하이솔리드 아크릴 / 폴리이소시아네이트 도료의 제조와 도막물성

하경진,서금종,권순용,박홍수 한국유화학회 1998 한국응용과학기술학회지 Vol.15 No.4

한국 순정만화콘텐츠의 뮤지컬로의 매체 전환 연구

하경진 동국대학교 영상문화콘텐츠연구원 2013 영상문화콘텐츠연구 Vol.6 No.-

본 연구는 최근 뮤지컬산업계에 불고 있는 다양한 OSMU(One Source Multi Use)제작방식의 사례 중, 특히 출판만화를 활용한 공연매체전환에 대한 연구다. 먼저 만화콘텐츠가 뮤지컬로 전환하는데 있어 주목받는 이유를 각각의 매체의 특성에서 기인한다고 보는 것이 본 연구의 출발점이다. 만화콘텐츠는 시각적 스토리텔링 도구인 그림과 칸, 그리고 서사적 스토리텔링 도구인 대사와 인물 나레이션 및 해설로 메시지를 전달하는 매체기 때문에 다른 문화콘텐츠와의 접목이 다른 매체보다 용이하다는 장점을 갖고 있으며, 또 만화가 그 시장의 규모로 추정해 볼때 이미 만화 소비자로부터 기인한 ‘대중성’이 확보된 매체라는 점이 어떠한 공연 장르보다 ‘대중성’을 추구하는 뮤지컬 산업계에 매력적인 미디어믹스 방안으로 다가왔을 것이다. 본 논고에서는 이러한 매체전환의 장점을 가진 만화콘텐츠 중 특히 ‘순정만화’가 뮤지컬화되는 현상에 주목하여 순정만화에 대한 사회적 통념들을 살펴보고 그 속에서 특징들을 발견한다. 그 결과 순정만화의 일정한 조작적 정의를 얻고, 순정만화가 뮤지컬계의 러브콜을 받는 이유를 순정만화와 같이 뮤지컬의 주요관객층이 20~30대 여성들로 구성되기 때문에 순정만화를 OSMU제작 방식으로 뮤지컬화 할 경우 흥행에 대한 높은 기대지평 때문이라고 판단하였다. 본 연구로 얻은 조작적 정의를 활용하여 순정만화 「궁」이 뮤지컬 〈궁〉으로 재탄생 되었던 사례를 선택하여 각색과정에 있어 순정만화의 특징들이 어떻게 활용되고 접목되는지를 검토하였다. 그 결과 뮤지컬 〈궁〉 이 원작만화의 장대한 에피소드들 중 일부분을 채택하여 변형·추가하는 방식을 택했다는 것을 분석하였으며, 이는 극 양식인 뮤지컬과 서사양식인 만화의 차이에서 기인한다고 판단하였다. 또 이러한 각색의 기준이 되는 것이 ‘갈등의 첨예화’임을 밝혀내고, 뮤지컬 서사의 특성인 ‘명백함’과 ‘익숙함’을 추구한 각색이었음을 밝혀내었다. 또 뮤지컬 〈궁〉의 각색과 성공요인 분석을 통해 뮤지컬 관객들에게 순정만화의 정서가 얼마큼의 소구력을 갖고 있는가를 확인하였다. 그러나 원작의 힘을 떠나 뮤지컬 〈궁〉이 독립된 매체의 ‘창작뮤지컬’로서 자리를 굳건히 하기 위해서는 보다 전문적인 각색의 보강이 반드시 필요할 것으로 판단하였고, 순정만화가 ‘창작뮤지컬의 새로운 소재개발 시장’으로 주목받고 있는 현 시점에서 ‘순정만화의 뮤지컬로의 각색’에 대한 연구는 지속적으로 발전시켜 나갈 필요가 있다는 것이 본 연구의 결론이다. This study is on the performance media shift using specially the published cartoons among cases of various O․S․M․U(One Source Multi Use) production methods. First, the point of departure of this study is on considering the reason for shifting cartoon contents into musical is due to the characteristics of each media. Because the cartoon contents is a media that delivers message with visual storytelling tools, the drawing and columns, and narrative storytelling tools, the dialogue, narration, and commentary, it has a strong point of it being easier to graft with other culture contents, and considering the size of the market, the fact that it is a media that already secured ‘popular appeal’ due to the consumer of cartoons, it approached the musical industrial world as an attractive media mix method that pursues ‘popular appeal’ more than any other performance genre. This study paid special focus on the phenomenon of ‘pure love cartoon’ shifting into musical among various cartoon contents with such advantage of the media shift to review the social convention regarding the pure love cartoons and to find their characteristics. As a result, this study obtained a consistent operational definition of pure love cartoons, and determined a reason for pure love cartoon receiving love calls from the musical world is because of high horizon of expectations on the box office success when pure love cartoon is shifted into musical with OSMU production method as a major stratum of musical audience is comprised of women in 20~30’s like the pure love cartoon. This study selected a case of how the pure love cartoon 「The Palace」is recreated into a musical to review how characteristics of pure love cartoon is being utilized and grafted during the dramatization process. As a result, it was analyzed that the musical 〈The Palace〉 adopted part of extensive episodes of an original animation to choose a modification and addition method, and determined that it was due to the difference between a play style, the musical, and a narrating style, the cartoon. Also, this study identified that a standard of such dramatization is the ‘sharpening of conflict,’ and that it was a dramatization that pursued characteristics of musical narration, the ‘clarification’ and ‘familiarity.’ Also, through the dramatization of a musical 〈The Palace〉 and success factor analysis, this study verified how emotion of pure love cartoon has appealing power to the audience of musical. However, for a musical 〈The Palace〉, to establish its stance firmly as a ‘creative musical’ of an independent media apart from the influence of an original work, strengthening more professional dramatization is judged to be necessary, and at this point of how pure love cartoon is receiving attention as a ‘new material development market of the creative musical,’ this study concluded that it is necessary to continuously develop studies on the ‘dramatization of pure love cartoon into musical.’

