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      • KCI등재

        김종성 건축에서의 기술 개념에 관한 연구

        정인하,Jung, In-Ha 한국건축역사학회 2001 건축역사연구 Vol.10 No.2

        Jong Soung Kim is a rare architect in Korea who has consistently done research on the idea of the architectural technology for a long time. Therefore in order to understand Kimm's architecture, it is essential to examine his idea on the technology, which reveals the complicated relationship between divers architectural discourses. It is concerned with tectonics which was the most important theoretical movements in German architecture from the nineteenth century, the Mies van der Rohe's idea of the technology which provided the most powerful basis of modern architecture, Miesians' technological discourses which was at the height of prosperity in seventies in America, and High-tech architecture in eighties. Kimm's idea on the technology is defined as follow; 1) Kimm believe that although architecture begins in construction and materiality, it must culminate in artistic form. It's legacy of German tectonics. 2) He accepts Mies' three ideas on the technology. 'Architecture is the spatially apprehended will of the epoch.' 'Technology reveals the true nature of the will of the epoch.' 'We can attain a new beauty with the help of a new technology' 3) He takes a double attitude toward the idea on the technology of Mies followers. He accepts their architectural achievement according to technological progress, but criticize their technology-oriented attitude, deprived of spiritual enrichment. 4) Kimm's idea on the technology is distinguished from that of High-tech architect. The principal criteria exist in their different attitude toward the anonymity and the ethics of technology.

      • KCI등재

        1960년대 이후 등장한 건축적 담론들과 언어이론과의 상관관계에 관한 연구 -포스트 모더니즘, 해체주의 건축, '주름잡힌(folding)' 건축을 중심으로-

        정인하,Jung, In-Ha 한국건축역사학회 1999 건축역사연구 Vol.8 No.2

        Since 1960, the change of architectural trend was dominated by two factors ; the one, the introduction of theory of language (including semantic, syntactic, pragmatic, linguistic, semiotic, structuralism, post-structurism) in design concept, the other, the adaption of high technology in building construction. In particular, the theory of language played an important role in the emergence of new tendency, which could be the alternative of modern architecture. Post-modernism and Typology in the 1960-70s, Deconstructivism in the 1980s and 'Folding' architecture in the 1990s, have continually borrowed a theoretical base from the thee of language. Placing the focus on the relation of contemporary architecture and theory of language with the interdisciplinary view, this study comes to the conclusion that the diverse architectural tendencies since 1960 depend on the 'champ d'enonce', which Michel Foucault, French philosopher, defined in his <Archeology du savoir>. The writings of many architects, like Robert Venturi, Micheal Graves, Aldo Rossi, Peter Eisenman, Rem Koolhaas, Bernard Tschumi, Gerg Lynn demonstrate our conclusion. This is an important finding which make possible consistent understanding about contemporary architecture.

      • KCI등재

        김종성 건축과 IIT의 교육시스템과의 관계에 관한 연구

        정인하,Jung, In-Ha 한국건축역사학회 2001 건축역사연구 Vol.10 No.1

        This study tries to analyze the influence of IIT's educational system on the Jong Soung Kimm's Architecture. Architect Kimm was the first student in Korea who gained admission to the IIT and was directly learned from Mies van der Rohe. At IIT, he completed a university course from 1956 to 1961, and finished a degree of master under the direction of Professor Myron Goldsmith in 1964. After the graduation, he entered Mies's office and became the professeur of IIT from 1966 to 1978. In consideration with these facts, it is no exaggeration to say that Kimm's architecture was formed by the IIT's educational system and Mies's architectural principles. According to the synopsis of the 5-year curriculum 1944-45, the object of architectural work in IIT is the clarification of : 1)the structure as an architectural factor, its possibilities and limitations 2) space as an architectural problem 3) proportion as a means of architectural expression 4) the expression value of materials 5) the application of these principles by means of free creative work. Architect Kimm's works designed in Korea reflect well these objectives. But Kimm also knew well the problems of IIT's educational system. After the retirement of Mies, IIT's educational system had the tendency to overstress the technology of structure and simplify the complexity of Miesian architectural principles. In opposition to this tendency, architect Kimm continued to keep the spacial and formal subtlety which possess the Mies' original architecture. This shows very well the future direction of Kimm's architectural activities.

      • KCI등재

        미셀 푸코와 만프레도 타푸리의 역사이론 비교연구 -건축, 이데올로기, 권력의 계보학-

        정인하,Jung, In-Ha 한국건축역사학회 1999 건축역사연구 Vol.8 No.3

        This study tries to compare the architectural thought of Michel Foucault with that of Manfredo Tafuri in order to make clear the architectural identity as a social institution. In Michel Foucault's case, the archeology of discourse and the geneology of power were central method to understand the history of occidental society since the Renaissance. Four him, architecture is assumed as a mechanism of operation which make the power effectively radiate in th space. He thinks that a new discursive space was arranged since the 18th century in Europe, the architecture played a role to coordinate divers powers. Mafredo Tafuri, architetural historian, depends on the criticism of ideology in search of the relation between the economic system of capitalism and modern architecture and urbanism. He thinks that all architecture is an institution. And any attempt to overthrow the institution, is bound to see itself turned into a positive contribution and into an ideology, So all architectural attempts to conceal the contradiction of capitalism are negated. This different perspective on architecture exposes many points of dispute: historical periodization, disciplinary limit of architecture, understanding of Enlightenment architecture, utopia and heterotopia, etc.

