감물염색을 이용한 뉴 실버세대의 웰빙의류 개발

장애란(Ae Ran Jang),황경혜(Kyung Hae Hwang),임지영(Ji Young Yim),현명관(Moung Kwan Hyun),선혜미(Hea Mi Sun),이영희(Young Hee Lee),안미화(Mi Hwa Ahn),조은주(Eun Joo Cho) 한국생활과학회 2008 한국생활과학회 학술대회 Vol.2008 No.하계

학생들의 글쓰기에 나타난 논의구조에 미치는 탐구적 과학 글쓰기 활동의 효과 분석

장경화 ( Kyung Hwa Jang ),남정희 ( Jeong Hee Nam ),최애란 ( Ae Ran Choi ) 한국과학교육학회 2012 한국과학교육학회지 Vol.32 No.8

이 연구의 목적은 학생들의 글쓰기에 나타난 논의 구조의 특징을 통해 탐구적 과학 글쓰기 활동의 효과를 심층적으로 살펴보고자 하는 것이다. 이를 위해 탐 구적 과학 글쓰기 전략을 바탕으로 개발된 중학교 2 학년 프로그램 7개 주제를 적용한 후 학생들의 글쓰기에 나타난 논의 구조의 특징을 비교해 보았다. 이 연구를 위해 광역시 소재 중학교 2학년 2개 학급을 실험집단으로, 1개 학급을 비교집단으로 선정하여, 실험 집단에는 탐구적 과학 글쓰기 활동을 실시하였고, 비교집단에는 전통적인 강의 및 실험 수업을 실시하였다. 프로그램의 처치 후 두 집단에게 요약 글쓰기를 실시하였고, 요약 글쓰기를 통해 학생들의 글쓰기에 나타나는 논의 구조의 특징을 살펴보았다. 프로그램의 처치 결과 탐구적 과학 글쓰기 활동을 실시한 실험집단 학생들이 전통적 강의 및 실험 수업을 실시한 비교 집단에 비해 요약 글쓰기에서 논의 구조를 많이 사용 하는 것으로 나타났고, 실험집단 학생들의 증거에서 설명과 함께 그림, 그래프, 예시 등의 다양한 표현 제시되어 있었다. 그리고 증거 제시 수준에서도 비교집단은 증거를 제시할 경우 단순한 용어 나열하는 반면 실험집단의 경우 상대방이 이해하기 쉽게 용어에 대한 설명을 하거나 예를 적절히 사용하고 있었다. 이러한 결과로부터 탐구적 과학 글쓰기 활동이 학생들의 글쓰논의 구조에 긍정적인 영향을 미치고 비교집단 과 구별되는 특징을 나타냄을 알 수 있었다. The purpose of this study was to examine the effects of argument structure on students` writing in implementation of argument-based inquiry using the Science Writing Heuristic (SWH) approach. Participants of this study were 108 8th grade students (three classes). Two classes (68 students) were assigned to an experimental group, and the other class (35 students) was assigned to a comparative group. The experimental group was taught argumentbased inquiry using the Science Writing Heuristic (SWH) approach, while the comparative group was taught with the traditional teaching strategy. After implementing this program, the two groups were asked to write summaries using structured argumentation in their writing. The result of this study showed that the experimental group used better argument structure and multimodal representation such as pictures, graphs and examples in evidence than the comparative group. The quality of evidence used in the students` writing was different between two groups. Students of the comparative group only listed fragments of science concepts for evidence to support their claims, but students of the experimental group explained science concepts by giving specific examples. The findings show that argumentbased inquiry using the SWH approach was effective on argument structure in students` writing.

제주도 효제문자도 도상을 활용한 테셀레이션 기법의 텍스타일 패턴디자인 개발

장애란(Ae Ran Jang),현명관(Myung Kwan Hyun) 한국복식학회 2016 服飾 Vol.66 No.8

천연염색을 이용한 자연적 이미지의 골프웨어 디자인 개발

장애란(Ae-Ran Jang) 한국생활과학회 2008 한국생활과학회지 Vol.17 No.3

제주신화 서천꽃밭의 생불꽃을 응용한 텍스타일 패턴디자인

장애란(Jang, Ae-Ran),현명관(Hyun, Myung-Kwan),김현미(Kim, Hyun-Mi) 한국생활과학회 2013 한국생활과학회지 Vol.22 No.4

