relation between the characteristics of post-colonial elements and those of world literature focusing on the two writers: James Joyce and Park Tae-won. Especially, this article interprets Joyce`s The Portrait of the Artist as a Young Man as a kind of allegory which reveals the complex post-colonial relationship between the imperial England and the suppressed Ireland. In other words, Stephen, figuratively representing the weak, experiences the various violent behaviors by the people metaphorically standing for the strong such as Wells, Heron, Father Dolan, and Tate. His sufferings, like being shouldering into a square ditch, being insulted in front of his classmates, getting the corporal punishment, and being called as a heretic, derive from the fact that Stephen is weaker than those people who wield the unfair, unjust, and wrongful violence against him. This allegoric interpretation of the text is supported by the fact that there are lots of words in the text which are related with the complex colonial situation of Ireland including the countless fighters for its independence from England and the historic uprisings against the imperial England. Furthermore, this article analyzes Park Tae-won` four texts including A Day of Mr. Gubo a Novelist and ChunByunPoongKyung from the same prospective. In fact, Park Tae-won was also born in a country which was under colonialism, albeit Japanese Imperialism. Thus, it is no wonder that his texts strongly reveal the post-colonial consciousness and his various innovative experiments regarding the language and the style are related to his desire to overcome the Japanese imperial power over his own nation. These common elements in the texts of two writers can offer an possibility for Park Tae-won`s texts to enter into the World Literature likewise James Joyce`s.
D. H. 로렌스의 「공주」와 제임스 조이스의 「가슴 아픈 사건」에 나타난 소통 실패의 양상
이영심(Lee, Youngshim) 한국외국어대학교 영미연구소 2013 영미연구 Vol.28 No.-
D. H. Lawrence's "The Princess" shares a lot of common elements with James Joyce's "A Painful Case," among which the most conspicuous one is that the two texts deal with the failures in relationships. The princess, the main character in "The Princess," is controlled by her father, who boasts of his royal blood from Scotland, and lives an isolated life. So she is always "grown up" and "childish" at the same time. Duffy who is the main character in "A Painful Case" also lives an isolated life, which is derived from his self-centeredness. He despises the shallowness of Dublin and its people. So he does not want any friend or any companion. Thus, like the princess who shows strange virginity, Duffy reveals lifelessness. However, after her father's death the princess is attracted to a Mexican man who reveals powerful strength. Thus she tempts and leads him to a sexual intercourse. In a sense, she enters into an actual relationship with others, especially with a man, and becomes a true woman out of "a pictured woman." But, at that moment, she realizes that she must keep her own independence from the man, Romeo. So she refuses to yield to him. As a result, Romeo is shot to death by a gun which symbolizes the imperial military power. Her relationship with Romeo reflects complicated aspects such as gender issue, the hegemony of the relationship, and the imperial political power. Duffy also experiences exaltation from the relationship with Mrs. Sinico, who becomes his "confessor" and provides "the motherly affection" to him. Duffy expresses his inner thoughts without reserve, and shares his intelligence and ideas with her. In the process, he recovers his vitality and warmth. Like the princess, however, he also hears his inner voice insisting on his own loneness and resisting to giving up his independence. So he also cuts off his relationship with Mrs. Sinico, when she reveals her physical desire for him. After four years, she commits suicide. Duffy's relationship with her also shows complicated issues such as gender and the political power.