알루미늄용 저기포성 산성탈지제의 제조와 그의 탈지효과

하경진,박홍수,배장순,김영근 ( Kyung Jin Ha,Hong Soo Park,Jang Soon Bae,Young Keun Kim ) 한국유화학회 1997 한국응용과학기술학회지 Vol.14 No.3

Low foaming acidic degreasing agent(LFADAs) were prepared by blending sorbitol, n-octanoic acid, MJU-100A, Tetronix T-701, Na-dioctyl sulfosuccinate, Demol C, and phosphoric acid. The physical properties of LFADAs tested with aluminum specimen showed the following results ; when 3wt% LFADA-6 was performed at 70℃, the degreasing rate was 95% which is comparitively good, and the percentage of etching was 0.275% which was found to be less than that of commercialized product. When 20wt% of LFADA-6 was added at 65℃, the percentage of derusting was 92% and the good defoaming effect proved by following low foaming power tests respectively : Ross and Miles, and Ross and Clark methods.

견관절 굴곡 각도가 남·녀 대학생의 악력 변화에 미치는 영향

하경진,김대경,황선건,Ha, Kyung-Jin,Kim, Dae-Kyeong,Hwang, Seon-Keon 대한고유수용성신경근촉진법학회 2012 PNF and Movement Vol.10 No.1

Purpose : This study's purpose is consideration about change of the hand grip strength according to different posture and shoulder flexion angle. The shoulder joint permits the greatest mobility and carries out the important function of stabilization for hand use. Hand grip activity is important to evaluate while assessing loads of shoulder in hand mobilities. Methods : Thirty(15 male, 15 female) college students with unknown shoulder dysfunction participated subject in five different positions of elbow extension with sitting and standing posture, different positions is followed : (1) shoulder $0^{\circ}$ flexion (2) shoulder $45^{\circ}$ flexion (3) shoulder $90^{\circ}$ flexion (4) shoulder $135^{\circ}$ flexion (5) shoulder $180^{\circ}$ flexion. Results : On the average, in the hand grip strength, the standing posture is higher than sitting posture. Sitting posture showed a most high level at the man's $0^{\circ}$ and woman's $135^{\circ}$. And standing posture showed a most high level at the man's $135^{\circ}$ and woman's $90^{\circ}$. Conclusion : The paired t-test was used to determine the different in grip strength between sitting and standing posture by shoulder angle change. There was no significant difference between the five position by sitting and standing posture. In man, correlation analysis revealed significant connection for all five position by sitting and standing posture. And in woman, correlation analysis revealed connection for all five position by sitting and standing posture.

