해외 정보 - 신규 원전이 채택하고 있는 휴먼 시스템 인터페이스(HSIs) 기술

Hugo, Jacques,Gertman, David 한국원자력산업회의 2016 원자력산업 Vol.36 No.2

최첨단 휴먼 시스템 인터페이스(Human System Interfaces, HSIs) 기술을 연구 분석하여 설계를 거쳐 채택하는 것이 원전 공학 기술의 중요한 요소 중 하나로 자리를 잡고 있다. 미국 아이다호 국립 에너지안보연구소의 Jacques Hugo와 David Gertman은 기술의 사용 환경, 기술 성숙도, 유용성, 인적 성과가 필요한 직무를 기반으로 한 이 새로운 기술이 원전업계가 선택해야 할 바람직한 방안이라고 제안하고 있다.

The topochemical principie and Las Meninas of Velázquez

Jacques Vicens 고신대학교 자연과학연구소 2008 고신대학교 자연과학연구소 논문집 Vol.15 No.-

Science and art naturally overlap. Both are a means of investigation. Both involve objects, ideas, theories, and assumptions that are tested in places where mind and hand come together - the laboratory and studio. Artists, like scientists, study materials, people, culture, history, religion, mythology, and learn to transform information into something different. In ancient Greece, the word for art was techne, from which technique and technology are derived - terms that are aptly applied to both scientific and artistic practices. Exploring the similarities in their respective early work, Arthur I. Miller published an article1 entitled : 'Einstein, Pimsso' in which he proposed that the Spanish painter, Pablo Picasso, and, the German physicist, Albert Einstein, were both influenced at the beginning of the 20th Century by the book, La Science et l'Hypothi:se, published in 1902, by the French mathematician Henri Poincare. In his book, Poincare speculated that geometries different from the Euclidian classical geometry could be developed and represented in curved spaces and higher dimensions. Picasso exhibited Les Demoiselles d'Avignon in 1907, opening the way to Cubism, while Einstein published his Theory on Relativity in 1905. This is a rare example showing the birth of an idea in science and art from the same original problem: the nature of time and simultaneity resolved by realizing a new aesthetic. At the birth of creativity, boundaries dissolve between disciplines. Ideas come from objects and their representation, and one can assume that the same idea may come separately in science and art. This is often found when simply comparing images coming from science and art. For instance, the work of the Deutsch artist Maurits Comelis Escher has been referred to many times by crystallographers and mathematicians because of his ability to use and draw objects with original and uncommon symmetries. The same was done with the geometrical paintings of the Hungarian painter Victor Vasarely. With the development of computers, many scientific images in biology or physics have been compared with artistic digital paintings because they are similar in colour, shape and appearance. Many examples can be found in contemporary popular literature. The present paper is intended to expose an example of similarity in chemistry and in painting not based on shape or common origin but rather on the concepts they involve. I partly wrote this text in the 00' s. I was then learning solid state chemistry in the laboratory of Professors Meir Lahav and Leslie Leiserowitz at the Weizman Institute in Israel. At that time, it became evident to me that there was a possible link between a reaction in the crystalline state and one of the many interpretations of Las Meninas of Velazquez. More precisely, I asked myself if a relation might be found between an organic reaction in a crystal governed by the topochemical principle2 and the interpretation given by the French philosopher, Michel Foucau1d, in his book The Order cf Things,3 of Las Meninas in terms of the topology the gazes of the depicted figures. I decided to publish this text now after reading a text entitled: 'Eloge paradoxa] de Michel Foucauld a travers "Les Menines'" in which, the author, Daniel Arasse, a French critique of art declares that 'Foucauld Ivs launched such a theoretical engine tint anyone willing to write a theory on painting will be obliged, at a moment or another, to be interested in Las Meninas,.4 This was exactly what I felt at the moment when I started to write this paper. The present text, I will try to show how objects representative of an ensemble - the organic molecules for the crystal and the figures painted in Las Meninas - have relations that allow the elimination of their respective identities to lead to a common representation unique in the relations. This unique relational representation for the two ensembles allows the elimination of the objects forming these ensembles to give a purely topological interpretation or description.

쓰기/문자와 기호학 체제: 사물-매체, 물질, 실천, 삶의 형태

( Jacques Fontanille ),최용호(번역) 한국기호학회 2016 기호학연구 Vol.49 No.-

L’écriture et ses régimes sémiotiques: l’objet-support, la matière, la pratique, et les formes de vie

Jacques Fontanille 한국기호학회 2016 기호학연구 Vol.49 No.-

A Study of the Defining of Sports and its Standard

Jacques Defrance,임재구 한국체육철학회 2009 움직임의철학 : 한국체육철학회지 Vol.17 No.1

Like other institutions, sport, as it grows, asserts its identity and defines its own limits. The definition of sport slowly emerges. It gets elaborated in the same time that sport differentiates itself from other activities, and that people who do sport start having competitive relationships, to set the criteria of excellence, and manage sports matters. As a result, diverging opinions on the definition of sport appear. What are the stakes of a definition of sport? Sport being such a pragmatic domain, couldn't we do without that formal exercise? To define implies both to include and exclude. Defining sport is a practical issue. Questions appear when, for example, one wants to set limits and categories. What types of associations are a matter of a sports service's competence, or can lay claim to subsidies, etc. That question appears when it deals with organizing physical activities that can give pupils a certain co-operation and competition spirit. At last, a review of the specialized literature shows that no scholarly definition has not clearly stood out yet, and that the limits of sport vary noticeably form one country to the next, so that we do not have a pertinent, internationally-recognised definition at our disposal.

