여의도산책 - 광고천하의 유감스러운 소문들

임지희,Im, Ji-Hui 대한석유협회 2001 석유와 에너지 Vol.2001 No.9

1980년대 초기 노동연극 연구 - 민주노동조합에서로 만들어진 작품을 대상으로

임지희 한국극예술학회 2012 한국극예술연구 Vol.0 No.35

Madanggeok (a play in a court) is a type of a play that deals with all sorts of social problems. It can be said that popular aspiration is incorporated in Madanggeok to establish democratic government, social equality, and the core of culture. Madanggeok having a subject matter of labor has been spread since late 1970s. This is why a labor movement is an important part of social movements. This writing deals with labor plays created by the Democratic Labor Union. In 1970s Jeon Taeil's burning himself to death led to form the Democratic Labor Union and awaken laborers lively. The Democratic Labor Union organized small groups to control them. One of them was a group of a masque dance. This group made plays to make use of social passages. Workers began to try to find their identities through the plays created by the Democratic Labor Union. Those who were despised at that time hoped to promote their social rank and live in state as laborers. Also, they started to insist their rights, which were to improve their serious working environments and get paid for their labors. Finally workers realized that they were deprived by ruling class. The plays created by the Democratic Labor Union have criticized the ruling class picking structures of the masque dance. The masque dance uses a way of making a caricature to disclose the faults of ruling class like Yangban to the public. Besides Maldduk appears criticizing the ruling class to get laborers' resistance consciousness together. The plays created by the Democratic Labor Union include the desire of workers' resistance will power and building new society. 이 글은 80년대 초기 민주노동조합에서 창작되어진 노동연극을 다루고 있다. 70년대 전태일의 분신자살은 민주노동조합 결성의 계기점이 되었다. 민주노조에서는 소모임을 만들어 조직 활동을 하는데 그 중의 하나가 탈춤반이다. 탈춤반에서는 연극을 사회적 통로로 활용하였다. 즉 연극을 통하여 노동자들의 정체성을 찾고 자신들의 권리를 주장하기 시작한다. 80년대 민주노조에서 창작된 연극에서는 당대 노동자들의 당면 과제라고 할 수 있던 정당한 노동의 대가와 열악한 공장 환경개선에 대한 이야기를 많이 하고 있다. 민주노조에서 만들어진 연극에서는 전통극을 극에 적극적으로 수용하여 지배계급을 비판하고 있다. 탈춤에서의 양반처럼 지배계급이 스스로 결함을 폭로하는 희화화 방법을 사용한다. 또한 말뚝이를 등장시켜 직접적으로 지배계급을 비판하고 노동자들의 저항의식을 모은다. 민주노조에서 만들어진 연극은 노동자들의 저항의지와 새로운 사회건설의 열망을 담고 있다.

순간변위시험(slug test)시 연직차수벽의 현장투수계수를 산정하기 위한 형상계수 연구

임지희,최항석,이동섭,윙테바오 한국지반공학회 2011 한국지반공학회논문집 Vol.27 No.10

지금까지 순간 변위시험(slug test)를 이용해 연직차수벽의 현장투수계수를 평가할 수 있는 이론해는 제시된 바가 없다. 최근 부분 관입된 우물(well)형상에 적용 가능한 이론해에 관한 연구가 발표되었으나, 이는 무한 경계조건인 대수층에만 국한되고 좁은 벽체형상의 연직차수벽의 경계 조건에는 그대로 적용될 수 없다. 이러한 연직차수벽 경계 조건을 고려하기 위해, 본 연구에서는 가상 우물법(method of imaginary well)을 도입하여 기존 이론해를 수정하였다. 연직차수벽의 경계조건은 기존 문헌에서 제시한 두 가지 조건을 적용하였다. 첫 번째 경계조건은 연직차수벽 경계에 일정 수두 조건을 적용하고, 두 번째는 경계면에 불투수 경계조건을 적용하였다. 본 논문에서는 연직차수벽의 현장투수계수를 평가할 수 있도록 각 경계조건에 대하여 정상 상태 조건에 대한 일반적인 형상계수를 제시하였다. 첫 번째 경계조건의 경우, 연직차수벽의 투수계수가 연직차수벽이 존재하지 않는 대수층 조건보다 크게 평가되었으며, 두 번째 방법의 경우는 더 작게 평가되었다. 본 연구에서 제시한 수정 이론해를 통해 얻어진 투수계수는 경험식을 바탕으로 무한 대수층에 적용하기 위해 제안된 Bouwer and Rice 방법을 보정하여 다양한 연직차수벽 경계조건에 대해 실제 현장투수계수가 Bouwer and Rice 방법에 의한 결과 보다 1.2~1.7배 큼을 확인하였다. 또한, 연직차수벽 뒷채움재의 압축성을 고려한 기존 해석결과와 비교로부터, 본 논문에서 제시한 이론해는 뒷채움재가 비압축성에 상응하는 값을 제시하는 것을 확인할 수 있었다.