      • KCI등재

        투시도법과 디지털 표현방식의 비교를 통한 비표상적 건축에 관한 연구

        정인하,Jung, In-Ha 한국건축역사학회 2003 건축역사연구 Vol.12 No.2

        After a digital modelling method has been introduced into architectural design in 1990s, a radical change was taken place in generating architectural form and space. Many architects have a view that digital modelling method is the most Important invention in the visual presentation since the moment that architect Philippo Brunelleschi experimented initially the linear perspective. Therefore, in this study, comparing between perspectiva artificialis and digital modelling method, we clarify 1) the relationship of architectural design and presentation method, 2) the practical and philosophical background inherent in digital modelling method which played key role in developing non-representational architecture, 3) and the principles of non-representational architecture like diagram, folding, and trace.

      • KCI등재

        절두산 성당의 장소성과 조형성 연구

        정인하,Jung, In-Ha 한국건축역사학회 2000 건축역사연구 Vol.9 No.1

        The Chapel and Exhibition hall of Chul-du-san-Holy place are considered as the most important work of architect Lee Hee-Tai (1925-1980), and as a work representing Korean architecture in 1960's. What is the reason that these buildings can acquire such a remarkable estimation? This study tries to make clear this reason with an analytic method. These buildings are situated in singular site, in which small mountain comes up alongside with Han-river. Architect laid out the Chapel and Exhibition hall to the memory of 108 saints who died for their faith in this mountain, considering the specificity of the site, the direction of approach stair, and the formation of public space. Architect proposes an opposed composition of form for these two buildings. So the Exhibition hall is characterized by trabeated structure, centripetal force and Apollonian order. It has strictly proportioned facade, which is composed of two 15m-by-l5m squares and subdivided equally in three portions. The Chapel is charaterized by arcuated structure, centrifugal force, and Dionysosian sentiment. In this work, architect Lee Hee-Tai also expressed the locality of Korean architecture with the grammar of column-roof.

      • SCOPUSKCI등재

        거품부상법을 이용한 코발트이온제거(I): 침전부상법

        정인하,박희성,문제선,임성팔,배기광,Jung, In Ha,Park, Hee Seoung,Moon, Je Sun,Yim, Sung Paal,Bae, Ki Kwang 한국공업화학회 1999 공업화학 Vol.10 No.1

        모의폐액으로 제조한 50 ppm의 코발트이온을 sodium lauryl sulfate의 계면활성제를 사용하여 침전부상법으로 제거하였다. 침전부상으로 코발트 이온을 제거하기 전에 35% $H_2O_2$를 모의폐액에 첨가하여 폐액의 전처리 과정을 도입하였다. 그 결과 최적 pH 및 처리후 잔존용액의 pH가 낮아졌고, 넓은 범위의 pH에서 높은 제거율을 나타내었다. 초기 코발트 이온농도, pH, 계면활성제 농도, 제거시간, 공급기체 유속, 외부이온 농도 등을 변수로 하여 실험한 결과, 초기 코발트 이온농도 50 ppm, pH 9.5, 공급기체 유속 70 mL/min, 제거시간 30분 등의 조건에서 99.8%의 제거율을 나타내었다. 침전물과 계면활성제의 흡착은 zeta potential 뿐만 아니라 침전물의 용해도 및 pH에 따라 변화하는 화학종과의 친화력과도 관계가 되는 것으로 추축되었다. 외부 이온으로서 $NO_3{^-}$, ${SO_4}^{-2}$, $Na^+$, $Ca^{+2}$를 첨가하여 그 영향을 관찰하였으며, ${SO_4}^{-2}$가 0.1 M 함유된 cobalt 용액을 침전부상법으로 처리한 결과 zeta potential의 감소 및 침전방해 등의 이유로 제거효율은 90%를 나타내었다. Simulated liquid waste containing 50 ppm cobalt ion was treated by precipitate flotation using the surfactant of sodium lauryl sulfate. The effects of initial cobalt ion concentration, pH, surfactant concentration, removal time, gas flow rate and foreign ions were estimated on removal efficiency. 35% $H_2O_2$ was added for pre-treatment stage before precipitate flotation. As the result of pre-treatment, optimum removal pH and the pH of treated water being discharged were lowed and optimum removal pH range was broadened. For the result of this experiment, 99.8% removal efficiency was obtained at the condition of 50ppm of initial cobalt ion concentration, pH 9.5, 70 mL/min of gas flow rate, and 30 min of removal time. Attraction between precipitate and surfactant was supposed to be influenced by solubility and chemical affinity among species in sloution as well as zeta potential. The influence of foreign ions such as, $NO_3{^-}$, ${SO_4}^{-2}$, $Na^+$, $Ca^{+2}$ on the removal efficiency was also observed. Removal efficiency by precipitate flotation containing 0.1 M of ${SO_4}^{-2}$ ion decreased to 90% due to the decrease of zeta potential and interruption of precipitation.

      • KCI등재
      • KCI등재

        다니엘 리베스킨트의 건축 공간 개념에 관한 현상학적 연구

        정인하,김홍수,Jung, In-Ha,Kim, Hong-Soo 한국건축역사학회 2002 건축역사연구 Vol.11 No.1

        The purpose of this study is to analyze the Daniel Libeskind' spatial concept in view of the Merleau-Ponty's Phenomenology. After the coming of postmodern architecture, the concept of space ceased to be discussed between architects. Instead a sign and a form were supposed as much more important subject to define architectural discipline. But after 1980, the new concept of architectural space was experimented by the architects like Frank Gehry, Peter Eisenman, Steven Hall, and Bernard Tschumi, which was clearly distinguished from modern spatial concept. By the Daniel Libeskind' architecture, this study are to make clear this tendency. For this, we accept as an important instrument Meleau-Ponty's phenomenology and the spatial concept of Minimalism, which stress the relationship of inter-subjectivity between space and human body. Consequently, Daniel Libeskind' spatial concept is characterized by fragmental, accidental, heterogeneous space by accidental events which is occurred by movement of human, which was indentified with Merleau-Ponty's spatial concept.

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