The purpose of this study is to establish a new method to develop the textile pattern design using Saengbul flower in Seo-cheon flower garden of Jeju Myth, in other words, to create mythic textile patterns by borrowing effectively from the mythic image of Saengbul flower. Seo-cheon flower garden is an incantation space and Saengbul flower means pregnance. Therefore, we drew Camellia flower motifs from a mythic image based on archetypal symbols about the Saengbul flower, and created mythic patterns. In order to achieve this textile pattern design, Adobe CS5(Photoshop, Illustrator) and Texpro were used to design the motifs of Saengbul flower, and then they were arranged in a square pattern and diamond pattern of Richard M. Proctor' set layout. And to conclude, development of the creative textile pattern design using the mythic contents of the Jeju Myth contribute to invigoration the fashion industry and regional culture contents projects in Jeju, and also become the basis of creating added valued to it.

소비자 니드를 위한 한국형 SPA의 Fast Fashion

장애란(Jang, Ae Ran) 한국생활과학회 2007 한국생활과학회지 Vol.16 No.5

제주자생 꽃 콘텐츠를 활용한 패션문화상품 개발 - 왕벚꽃, 유채꽃, 참꽃을 중심으로 -

장애란 ( Jang Ae-ran ),현명관 ( Hyun Myung-kwan ) 한국디자인트렌드학회 2015 한국디자인포럼 Vol.48 No.-

본 연구의 목적은 관광효과를 극대화하고 제주지역의 경제 활성화를 모색하고자 자원식물을 이용한 연중 축제 프로그램 중 대표적인 제주왕벚꽃축제, 제주유채꽃큰잔치와 제주참꽃나무축제를 소재로 텍스타일 패턴 디자인 및 패션문화상품을 개발하여 제시하였다. 이를 위해 일차적으로는 왕벚꽃, 유채꽃과 참꽃의 조형적 이미지와 상징적 의미를 유추한 결과를 근거로 꽃 콘텐츠를 구축한 후 표현기법에 따라 다양하게 활용할 수 있도록 양식화한 콘텐츠적 모티브를 추출하였다. 이를 토대로 사실형, 양식형, 추상형의 리피트를 구성한 후 리피트별 2가지 컬러배색을 통해 텍스타일 패턴을 개발하였다. 이차적으로는 개발한 텍스타일 패턴을 패션문화상품에 활용할 수 있는지를 규명하기 위해 가방디자인에 텍스타일 패턴의 디자인 맵핑을 추가로 실시하였고, 그 결과를 바탕으로 디자인 의도에 따라 선택한 텍스타일 패턴을 DTP로 출력한 소재(캔버스, 옥스퍼드지)로 패션문화상품을 실제로 제작하여 제시함으로써 지역문화와 지역경제의 활성화를 모색할 수 있을 것이라 기대된다. 텍스타일 패턴화 작업을 위한 제작도구로는 Adobe CS5 및 TexPro 디자인 캐드를 사용하였다. The purpose of this study was to develop the textile pattern designs and fashion cultural products using Jeju native flower contents (Cherry Blossom with Jeju Cherry Blossom Festival, Canola flower with Jeju Canola Flower Festival and Weyrichii with Jeju Rhododendron Festival), to revive regional economy and maximize tourism effects as kind of local culture strategy. To achieve this, first, it established flower contents based on the conclusion that analogized the formative image and symbolic meaning on Cherry Blossom, Canola flower and Weyrichii. Second, it abstracted the stylized motives from the flower contents so that can be used in various expressive techniques. After it composed one repeat of reality type, style type and abstract type based on content motives, developed the textile patterns as 2 color matching by each repeat. Third, by practicing additionally design mapping, it investigated whether the development of textile patterns can be used in fashion cultural products. Finally, it produced various bags with fabrics using canvas and oxford printed the textile patterns by DTP. For design manufacturing tools, Adobe CS5(Photoshop & Illustrator) and TexPro design CAD were used. In conclusion, as the study developed and suggested a textile pattern design of Jeju native flower contents to revive regional economy and maximize tourism effects. Furthermore, it is expected that textile pattern developed based on regional cultural prototype could be applied to th development of various fashion cultural products.