Le modele theatral dans Sodome et Gomorrhe, de Marcel Proust -espace social & espace theatral-

( Jacques Fontanille ) 한국기호학회 2005 기호학연구 Vol.18 No.-

Long-Run Determinants of Japanese Import Flows from USA and China

Jacques JAUSSAUD,Serge REY 인하대학교 정석물류통상연구원 2009 인하대학교 정석물류통상연구원 학술대회 Vol.2009 No.10

유렵의 문화 정책 양상-자료 분석과 고찰

( Jacques Raphanel ) 한국외국어대학교 EU연구소 1996 EU연구 Vol.- No.2

- 본 연구는 우선, “유럽”을 정의하는 몇 7찌 역사적인 개념과 중세부터 18세기까지 유럽 국가들 간에 놓여 있었던 문화적 관계의 유형에 대해 연구해 보고자 한다. 19세기에 유럽은 산업혁명을 통해 최초의 중요한 단절을 맛보게 되었고, 그 결과는 오늘날까지도 여전히 영향력을 미치고 있다. - 두 번째 장에서는, 문화·정책적 관점에서 유럽의 근대적 OJ-상들을 파악한다. 본 장에서는, 경제적 자유주의와 비교하여 계획의 정책적 일관성과 그 영역의 문제를 제기하는 현실적인 여러 양상들을 이해해 보고자한다. - 세 번째 장에서는, 유럽 각료회의가 발간한 자료인 “유럽에서 문화생활에의 참여 경향 전략과 도전”(Table Ronde de Moscou, 1991) 의 분석을 통해, 유럽의 문화 정책상의 모순점에 대한 비판을 시도한다. 즉 정책의 수립과, 경제적 자유주의 교리에 대한 신봉이라는 실제적인 사회 경험의 양쪽 형태로서 그 대립적, 이율배반적 관계를 고찰한다. - 마지막 장에서는, 상기 분석 과정을 통해 결론에 접근하면서 실제 현실에 비추어 문화라는 개념에 관한 정의(定意)의 문제를 제기해 보고자 한다. 통신 매체인 인터넷의 출현과 최근의 발전이 상징하고 있는 현재 상황에 대한 이해와 더불어, 이러한 종류의 변모가 앞서 연구한 분야로부터 어떤 유형의 결과를 도출해 낼 수 있는지도 살펴보고자 한다. Cette étude rappelle d’abord quelques notions historiques concernant la notion d’Europe et quels types de rapports culturels existaient entre les nations européennes entre le Moyen-âge et le XVIIIème siècle. Le XIXème siècle, avec la Révolution industrielle, introduit une première rupture importante. Nous en ressentons les conséquences aujourd’hui encore. La deuxième partie tente de cemer les aspects modernes liés à l’Europe, aussi bien du point de vue politique que culturel. Cela conduit à dégager certains aspects de la réalité actuelle qui posent la question de l’étendue et de la cohérence politique du projet par rapport au libéralisme économique. Dans la troisième partie en procédant à l’analyse d’un document publié par le Conseil de l’Europe : Participation à la vie culturelle en Europe. Tendances, stratégies et dqfis. Table ronde de Moscou, 1991, nous voyons se dégager une contradiction critique au sein de la politique culturelle européenne, c’est-à-dire : le désir même d’élaborer une politique d’un coté, et l’adhésion à la doctrine du libéralisme économique de l’autre. Ces deux formes de l’expérience sociale s’opposent de façon antinomique. La demière partie s’efforce de tirer la leçοn du travail d’analyse et pose la question de la definition, par rapport à l’expérience actuelle, de la notion de culture. On essaie de voir comment 1’apparition et le récent développement du médium Internet symbolisent la situation présente et quel type de conséquences ce genre devolution pourrait entraîner dans le domaine étudié.

A Study of the Function of Leisure Sport on Popularization Procedure

Jacques Defrance,임재구 한국체육철학회 2009 움직임의철학 : 한국체육철학회지 Vol.17 No.1

Modern sport and modern industrial society has listed some characteristics that modern sport shares with industrial employment and urban society. Discipline, authority, Competition, accomplishment, rational objectives, organization and bureaucracy. That modern participator and spectator sports have strengthened and progressed so in numbers taking part and in area covered is owing to ideological and political empathy between the psychological adaptations necessary for modern social life and ideology implicit in sport. The object, the foundation of the sport is to give rise to the curiosity, desire to go beyond the play. The taste is on the base of the development of the leisures sports. For lack of giving rise to vocations from a sports man in high level, the sport, in its dimension of leisures must relax. This desire to relax and this strong curiosity have been favored by a context very favorable, before and after the second world war, to the institutionalization of the leisures, and by extension, to that of the leisures sports.

You are Here(s)

Jacques Levy 부산대학교 한국민족문화연구소 2013 Localities Vol.- No.3

The globalisation process invites us to freshly rethink the way the humans inhabits the surface of Earth. We already know for sure that Ⅰ by and large, globalisation changes the role of existing places but does not destroy them; Ⅱ from the very first age of humanity onward, dwelling means not only staying but also moving; Ⅲ a place can have different sizes, from local to global; Ⅳ our space is, first of all, a combination of networks, and Ⅴ as a mobile reality, human beings are not reducible to a particular scale. In this context, we can take advantage in using the term ‘inhabiting’ if we are able to revisit it after Heidegger. From the metaphysical idea of ‘condition’, we can integrate the idea of inhabiting inside the general approach of human history, as a dimension of social becoming. Inhabiting can also be addressed as a societal horizon, which helps us to think together actors, objects, and environments.