邵洵美 시에 대한 再評價

鄭雨光(정우광) 중국문화연구학회 2014 중국문화연구 Vol.0 No.25

The purpose of this study is to carefully revaluate the historical and aesthetic characteristics of Shao Xunmei’s 邵洵美(1906-1968) third collection of poetry Shi ershiwu shou 詩二十五首(Twenty-five Poems), especially focusing on his concern for harmonizing poetic contents with formal device. His enthusiasm for decadent imagination and technique of weaving highly symbolic seductive images became distinctly visible throughout the Twenty-five Poems. Generally speaking, Shao’s third collection of poetry is superior to his first and second collection of poetry in aesthetic value. In his “Self-preface 自序,” he attempts to suggest that poets should employ different forms for different inspiration―the form always being appropriate to the subject. Also he said poet’s mission is to evoke an object that suggests the meaning, not to explain an object concretely. Because the inspiration experienced by a poet is unique enough to match the faith in Christianity, the poet is reduced to the use of a complex and godlike symbolization in an effort to give expression. As a result of this, Shao’s aesthetic achievement is superb and has a special significance in that these poems reflect his study on the characteristics of decadent literature as being chinese avant-garde.

A Study on the Activation Strategy for Female Maritime Officers using AHP

정우리 한국항해항만학회 2014 한국항해항만학회지 Vol.38 No.1

As the ratio of women's socioeconomic participation expanded, this phenomenon appeared maritime industry. The advent of female seafarers will be the solution for the shortage of seafarer as well as for women's employment instability all over the world. This paper analyzed the state of present female maritime officers and suggested the activation strategy which preliminary female officers advised by AHP and STOW analysis. This paper finds to strengthen their superior aspects like professional knowledge, practical ability, job performance, improve the education system by gender, strengthen the career path and transform the policy for them by sensitively external changes by government and education institutions.

육상제어센터 성능시험결과 및 개선방안

정우리,노화섭,임정빈 한국항해항만학회 2023 한국항해항만학회 학술대회논문집 Vol.2023 No.2

자율운항선박 원격제어시스템은 선박운항상태모니터링시스템, 통신시스템, 선박제어시스템으로 구성되어 있다. 육상제어센터는 자 율운항선박의 원활한 원격제어를 위해 각 개별시스템의 통합절차를 거쳐 육상제어센터의 통합시스템을 구축하였다. 이에 본 연구에서는 원 격제어 실선실험을 통해 작동성능시험, 제어성능시험, 조종성능시험 등 3종 성능평가를 시행, 원격제어시스템을 평가하고자 한다. 이중에서 일부 성능평가를 시행하여 식별된 문제점과 이를 해결하기 위한 방안을 제시, 향후 진행되는 추가성능시험을 통해 원격제어시스템의 안정성 을 확보하고자 한다.

선내 모니터링 서버스 내 내항성 안전지수 개발에 관한 연구

정우리,박준범,문성배 한국항해항만학회 2017 한국항해항만학회 학술대회논문집 Vol.2017 No.춘계

七月詩派의 流派적 範疇와 系譜性에 대한 小考

鄭雨光(정우광) 중국문화연구학회 2012 중국문화연구 Vol.0 No.21

The purpose of this study is to illustrate the July Poetry Society’s category, especially focusing on its poetic genealogical tree during the War against Japan and the Civil War. The first step in mobilizing poets to support the anti-Japanese literary trend was taken in September 1932 with the poets of the Chinese Poetry Association 中國詩歌會. The sympathy on Chinese sufferings let many Chinese poets advocate a proletarian-oriented poetry before the advent of the Chinese Poetry Association. But the poets of the League of Left-wing were significantly full of adolescent fantasies for the proletarian revolution. As a result of this, their poetic language and imagery remain curiously abstract, formulaic, and propagandistic. These poems are failure to stir the feelings of others, because they are vacant in content and low-grade in style. Even though the poets of the July Poetry Society received the influence of both poets of the League of Left-wing and the Chinese Poetry Association, their poems were sincere and good enough to show personal point of view with portraying the simple people’s living hardship under the years of the Anti-Japanese Resistance (1937-1945). Part Two examines three major poets, such as Zang Kejia 臧克家(1905-2004), Tian Jian 田間(1916-1985), and Ai Qing 艾靑(1910-1996) and their poetic influence on the birth of the July Poetry Society. But these three poets are excluded from the members of the July Poetry Society in this research. Part Three analyzes the poetry series and magazines published by the July Poetry Society, especially focusing on Hu Feng 胡風(1902-1985). In Part Four, the re-illumination of the poets of the July Poetry Society in the early 1980s was the result of long and painstaking adventure that Chinese poets had been finding a high ideal of being the model poetry of realism, quote unquote, “the convergence of poet’s personal feelings and national spirit.”

