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정영섭(Chung Young-sub) 경성대학교 인문과학연구소 2001 인문학논총 Vol.3 No.-
The purpose of this thesis is to survey the father and son realationships in Bernard Malamud's two major novels, The Assistant and The Fixer. The father and son relationships becomes a figurative device and thematic context of Malamus's novels. Malamud's theme of love and redemption through suffering is mainly portrayed thtough the father and son relationships. In The Assistant Malamud portrays Morris and Frank as schlemiels. Like Malamud's other heroes they are also born to suffering, conditioned by it, and ultimately find the meaning of their lives in learning to deal with it. Frank carries the burden of supporting Helen and Ida. As a result, Frank becomes a social failure but a moral success owing to Morris. The Fixer is the most ambitious novel among his works. In this work Malamud tries to probe the basic problems in such wide fields as psychology, philosophy, politics, economics, and theology from the view point of Yakov Bok. Bok achieves his individual satisfaction in prison, and he develops his inner freedom, self-transcendence and is born again through his suffering and the teaching of his symbolic fathers.
정영섭 慶星大學校 1997 論文集 Vol.18 No.1
This dissertation aims to examine the specialties of Bernard Malamud's The Tenants. Nearly 25 years have passed since The Tenants published in 1971. But now he is supposed to be one of the most important writers in modern American literary world because world because of his concerns for the importance of morality, ethics and humanism. Bernard Malamud's fifth and most recent novel, The Tenants is Vigorously alive. The dialogue is brisk, fact and fantasy combine with magical effect, the action mounts to a frantic climax. The Tenants is about race hatred versus brotherhood, about art as the complement to life, and about symbiotic victimization-all developments of familiar concerns in his work. The Tenants is primarily the admixture of fantasy that keeps the book from bogging down in claustrophobic stereotype : the black writer trying to free himself of the incubus of a tormented past by writing about a black writer trying to do the scone thing; the white novelist writing a book about the same problem that bothers Lesser himself; an incomplete humamity to love satisfactorily. Among other things Levenspiel's apartment is an island or a jungle. Lesser is Robinson Crusoe finding his man (Willie) in an island and Willie as cannibal devours the severe limb of a murdered white man in a jungle. This fantastic confornatation, which is finally precipitated by Lesser's breaking up of Willie's typwriter, is the book's ending. However, an equally fantastic passage which precedes the bloody duel can be considered an alternative ending. it is an elavorate scene of a double wedding in an African village. The miracle that will bring Ishmael and Israel together obviously hasn't happened in The Tenants. The Tenants presents a vision of evil triumphant, the failure of charity and mercy. Willie and Lesser are equally to blame. Malamud is wonderfully impartial. There is humor in the book and hints of a not impossible brotherhood.