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사람들은 코로나 시기에 교통수단을 변경하는가? : 2020 서울서베이 시민조사 자료를 중심으로
채승진,진장익 대한국토·도시계획학회 2022 國土計劃 Vol.57 No.7
본 연구의 목적은 첫째, 코로나 시기에 어떤 사람들이 수단을 변경하고 있는지, 왜 변경하는지에 대해서 살펴보는 것이며, 둘째, 코로나 시기에는 사람들이 어떤 수단을 선호하는지에대해서 파악하는 것이다. 이를 위해, 본 연구는 서울시에서 조사한 2020 서울서베이 시민조사 자료를 활용해 코로나 시기의 수단선택의 변화를 실증적으로 알아보고자 한다. 특히, 시민조사에참여한 5000명의 샘플 자료를 활용해, 코로나로 인한 감염에 대한 걱정과 우려가 얼마만큼 수단선택의 변화에 영향을 미치는지를 이산선택모형(Discrete Choice Model)을 활용해서 검증하고자 한다. 본 연구를 통해 발견한 사실과 시사점은 앞으로 다가올 포스트 코로나 시대의 교통정책에 다양한 시사점을 제시할 것으로 여겨진다.
채승진 한국기술교육대학교 1997 論文集 Vol.4 No.1
From the ancient civilization, Japanese have maintained a homogeneous domestic culture while they have constantly received external ideas. They have received many conflicting and contradictory ideas and phenomena and surprisingly, they blend them successfully into their own culture. For them, the series of impacts from other civilizations have dissolved each equivalent individual elements for their successive culture. It might be important to understand how they could adjust themselves to cultural impacts from outside. Modern Japanese design is a unique case created through the close relationship between industry and cultural traditions. Such a role of traditional values and an alliance between political decision and economic program in post war years show two-fold implications. Japan, the only capitalist country who could avoid the colonization in Asia shows important implication how her traditional culture could contribute to the industrialization, and how the could take advantage of the characteristics of traditional culture and divert into marketable items from the developing countries' point of view who have experienced hard time in adjusting their traditional value into industrializations or modernization. Secondly, in terms of the 'Pop' revolution in art and design which roots itself in mass consumption, design as a vital factor of pop-culture or a life-style is the triumphant in Japan. It is possible to say Japanese cooperations could realistically adapt the design strategy exploiting possibilities in various market and the promotion to strong 'life-style' orientation through extensive marketing programs.
기본도형 패턴과 테셀레이션 학습을 통한 어린이들의 인지능력 향상
채승진,전경민 한국기초조형학회 2011 기초조형학연구 Vol.12 No.5
본 연구는 기본도형패턴을 이용하여 어린이용 도형인지 학습모형을 개발하여 적용함으로써 어린이들의 인지능력 발달과 이에 따른 교육적 효과를 제시하는 내용으로 이루어져 있다. 기본도형과 도형패턴은 디자인 요소와 이의 조합 형태임과 동시에 도형과 도형패턴의 인지는 초등수학과정의 주요 내용이 되기도 한다. 따라서 기본도형패턴 인지훈련은 수학적 문제해결은 물론 조형이해와 창조적 표현을 통해 인지능력을 개선할 수 있는 유용한 방법이다. 본 연구는 국내·외 관련 연구와 문헌조사를 통해 수학교육과 기본도형패턴 연습이 인지능력에 미치는 영향과 인지능력이 창의성에 미치는 영향을 분석하였다. 이를 바탕으로 인지능력향상을 위해 기본도형패턴을 이용한 학습모형을 디자인 하였고 이를 응용 발전시켜 아이디어 생성능력향상을 위한 테셀레이션 학습모형을 개발 제안하였다. 이상의 학습모형의 평가를 위해 아동들을 대상으로 사용행태 조사와 소감을 정리하고, 수학교육 전문가와 인터뷰를 시행하여 기초적 검증을 시도하였으며 마지막으로 연구를 통해 수집된 자료를 바탕으로 차후 온라인 시스템의 적용 안을 제안하였다. The main contents of this study is to design learning models which have the educational effects of enhancing children's cognitions using basic figure patterns. The cognitive training using basic figure patterns can develop children's mathematical problem solving and creative expression and thus might be a useful method to enhance their cognitions. From literature review, we learned about the effects of mathematical education and basic figure pattern exercise on cognitive ability as well as cognition on creativity. We built two learning models; one for improving children's cognitions using basic figure patterns, the other for developing their creativities through tessellation. For evaluating these two learning models, tests for observing and assessing children's performances and interviews with mathematics education experts were carried out. Furthermore, based on the data collected from this study, we examined the applicabilities of these models to online environments.
채승진 韓國技術敎育大學校 1995 論文集 Vol.2 No.1
A style holds a mirror to its time. The distinctive stylistic characteristics and imaginary of an era reflects social, technological and political status. It has been found a certain artistic or design style would comply with a specific political situation in history. Especially in the visual style of public construction works has reflected the nation's political perspective. During the 1920s and 1930s. the conservative variant of architecture known as neoclassicism was warmly embraced by the dictators of Europe. With the rise of Mussolini in Italy, Hitler in Germany and Stalin in the soviet Union neoclassical building's abstracted monumentality was seen by totalitarians. In Korea a same phenomenon happened in the past 30 years. The public buildings such as the King Sejong auditorium, the National Art Gallery and other cultural centers follow the rigid-massive neoclassic style beloved by dictators. But at the same time a smooth - volumed style prevails in the private sectors. In the other hand, it ha been found that a society to be obsessed with speed and efficiency, with doing everything faster and with less effort however what politics has done. The least resistance of an objects in flow as the concept of streamlining has been favored in politics, as like economics, industry and design. Korea has experienced the economic miracle and political dictatorship during the 1960s and 1980s, and the era could be associated with the same visual styles those of neoclassicism and streamline in early 20th century in the western countries.