AHP를 적용한 자율운항선박 6종 서비스 GUI 평가에 관한 연구

정우리,문성배,최원진 한국항해항만학회 2024 한국항해항만학회 학술대회논문집 Vol.2024 No.5

湖畔詩派 汪靜之 시의 근대성 연구

鄭雨光(정우광) 중국문화연구학회 2015 중국문화연구 Vol.0 No.27

The purpose of this study is to revaluate Wang Jingzhi’s 汪靜之(1902-1996) representative love poems, especially focusing on his concern for the free, the romantic, and the western style love. His love poetry, inspired by the tide of the May 4th Movement that asserted the ideological emancipation and anti-feudalistic society, broke away from the restraints of traditional custom between man and women and came to literary prosperity. His poetry was one of the most effective means to head toward Chinese modernity, since he found out Chinese equivalent for Western romantic love affairs and developed the private self with modern individual sensitiveness in his many touching and brokenhearted love poems. This study also tries to find the distinctions of love poems between traditional and modern society, and summarize the causes through the analysis of the aspects of two cultures, women social status, and different aesthetic tastes. Wang Jingzhi’s love poetry of the 1920s was based on the awareness of the relativism between subject(self) and object(loving partner). At the same time, this poetry was characterized by its superb tendency to present sense impression of love affairs as well as experiencing sensual poetic sentiment. Therefore, it wasn’t until Wang Jingzhi’s arrival that modern Chinese poetry began in earnest to have the genre of love poem in its fullest sense.

자율운항선박 원격제어시스템 실증결과

정우리,임정빈 한국항해항만학회 2022 한국항해항만학회 학술대회논문집 Vol.2022 No.2

자율운항선박 원격제어시스템의 실증을 위하여 원격제어시스템 실증방법을 고안하였으며, 이는 크게, 원격추종테스트, 원격제어테스트, 원격조종테스트 세 가지 방법으로 구분하였다. 본 연구에서는 원격제어시스템 실증을 위하여 실습선 한나라호와 육상제어센터 내 원격제어시스템을 통신네트워크(LTE, VSAT)을 통해 테스트하였다. 실습선을 활용하여 연안항해(부산-여수-부산) 중 안전수역(다도해 해상국립공원 부근)에서 10°/10° 지그재그 및 20/°20° 지그재그 테스트를 시행하였다. 실증 결과에 따라 원격제어시스템 내 핵심모듈의 부분적 문제점을 식별하여 이를 해결하기 위한 방안을 제시하였다.

울산항 제1항로 및 제5항로 분기점 관제방안에 관한 연구

정우리,김세원,김종관 해양환경안전학회 2015 해양환경안전학회 학술발표대회 논문집 Vol.2015 No.11

艾靑 후기 詩의 정치 서정시적 특질과 강점 연구

鄭雨光(정우광) 중국문화연구학회 2010 중국문화연구 Vol.0 No.17

The purpose of this study is to illustrate Ai Qing's poems after the year 1949, especially focusing on his political lyrics that cover almost half the existing two hundred seventy nine poems. In this period Ai Qing establishes a poetic trend that is different from the poems written before the year 1949. This trend toward political motivation has already appeared in his poems around the years of his stay at Yanan 延安 (1941-45). These poems are a full of his egoistic feelings to the White Terror, eulogies to the leaders of Chinese Communist and New Communist China, and abstract idealism for the proletariat. written in the style of a folk song. These poems are failure to stir the feelings of others, because they are vacant in content and low-grade in style. Among the poems after the year 1949, the short lyrics, containing diverse feelings of life's philosophy, are worth while paying our attention. These poems are sincere and good enough to show his sense of the in-depth imagination and the ability to associate imagery. Things that are difficult to grasp, vague, and elusive, are presenting clearly before the reader in these poems. Even though they are not many in quantity, they can be considered as being representative of his poems after the year 1949.