http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
Zhang Qiu-yu,Lu Jun-chi,Wei Hui-yi,Zhang Mo-yi,Duan Hong-xiang 보안공학연구지원센터 2016 International Journal of Signal Processing, Image Vol.9 No.6
In order to improve the problems of segmentation accuracy and real-time existing in dynamic hand gesture under complex backgrounds, this paper presents a kind of dynamic hand gesture segmentation method based on improved Kalman filter and weighted skin-color model. Firstly, improved Kalman filter is utilized to process hand gesture image of hand gesture video sequences and get rough hand gesture results. Secondly, weighted skin-color model is applied to process rough results of hand gesture segmentation and segment hand gesture. Finally, morphological method is utilized to deal with gesture segmentation result, getting rid of the holes in the hand gesture’s binary image to realize the segmentation of dynamic hand gesture. Experiments show that the proposed method can segment hand gesture from dynamic hand gesture video sequences with complex backgrounds effectively. And the accuracy of hand gesture segmentation is high.
진이추 ( Yi Qiu Chen ) 한국중국산문학회 2015 중국산문연구집간 Vol.5 No.-
Tongmunson, compiled in the early period of Chosun Dynasty, is a 130-volume anthology collecting works of multiple genres. Thanks to the compilers especially governmental positions at Sung-mun-won, for whom it was convenient to collect literatures, the anthology included some 14 volumes of memorials and letters(Biao-Jian). That has a close bearing on the significance of memorials and letters in the Chosun Dynasty’s diplomacy and imperial examinations. In fact, the distinct editiorial way of memorials and letters in Tongmunson followed a previous compiling style of some collections of poems and essays, and that showed their own style: Merge entitled“biao-jian”was inspired by some Chinese reference books and Korean collected works such as Yang-Cun-ji, Han-Mo-Quan-Shu, also achieved the objective effect of maintaining the dignity of previous classics, Chosun Dynasty’s official documents such as “Jian”, etc. Under the partially influence of some compiling thinking reflected in Donginjimun-saryuk and Song-Pa-Bang, Seo Geojeong, etc. the compilers chose no title of secondary classification according to the content of memorials and letters in Tongmunson. Some details in the process of compiling embodied Seo Geojeongs’ intention to avoiding Tongmunson appeared the tendency of reference books.
리치우이 ( Li Qiu Yi ) 한국영화교육학회 2023 영화교육연구 Vol.17 No.3
중멍훙(鍾孟宏)의 영화는 최근 대만 영화의 하이라이트 현상으로서 그는 감독뿐만 아니라 감독, 촬영지도 등 직무도 맡았는데 이로 하여 그의 작품은 영상에서 자신의 독특한 미학 풍격을 표현하게 되었다. 그는 현실 생활 속의 초현실적 차원을 잘 파악하여 순간적인 반전과 우의의 빛과 그림자 구도로 화면을 구성한다. 그의 영화에서 표현된 부자 관계도 고도로 풍격화된 렌즈언어로 만들어졌다. 다양한 시청각 예술 기법의 활용과 장르 영화 요소의 능숙한 통제를 통해 그의 작품은 영화 시청각에서 언어적인 인정을 받았다. 본고는 중멍훙 감독의 세 편의 긴 줄거리 영화를 텍스트 연구 대상으로 삼아 그의 작품의 화면 요소에 초점을 맞추고 그의 작품 중의 심층적인 무의식적 표현을 분석한다. 전문은 모두 6장으로 나뉘는데 제1장은 서론으로 주로 연구 목적, 연구 현황과 연구 방법과 필요성을 논술한다. 제2장은 이론 토론으로 영화 화면과 중멍훙 감독의 영화에 대해 선행 연구를 한다. 제3장은 영화 <노면주차> 의 빛과 그림자, 색채, 구도를 분석하였다. 제4장은 영화 <네 번째 초상화> 의 빛과 그림자, 색채, 구도를 분석하였다. 제5장은 영화 <아호, 나의 아들>의 빛과 그림자, 색채, 구도에 대해 분석한다. 제6장 요약. Zhong Menghong's films have been a notable phenomenon in Taiwanese cinema in recent years. He not only serves as a director, but also as a producer and cinematographer, which gives his works a unique aesthetic style in visual representation. He is good at grasping the surreal atmosphere in real life, using highly contrasting and meaningful light and shadow compositions to structure the picture. The father son relationship portrayed in his films is also shaped through highly stylized camera language. Through the application of various audiovisual artistic techniques and the skillful mastery of genre film elements, his works reflect the diversity of film audiovisual language. This article takes three feature films directed by Zhong Menghong as the research object of the text, focusing on the visual elements of his works and exploring the deep level of unconscious expression in his works. The full text is divided into six chapters. The first chapter is the introduction, which mainly elaborates on the research purpose, current research status, research methods, and necessity; The second chapter is a theoretical discussion, which conducts preliminary research on the film visuals and the films directed by Zhong Menghong. Chapter 3 analyzes the light and shadow, color, and composition of the movie Parking; Chapter Four analyzes the light and shadow, color, and composition of the movie The Fourth Picture; Chapter 5 analyzes the light and shadow, color, and composition of the movie Sunshine; Chapter 6 provides a summary.