펑크록이 반영된 Vivienne Westwood 작품의 기호적 해석

장애란(Ae Ran Jang) 한국복식학회 1998 服飾 Vol.39 No.-

Vivienne Westwood, the revolutionary creator of Punk fashion(ripped T-shirts, bondage clothes, fetishist accoutrements) was a streetfashion designer. Although Westwood`s clothes have frequently been described as decadent, degenerate and unwearable, they have also exerted a powerful influence on interntional fashion. Westwood became a fashion designer in the mid-1970s, when he emergence of Punk put London back on the fashion map for the first time since 1965. Just as the Mods, Rockers, and Hippies of the 1960s had embraced particular styles of dress and music, so also did the Punks create their own subculture. The Punk style in revolt was a deliberately revolting style that incorporated into fashion various offensive or threatening objects like tampons, razor blades, and lavatory chains. Vivienne Westwood and partner Malcolm McLaren articulated this youth culture, who roots lay in music. A sing is something which stands for some object or idea, while the semiotics are the external expression for an internal meaning. Semiotics can be used as a medium of communication between dress and music. A language is simply used for explicit of meaning, while the style of dress and music express the explicative and implicative signs. Peirce`s scheme among several theories of the semiotics was chosen for this study, because the Peirce`s scheme was the first non-language communication medium between external and internal stages, and readily interpreted the styles of dress and music. Punk rock was studied at first to identify the style which influenced Vivienne Westwood`s works and then Semiotics were used to apply the above results to the 1970s and 1990s for analyzing and interpreting the Vivienne Westwood`s works. Vivienne Westwood`s works were also interpreted by the symbolic characteristics of Semiotics, because the symbol of semiotics often found at Youth Cults reflected punk rock. The symbol of revolt, decadence, grungy, freedom in Vivienne Westwood`s works were determined by using Punk rock`s semiotics. This study could conclude that the style of dress and punk rock were able to be interpreted by semiotics.

디지털 의복(Digital Clothing)에 표현된 디지털 패러다임

장애란(Ae Ran Jang),현명관(Myung Kwan Hyun) 한국복식학회 2003 服飾 Vol.53 No.4

The purpose of this study was to investigate the Digital Paradigm cords depicted on the Digital Clothing by borrowing nearby fields. Therefore, it will offer not only theoretical data but also databases for product development on functional and aesthetic views even though it is not systematically set up the idea yet. The Digital Paradigm cords of Interactivity, Nonlinearity and Combination in the Digital Clothing were determined. This study found that Interactivity Paradigm cord was expressed by the interaction of clothing and computer, the techniques of built in · attach · detach · fragment of the Digital Clothing at the external indicators, and maintained this personalizing that was pursued comprehension and the shape and silhouette of the existed clothing, that Nonlinearity Paradigm cord was able to overcome the limitation of a successively approach, in other words the discontinuous moving possibilities of time and space, that Combination Paradigm cord was contained creative concept without fixed ideas through coordination of Digital Clothing that was combination, continuous creation, changes and process between heterogeneous factors. In conclusion, introduction of the new Digital Paradigm is going to accelerate on lasting development and research.

Jean Dubuffet의 앗상블라주(Assemblage)를 응용한 네일아트 디자인

장애란(Jang Ae-Ran) 한국복식학회 2005 服飾 Vol.55 No.4

Beauty Art is an act which makes a face beautiful using various methods such as permanent, manicure and make-up. Recently, Beauty Art is recognized as the personal culture expressing the value of beauty and spirit. Therefore, there are growing interests in the comprehensive study of Beauty Art nor only from the beauty industries but also from academia, because Beauty Art is the high value-added field and Is recognized as a style of the dress. The purpose of this study is to open a new view to understand the Nail Art as a fold of experimental plastic art. The arctic expression is added to Beauty Art to develop it from the routine technique of the make-up and hairstyling to creative art. Assemblage is adopted to provide Beauty Art with fine harmonious expression which develop Nail Art into interesting and unique art area. Assemblage meaning compounding or collection is a technique through which three-dimension is added to two-dimension paintings, and which is an expression of an art work by recollection of miscellaneous articles or waste materials. Assemblage is a term which Jean Dubuffet coioned first in order to differentiate collage used by Picaso or Braque. Here, I present Nail Art Designs which applied Jean Dubuffet's works focusing on Automaticity and Happenstantial phenomena of materials, Materialization, and Directness. These features are characteristics of Assemblage which basic frameworks are fantastic collection, accumulation, constructive collection, and object collection.