노동극 <선봉에 서서> 연구

임지희 한국극예술학회 2012 한국극예술연구 Vol.0 No.38

‘Be in the vanguard' has a special significance in the point that it is the first labor play the specialty court play team performed. It can be said that 'Be in the vanguard' is a staple product of understanding of the change and growth in the court plays that they have performed. It is reflected in this play that laborers never surrender to any oppression and even are dignified like them in previous court plays dealt with subject matters of labor. Also it assumes a new aspect that moreover workers have political points of view like historical recognition and social reform. Through presenting this advanced form of laborers it shows an optimistic view of social change by workers fighting jointly. It can bear a construction that the viewpoint of social reform in this play is reflected Cheonjiyeon members' propensity. At that time the play members had a disposition to advocate a people´s democracy. It was reflected in this play. It can be called that dramaturgie shows much more refined aspect as well. It can be an example that a debate scene was used to settle a corollary of fighting logically and using songs broadly animated the atmosphere of the play. Besides the characters of workers were material as a group in former plays but on the other the characters in this play were individualization. The individualization of characters plays an important role to reinforce laborers' reality following after their routine. As a result the work ‘Be in the vanguard' can be in a position to provide a new aesthetic trend to labor plays in both side of contents and forms. <선봉에 서서>는 마당극 전문극단에서 공연한 최초의 노동소재의 연극이라는 점에서 의미를 지닌다. <선봉에 서서>는 극단 '천지연'이 가졌던 노동연극의 변화, 발전의 필요성에 대한 인식의 산물이라고 할 수 있다. 이 연극에서는 이전 노동소재 마당극의 노동자상 즉 어떤 억압에도 굴하지 않는 당당한 노동자상을 반영하면서도 역사적 인식과 사회변혁의 정치적 관점을 가지는 노동자로 발전된 모습을 보여준다. 이 연극은 이렇게 발전된 노동자상을 제시하면서 노동자들의 연대투쟁을 통한 사회변혁의 낙관적 전망을 제시하고 있다. 드라마투르기에서도 한층 세련된 면모를 보여준다고 할 수 있다. 토론의 장면화를 통하여 투쟁의 당위성을 논리적으로 해결하려 했던 점이나 노래사용을 확대하여 극의 분위기를 살려나갔던 점 등이 그 예라고 할 수 있다. 또한 이전의 연극에서는 노동자들의 인물군을 집단적으로 유형화하여 등장시켰다면 이 연극에서는 노동자들을 개별화하고 있다. 등장인물의 개별화는 노동자들의 일상성을 추구하면서 노동자들의 리얼리티를 강화시켜 나가는데 큰 역할을 하게 된다. 이처럼 <선봉에 서서>는 내용적인 면이나 형식적인 면에서 노동연극에 새로운 미학적 경향을 제공했던 작품이라고 할 수 있다.

1910년대 근대적 배우 개념의 형성 과정 연구

임지희 한국어문학회 2004 語文學 Vol.0 No.86

In the early stage of 1910's a Korean new school play was taken form like the one of Japanese as the pre-model. Nevertheless the spectators had good experiences to watch the western play through the new school play, and their thoughts of the play were changed. Those who experienced the new school play had the general idea of the play script in the western play. Also the conception of the player was resulted in the change. It was shaped that the modern conception of the player - the player's role was that the player expressed an imaginary character of the drama into the one in a reality through the drama based on a text of a play. This variation in the conception of the player brought on the reduction of the phase of the classical player. The classical players were recognized that they showed only their skill. They groped various ways to get over this crisis. These were charity performances, new school plays, and joint stages by new school players and classical players. They succeeded to improve their images more or less playing charity performances. But the classical players learned the new school play in a short time and putting the play on the stage was beyond their abilities. Even the classical players from kisaeng's house tried to look for new ways taking a Korean classical opera, they were looked away eventually from onlookers. In spite of their effort they were pushed out. This was why proprietors ran indoor playhouses and they fixed up the plays for spectators' fondness. Those who already watched new school plays having plots didn't recognize the classical plays as plays any more. Those were only broken pieces. The classical players were strongly conscious that they were not players any more but showed onlookers their skill more and more. Therefore the classical players and new school players came to a rupture deeply. The Actors within a classical play were described as very creative and independent. Their characterizations of the author's creations exhibited a much more coherent sense of autonomy and flow than what the author strictly wrote. In contemporary plays, however, the characters are formed not only by the actors' interpretations, but they are also strongly influenced by the director's planning and producing. In other words, a contemporary production's success is dependent not only on the independent performances of each actor, but also on mutual cooperation. The acting of a play is an active factor in constructing a play. Audience members who are familiar with new-school plays are able to recognize the difference between new-school and classical plays.

