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강옥 ( Jiang Yu ) 성균관대학교 대동문화연구원 2018 大東文化硏究 Vol.102 No.-
강노향은 일제강점기 상해에 체류했던 한인 작가 중의 한 사람이다. 그는 일제강점기 상해로 이주했던 한인들의 생활상을 섬세하게 그려냄으로써 그 시절 이국타향에서 살아가던 민족의 애환을 생생하게 증언했다. 그는 상해시절 당시 중국의 대문호 노신을 만난 몇 안 되는 한국인이기도 하다. 한국문학사에서 강노향은 잊혀진 작가라고 할 수 있다. 『개벽』사 상해 특파원으로서 언론인이자 소설가이며 영화 제작자였고 외교관이었던 그의 생애 연구는 물론 30년대에 작품 활동을 활발하게 했음에도 작품연구 또한 별로 시도되지 않았다. 필자의 연구에 의하면 강노향은 충분히 문학사적으로 조명이 필요한 작가라고 생각된다. 상해를 배경으로 한 그의 소설은 조국을 떠나 이국에서 온갖 고생을 다 하며 살아간 당시 한민족의 실상을 증언해주는 역사적 자료로서의 가치를 지닌다. 본 논문은 그 동안 문학사에서 조명을 받지 못했던 강노향의 생애와 상해 특파원 시절 만났던 노신과의 만남을 실증적으로 고찰함으로써 앞으로 본격적인 강노향 연구를 위해 기초를 마련하였다. No-hyang Kang is one of the important Korean writers who stayed in Shanghai during the period of Japanese Colonialism. He vividly described joys and sorrows of his people living away from their home by delicately drawing the life of Koreans who moved to Shanghai during the Japanese colonial era. He is one of the few Koreans who ever met Lu Xun, the greatest writer in China, while in Shanghai. Nevertheless, studies about him have not been proceeding at all. In addition to the studies of his life as a 『Kaebyeok』 sa correspondent in Shanghai, a journalist, a writer, a movie producer, and a diplomat, his works are also unknown despite the fact that he was active with his works in the 1930s. The thesis not only focused on his life, but also summarized the meeting with Lu Xun when he was a correspondent in Shanghai.
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강옥(Yu Jiang) 韓國批評文學會 2010 批評文學 Vol.- No.36
The Korean Chinese literature is the literature of Korean who is living in China as it says. The Korean Chinese is one of few minorities in China who has their own motherland, and also its literature has a significant relationship with the motherland’s. The Korean Chinese literature is formed and based upon the motherland literature. Korean Chinese literature is a succession and development of the literature in the national independent revolution, it was not newly formed or developed independently. The North Korea Literature had had a major impact on it until the “Cultural Revolution” in 1966. It is found easily in many Korean Chinese’s writings that they had been impacted even though their relationship went to end later. The impact of North Korea’s literature could not been found any more since Sino-South Korea diplomatic relationship established. The Korean Chinese Literature developed rapidly under the influence of the South Korea Literature. The writers being used to simple title and certain structures has started creating variety titles and personalized characters. Their creativity has been upgraded by variety creativeness approach, but the socialist realism used to be the only creativeness method in a period of time. For instance, different view on the materials, research on skills, and differing the novel formation stood out in comparison of the traditional one. Unfortunately, we could not find any related studies about the impact of the South Korea literature even though many realized that it had improved their creativity and skill significantly. Therefore this dissertation is aimed at identifying how the Korean Chinese Writers left away from simple title and structure, how they have become varied in creativeness instead of realistic one since the diplomatic relations between South Korea and China has recovered. There is strong relationship between 90’ Korean Chinese Literature and South Korean Literature. It is good to communicate each other from time to time, because the Korean Chinese Writers can learn a lot during the communication, can improve the quality, and can play in the world stage instead of being limited in region area. The South Korean Literature has provided acknowledge, experience, skills of language and literature to the Korean Chinese Literature.
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강옥 ( Jiang Yu ) 고려대학교 민족문화연구원 2018 民族文化硏究 Vol.80 No.-
강노향은 일제강점기 상해에 체류했던 한인 작가 중의 한 사람으로서 1930년대와 40년대 대부분 시간을 상해에서 보냈다. 강노향의 상해 체험 문학은 주로 그의 1930년대 상해 체험을 바탕으로 창작되었다. 1930년대 상해에는 독립운동을 목적으로 하는 애국지사들보다 생계형 일반 한인이 더 많았다. 그들은 대부분 정치나 혁명에는 전혀 관심이 없고 개인이 먹고 사는 데만 급급한 소극적인 삶을 사는 일반 서민이었다. 강노향의 작품들은 상해에서 어려운 시기를 보냈던 조선 서민들의 희로애락을 보여줌으로써 당시 나라를 잃은 한인들이 외국에서 어떻게 생활했는지를 보여주는 증언의 문학으로서 가치를 지닌다고 할 수 있다. 본 논문은 강노향의 상해 배경 작품들을 연구대상으로 일제강점기 한인 서민들이 상해에서 어떤 생각을 하면서 어떻게 생존해나갔는지를 살펴보고 이를 통하여 강노향이 이루어낸 상해 체험 문학의 의미를 알아보려는 데 그 목적이 있다. As one of the Korean writers who resided in Shanghai during the period of Japanese Colonialism, No-hyang Kang spent most of his time in Shanghai during 1930s and 1940s. No-hyang Kang's literature about Shanghai experience was created mainly based on his experience in the 1930s. In the 1930s, there were more ordinary Koreans living in Shanghai than the patriots who were planning the independence movement. They are mostly normal individuals who were busy sustaining their passive lives with no interest in politics or revolution at all. Drawing the image of Koreans in Shanghai, however, based on actual experience of the life in Shanghai during the period of Japanese Colonialism is meaningful in the history of Korean literature. No-hyang Kang's works possess a literary value as a proof of lives of Koreans living in a foreign country who lost their home country by describing the joys and sorrows of Joseon people enduring tough times in Shanghai. The purpose of this thesis is to examine how Koreans survived in Shanghai during the period of Japanese Colonialism and, through this, to inquire into the meaning of the literature of Shanghai experience by No-hyang Kang based on his works with the setting in Shanghai.
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