한국 순정만화콘텐츠의 뮤지컬로의 매체 전환 연구 - 뮤지컬 <궁>을 중심으로 -

하경진 동국대학교 영상문화콘텐츠연구원 2013 영상문화콘텐츠연구 Vol.0 No.-

This study is on the performance media shift using specially the published cartoons among cases of various O․S․M․U(One Source Multi Use) production methods. First, the point of departure of this study is on considering the reason for shifting cartoon contents into musical is due to the characteristics of each media. Because the cartoon contents is a media that delivers message with visual storytelling tools, the drawing and columns, and narrative storytelling tools, the dialogue, narration, and commentary, it has a strong point of it being easier to graft with other culture contents, and considering the size of the market, the fact that it is a media that already secured 'popular appeal' due to the consumer of cartoons, it approached the musical industrial world as an attractive media mix method that pursues 'popular appeal' more than any other performance genre. This study paid special focus on the phenomenon of 'pure love cartoon' shifting into musical among various cartoon contents with such advantage of the media shift to review the social convention regarding the pure love cartoons and to find their characteristics. As a result, this study obtained a consistent operational definition of pure love cartoons, and determined a reason for pure love cartoon receiving love calls from the musical world is because of high horizon of expectations on the box office success when pure love cartoon is shifted into musical with OSMU production method as a major stratum of musical audience is comprised of women in 20~30's like the pure love cartoon. This study selected a case of how the pure love cartoon 「The Palace」is recreated into a musical to review how characteristics of pure love cartoon is being utilized and grafted during the dramatization process. As a result, it was analyzed that the musical <The Palace> adopted part of extensive episodes of an original animation to choose a modification and addition method, and determined that it was due to the difference between a play style, the musical, and a narrating style, the cartoon. Also, this study identified that a standard of such dramatization is the 'sharpening of conflict,' and that it was a dramatization that pursued characteristics of musical narration, the 'clarification' and 'familiarity.' Also, through the dramatization of a musical <The Palace> and success factor analysis, this study verified how emotion of pure love cartoon has appealing power to the audience of musical. However, for a musical <The Palace>, to establish its stance firmly as a 'creative musical' of an independent media apart from the influence of an original work, strengthening more professional dramatization is judged to be necessary, and at this point of how pure love cartoon is receiving attention as a 'new material development market of the creative musical,' this study concluded that it is necessary to continuously develop studies on the 'dramatization of pure love cartoon into musical.' 본 연구는 최근 뮤지컬산업계에 불고 있는 다양한 OSMU(One Source Multi Use)제작방식의 사례 중, 특히 출판만화를 활용한 공연매체전환에 대한 연구다. 먼저 만화콘텐츠가 뮤지컬로 전환하는데 있어주목받는 이유를 각각의 매체의 특성에서 기인한다고 보는 것이 본 연구의 출발점이다. 만화콘텐츠는 시각적 스토리텔링 도구인 그림과 칸, 그리고 서사적 스토리텔링 도구인 대사와 인물 나레이션 및 해설로 메시지를 전달하는 매체기 때문에 다른 문화콘텐츠와의 접목이 다른 매체보다 용이하다는 장점을 갖고 있으며, 또 만화가 그 시장의 규모로추정해 볼때 이미 만화 소비자로부터 기인한 ‘대중성’이 확보된 매체라는 점이 어떠한 공연 장르보다 ‘대중성’을 추구하는 뮤지컬 산업계에매력적인 미디어믹스 방안으로 다가왔을 것이다. 본 논고에서는 이러한 매체전환의 장점을 가진 만화콘텐츠 중 특히‘순정만화’가 뮤지컬화되는 현상에 주목하여 순정만화에 대한 사회적통념들을 살펴보고 그 속에서 특징들을 발견한다. 그 결과 순정만화의일정한 조작적 정의를 얻고, 순정만화가 뮤지컬계의 러브콜을 받는 이유를 순정만화와 같이 뮤지컬의 주요관객층이 20~30대 여성들로 구성되기 때문에 순정만화를 OSMU제작 방식으로 뮤지컬화 할 경우 흥행에 대한 높은 기대지평 때문이라고 판단하였다. 본 연구로 얻은 조작적 정의를 활용하여 순정만화 「궁」이 뮤지컬<궁>으로 재탄생 되었던 사례를 선택하여 각색과정에 있어 순정만화의특징들이 어떻게 활용되고 접목되는지를 검토하였다. 그 결과 뮤지컬<궁> 이 원작만화의 장대한 에피소드들 중 일부분을 채택하여 변형․추가하는 방식을 택했다는 것을 분석하였으며, 이는 극 양식인 뮤지컬과서사양식인 만화의 차이에서 기인한다고 판단하였다. 또 이러한 각색의 기준이 되는 것이 ‘갈등의 첨예화’임을 밝혀내고, 뮤지컬 서사의 특성인 ‘명백함’과 ‘익숙함’을 추구한 각색이었음을 밝혀내었다. 또 뮤지컬<궁>의 각색과 성공요인 분석을 통해 뮤지컬 관객들에게 순정만화의정서가 얼마큼의 소구력을 갖고 있는가를 확인하였다. 그러나 원작의힘을 떠나 뮤지컬 <궁>이 독립된 매체의 ‘창작뮤지컬’로서 자리를 굳건히 하기 위해서는 보다 전문적인 각색의 보강이 반드시 필요할 것으로판단하였고, 순정만화가 ‘창작뮤지컬의 새로운 소재개발 시장’으로 주목받고 있는 현 시점에서 ‘순정만화의 뮤지컬로의 각색’에 대한 연구는지속적으로 발전시켜 나갈 필요가 있다는 것이 본 연구의 결론이다.

