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D. H. Lawrence의 중편소설에 나타난 새로운 도덕성 : The Fox, The Ladybird를 중심으로
안필규 한국강원영어영문학회 1984 영어영문학 Vol.5 No.1
D.H. Lawrence (1885-1930) is generally considered one of the greatest novelists of the twentieth century. But his writing ability covers most of genres, such as novels, short novels, short stories and plays, etc. In spite of his prominent writing ability most people misunderstand him as an obscene writer. The reason is that most of his works include prophetic vision which cannot be easily understood. The prophetic vision is said to be new morality completely unfamiliar to current morality in his era. The aim of this paper is to investigate new morality represented in two short novels, The Fox and The Ladybird. The Fox and The Ladybird written during his savage pilgrimage are concerned with the theme of the urge of male power and dominion. To reflect the characteristics of his leadership periods, Lawrence introduces the idea of the unconscious into the works. The world of the unconscious is related to the dark world. Representing the main male protagonist as one who possesses dark power which comes from blood-consciousness, Lawrence makes female characters give themselves up to his wild power. Through this male power and domination and female submission Lawrence attempts to announce his new morality. His new morality can be said not the refusal of current morality but the discovery of the immorality of his era. Though his new morality is somewhat contradictory, it is worthwhile to examine Lawrence's new morality in this confused and immoral world.
D. H. Lawrence의 작품에 나타난 생명력의 추구
안필규 한국강원영어영문학회 1982 영어영문학 Vol.3 No.1
With all his notorious fame, D.H. Lawrence (1885∼1930) is one of the greatest writers of the twentieth century. What makes him a famous writer is his attack on mechanized society and the pursuit of vitality. As he observed the venomous harms of mechanical industrialism during his childhood, Lawrence tried. through most of his works, to attack the malady of dehumanizing modern industrialism and to search for another form of living which could give man vitality. Lawrence thought that modern industrialism brought out and sanctioned a false version of sex. So he sought to set up a right blood-consciousness through his attack on modern industrialism to return to the $quot;primitive man$quot; kith instincts full of vitality. Perhaps St. Mawr and Lady Chatterley's Lover may reflect his thought that ours is a tragic age and that we should regain our hopeful heart in search of the form of vitality. Thus by describing Rico as the symbol of mechanical industrialism in St. Mawr. Lawrence makes an attack on the triviality of the mechanized society. Furthermore, St. Mawr and the primitive landscape of New Mexico are represented as the vital world which is on the opposite side of Rico's sterile one. By comparing those two worlds, Lawrence proposes to modern men that human life is on the verge of destruction in this critical situation of dehumanization. In Lady Chatterley's Lover, Lawrence introduces $quot;the Sleeping Beauty$quot; motif to the novel. His attempt to make Connie a real woman through Mellors's $quot;phallic tenderness$quot; testifies to his wish-fulfilment to remedy counterfeit sex as real. It may, of course, be ridiculous to remedy the world through real sex. But his proposal of purifying modern sexual consciousness is worthy of our praise.
D. H. 로렌스의 초기 단편소설에 나타난 자전적 스케치: 「늙은 아담」과 「현대풍의 마녀」를 중심으로
안필규 한국로렌스학회 2012 D.H. 로렌스 연구 Vol.20 No.2
Generally an author writes his works by using direct or indirect experiences. By help of those experiences, he (or she) exerts all his (or her) imaginative power. David Herbert Lawrence (1885-1930) cannot be considered an exception, since he is a great novelist who wrote a great deal of work based on experiences. Most people regard Lawrence as a novelist. However, it is not correct that his literary competence is only confined to novels. Even though his novels have become the subject of much attention, his ability to write excellent short stories should be examined. Lawrence’s early short stories are mainly focused on his family's lives in ugly colliery countryside and his love and sex life with his familiar female friends. “The Old Adam” and “The Witch à la mode” are regarded as his autobiographical sketches drawing on his direct or indirect experiences with his acquaintances, especially women. Even though some critics do not evaluate their literary qualities highly, each of these two works illustrate specific traits of literary competence. “The Old Adam” is basically based on his experiences during his stay in the Croydon area of London. The landlord and landlady of his boarding house are dramatized as Mr. and Mrs. Thomas. The love triangle between one beautiful and ripe woman and two male protagonists will be extended to a kind of rivalrous conflict between Paul and Baxter Dawes for Clara Dawes in Sons and Lovers. The two lady protagonists in “The Witch à la mode” are modelled on Louie Burrows and Helen Corke from Lawrence's real life. The male protagonist cannot decide which of the two women he prefers, as he contemplates which woman offers him most satisfaction in terms of love and sex. Though the male protagonist has a strong sexual desire for Winifred in this work, he cannot embark on a love affair with her, because of his shyness, loss of manhood and lack of resolution. Furthermore, the theme of death and resurrection expressed in these two short stories is very important, since Lawrence uses this theme consistently during his life. In short, “The Old Adam” and “The Witch à la mode” are considered Lawrence’s early autobiographical experimental short story sketches. However, Lawrence’s hidden literary power of using literary devices and biblical allusion on death and resurrection in these tales becomes most evident as his writing blossoms in his later more important works.