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치마$cdot$저고리의 톤 온 톤 배색에 대한 이미지 지각
강경자,정복남,정수진,Kang Kyung-Ja,Jeong Bok-Nam,Jeong Su-Jin 한국의상디자인학회 2005 한국의상디자인학회지 Vol.7 No.2
The purpose of this research was to investigate the impression dimension and to elucidate the image perception depending on the tone of the Korean jacket and Korean skirt using the tone-on-tone coloration. As stimulators, the became same color by making the skirt and jacket red, yellow, and green at the same time. After the skirt and jacket became four kinds of tones, vivid, light, dull, and dark by altering value and fuing chroma in the assembled color, these tone-on-tone coloration stimulators $48(3\times4\times4)$ were used for the investigation of this study. Impression factor of the stimulus consisted of the 5 different dimensions(youthfulness and activity, attractiveness, gracefulness, concentration of attention, tenderness). Among these factors, youthfulness and activity, attractiveness were proved to be more important. In the tone-on-tone coloration of a Korean skirt and a Korean jacket, each dimensional image was affected by the character of color, also the evaluation of countenance showed the meaningful difference depending on tone. Thus, we can comprehend that the influence of tone as well as color affects the evaluation of an image.
박윤미(Yoon Mee Park),정복남(Bok Nam Jeong) 한국복식학회 2001 服飾 Vol.51 No.7
This is a research about the fabrics attached to the remains of the Okjeon old tomb which was built around the early 5th century to the mid of the 6th century. Most of the remains have one kind of fabric attached to them, but there are cases where different sorts of fabrics are attached, where one kind is attached in layers, and there are also cases where the layer is made of different types of fabrics. Although they are made of warps and wefts with no twists, there can be an S twist on the weft or on both the warp and weft, and only one Z twist can be seen. There are 81 fabrics of plain weaved, one of transformed plain weaved and five 4-end complex gauze in these remains. The sparsest plain weaved fabric has the density of 7.4 strands/cm, while the most dense fabric has the density of 148.2x129.1 strands/cm and 0.046x0.061/mm thickness in thread. All the fabrics observed by SEM are hemp except one silk.
김주애(Ju Ae Kim),임지영(Ji Young Lim),정복남(Bok Nam Jung),장정아(Jeong Ah Jang) 한국디자인문화학회 2008 한국디자인문화학회지 Vol.14 No.4
The study aims to examine how social and cultural backgrounds affected jewelry amid changes, relationships between costume and jewelry and the chronological characteristics of jewelry in the era of Arts Nouveau and Art Deco. In the Age of Art Nouveau, like clothes, jewelry had pastel shades using plique-a-jour or guilloche patterns, which was affected by Impressionism. As importance was given to color rather than jewelry itself, semi precious stones such as platinum were often used, but pearl and diamond spread widely to the middle class due to pearl culture and mine discovery in South Africa. In this age, garland style jewelry was especially in harmony with clothes of light material, and all-white Edwardian jewelry was popular as well. In line with Bouffanted hair and big hats, decorated hair pins and combs developed. In the Age of Art Deco, jewelry showed sleek line in strong color contrast with stylized geometric form, which was affected by Cubism and Bauhaus. During wars, people used silver or other cheap metals a lot instead of platinum. Costume jewelry became popular due to bakelite development and exoticism. In this Age, as styles change to little crochet caps and short hair style, long earrings and sports jewelry with an increase in sports activities became popular. As people enjoy wearing slim clothes without pockets, handbags decorated with jewelry became an important item. Affected by Great Depression, a bold size and color of jewelry was popular, and multi-function jewelry was used a lot. With a change in women` lifestyle, new style jewelry appeared, representing that in the Age of Art Deco, functions were more stressed than in the previous years.
서부경남지방의 전통혼례에 관한 민속학적 연구 : 1920~1950년대를 중심으로
정복남 服飾文化學會 2000 服飾文化硏究 Vol.8 No.6
The purpose of this study is to understand the culture on the Traditional Wedding of the West Gyeong Nam District. The traditional wedding was characterized that the bridegroom visited his bride's house accompanied by his honored guests(上客) and the marriage ceremony was to be held in day time, and then the bridegroom became a son-in-law and stayed with the family for a few days. The bridegroom returned to his home, leaving his bride behind. After a certain period, the bride came to her husband's home as a daughter-in-law. The Traditional Wedding costumes of the bridegroom were Samo-Gwandae. The coat (outside uniform) was blue Danryeong ornamented with two cranes figured Hyoong-Bae and Heuckgackdae. In case Samo-Gwandae was not available, Dopo or Durumakie could be substituted and they put on shoes in this case. A bridegroom put on Mokhwa on his feet and under the Samo, and he also put on Nambawie or Bokguen. He put on Dopo or Haeng-eui(行衣) or Durumaki under the blue Danryeong. The bride put on Wonsam and Chokduri or Hwagwan on her hair. In case Wonsam was not available, Chima Jogori style or imitational Wonsam, which was roughly sewed with red cloth and blue cloth contained in the Honsuham (Box of wedding treasure), could be substituted. She put on Hyang-guen to protect her body against the coldness and to hide her face.