쿠바의 도시농업

하경진 한국농촌경제연구원 2016 세계농업 Vol.190 No.-

철강용 알칼리 분말세정제의 제조 및 특성연구

근장현,박홍수,하경진 明知大學校 産業技術硏究所 1998 産業技術硏究所論文集 Vol.17 No.-

Alkaline powder cleaning agents(APCAs) were prepared by blending of Na₂CO₃tetrasodium pyrophosphate(TSPP), Newpol PE-68(PE_68), POE(6)-2-ethylhexyl ether(POE-6), Demol C, and MJU-100A. The physical properties of APCAs tested with steel specimen showed the following results. The cleaning powers of APCA-7(Na₂CO₃240g/ TSPP 120g/ PE-68 90g/ POE-6 90g/ Demol C 30g/ MJU-100A 30g mixture) for press-rust preventing oil was 94% and 96% degreasing at 2wt%, 70℃ and 90℃, respectively; for quenching oil, the cleaning power of APCA-7 was 95% degreasing at 2wt% and 70℃. From these results, it was ascertained that APCA-7 exhibited a good cleaning power. Also low foaming power tests proved that the APCA-7 maintained good defoaming effect.

철강용 알칼리세정제의 제조와 그의 세정효과

하경진,신재현,김성계,박홍수 明知大學校 産業技術硏究所 1997 産業技術硏究所論文集 Vol.16 No.-

Alkaline cleaning agents(ACAs) were prepared by blending of Na₂CO₃, sodium orthosilicate(Na-OSi), Tetronix T-701(T-701), Na-dioctyl sulforsuccinate(303C), Demol N, and MJU-100A(100A). The physical properties of ACAs tested with steel specimen showed the following result. The cleaning power of ACA-6(Na₂CO₃ 80g/ Na-OSi 50g/ T-701 30g/ 303C 20g/ DemolN 10g/ 100A 10g/ water 200g mixture) for press-rust preventing oil was 97% and 98% degreasing at 4wt%, 70℃. From these results, it was ascertained that ACA-6 exhibited a good cleaning power. Foam heights measured immediately after foaming by Ross & Miles ACA-6 was proved a good low foaming cleaning agent.

8주간의 진동 운동 프로그램이 남,녀 대학생의 하지 최대 근력과 균형 능력에 미치는 영향

하경진 ( Kyung Jin Ha ),이상열 ( Sang Yeol Lee ),최승준 ( Seung Jun Choi ) 대한물리의학회 2015 대한물리의학회지 Vol.10 No.4

PURPOSE: Application of an oscillating program for the lower extremities is an effective training method for increasing muscle strength. However, no oscillatory program has yet been identified to confirm the effectiveness of oscillation for balance ability and maximum muscle strength. We investigated the effects of an 8-week vibration exercise program on the maximum muscle strength and balance of the lower extremities. METHODS: Research subjects participating in the study were 22 male and female college students with no past history of diseases of the nervous or musculoskeletal systems. All subjects were randomly divided into two groups and performed their assigned experimental treatment 3 times a week over a period of 20 min for 8 weeks. Maximum strength of the quadriceps extension, flexion, and balance ability were measured using Biodex System 4 and Biodex balance systems. RESULTS: The 8-week oscillation program resulted in a significant increase in quadriceps extension and flexion strength in both male and female participants (p<.05). The balance ability also showed a significant improvement after the oscillation program (p<.05). The balance value was higher for male 17% than for female 21% (p<.05) participants. CONCLUSION: An 8-week oscillation program led to an increase in the strength of knee flexion and extension. The balance ability also improved significantly. This positive effect on balance ability was higher in female than in male subjects.

유방절제술로 발생된 상지 림프부종 환자의 치료적 운동 고찰

하경진 ( Kyungjin Ha ),최승준 ( Seung Jun Choi ) 한국운동생리학회(구 한국운동과학회) 2016 운동과학 Vol.25 No.2

PURPOSE: The purpose of this review was to summarize some of traditional and recent rehabilitation exercise program to provide basic data and effective treatment guidelines that are applicable to evidence-based clinical practice. METHODS: The abnormal accumulation of tissue proteins due to lymphedema causes the lack of muscle flexibility and weakness, which subsequently causes limitations in performing exercises. However, exercise therapy, which is recommended as a combination therapy, not only overlooks the accompaniment of upper-extremity exercise disorders by the nature of breast cancer, but also does not take into account the pain occurring during exercises. Thus, we reviewed previous studies as many as on therapeutic exercise in upperlimb lymphedema patient at MEDLINE, PubMed, KISS, and RISS. RESULTS: We introduced brief etiology on upper limb lymphedema following mastectomy in breast cancer with general symptoms and characteristics. We also summarized detail therapeutic exercise programs on the exercise intensity, frequency, and time to suggest effective treatment guidelines. CONCLUSIONS: The appropriate exercise rehabilitation programs are effective to recovery from upperlimb lymphedema, and beside it resulted in elevation of functional abilities.