고로슬래그미분말의 치환율 변화에 따른 굳지않은 모르타르의 레올로지 특성 검토

임지희,이건철 한국건축시공학회 2014 한국건축시공학회지 Vol.14 No.4

본 연구에서는 고로슬래그미분말의 분말도 종류 및 치환291율이 시멘트 페이스트 및 모르타르에 미치는 영향에 대하여검토하였다. 그 결과는 다음과 같다. 전반적으로 BS1 및BS2의 경우 치환율이 증가함에 따라 항복치도 증가하는경향을 보였다. 반면, BS 3의 경우 치환율이 증가함에 따라전단응력이 감소하며 항복치도 감소하는 경향을 나타 내었다. 위 실험 결과를 참조하여 고로슬래그미분말을 사용한현장배합 설계 시 유동성 파악의 기초적 자료로 참고할 수있을 것으로 판단된다. Partial replacement of cement with blast furnace slag has many advantages such as the reduction of construction fee,the decrease of hydration heat and the increase of long-term strength. Hence, slag is widely used in practice. Thisstudy investigates the effect of slag on the rheological properties of cement paste and mortar. Three different types ofslag (BS1, BS2 and BS3) with five different contents (0, 20, 40, 60 and 80 wt.%) were used to replace the cement. Eachtype of slag has different fineness. Water to binder ratio was 0.5. Test results showed that the partial replacement ofBS1 and BS2 decreased flow and increased O-lot flow time, whereas that of BS3 caused an opposite effect, i.e.,increased flow and decreased O-lot flow time. It was found that there was a good corelation between the values ofyield stress and flow.

벤토나이트 케익을 고려한 연직차수벽의 순간변위시험(slug test) 해석

임지희,웽테바오,이동섭,안재윤,최항석 한국지반공학회 2013 한국지반공학회논문집 Vol.29 No.6

Slug tests can be adopted to estimate hydraulic conductivity of the slurry trench wall backfill for its abilities to reflect the in-situ performance of the construction. A comprehensive three-dimensional numerical model is developed to simulate the slug test in a slurry trench wall considering the presence of bentonite cake on the interface boundaries between the wall and the surrounding soil formation. Influential factors such as wall width (i.e., proximity of wall boundary), well deviation, vertical position of well intake section, compressibility of wall backfill, etc. are taken into account in the model. A series of simulation results are examined to evaluate the bentonite cake effect in analyzing practical slug test results in the slurry trench wall. The results show that the modified line-fitting method can be used without any correction factor for the slug test in the slurry trench wall with the presence of bentonite cake. A case study is reanalyzed with the assumption of existing bentonite cake. The results are compared with the previously reported results by the approaches assuming no bentonite cake (constant-head boundary) or upper-bound solution (no-flux boundary). The case study demonstrates the bentonite cake effect and the validity of the modified line-fitting method in the estimation of the hydraulic conductivity of the slurry wall backfill.

연직차수벽의 비정상 지하수 흐름에 대한 이론해 : 순간변위시험(slug test) 적용과 투수계수 산정

임지희,이동섭,웽테바오,최항석 한국지반공학회 2012 한국지반공학회논문집 Vol.28 No.11

No analytical solution exists for evaluating in-situ hydraulic conductivity of vertical cutoff walls by analyzing slug test results with consideration of transient flow. There is an analytical solution proposed to interpret a slug test performed in a partially penetrated well within an aquifer. However, this analytical solution cannot be directly applied to the cutoff wall because the solution has been developed exclusively for an infinite aquifer instead of a narrow cutoff wall. To consider the cutoff wall boundary conditions (i.e, constant head boundary and no flux boundary condition), the analytical solution has been modified in this study to take into account the narrow boundaries by introducing the imaginary well theory. Type curves are constructed from the currently derived analytical solution and compared with those of a partially penetrated well within an aquifer. The constant head boundary condition provides faster hydraulic head recovery curve than the aquifer case. On the other hand, no flux boundary condition leads to slower hydraulic head recovery. The bigger the shape factor and deviation of the well and the smaller the width of the vertical cutoff wall are, the more effect of boundary condition was observed. The type curves obtained from the analytical solution for a cutoff wall are similar to those made by the numerical method in the literature.

<동일방직 문제를 해결하라> 연구

임지희 한국극예술학회 2010 한국극예술연구 Vol.0 No.32

“Settle Dongil textile company’s affairs” performed by its fired laborers in 1978, represents a democratic labor againstthedictatorial military government. It is believed to be “first for a labor movement.” “Settle Dongil textile company’s affairs.” Laborers fired by Dongil textile company was treated unfairly, but naturally the case was covered up by suppression of the press acted by the dictatorial military government in those days. As fired laborers had been trying to tell the public their unfair treatment in the most effective way, they chose the play. The play initially focused on disclosing the social contradiction done by the ruling class. They used dramatic devices of “the role exchange”, “chorus” and “narrator” to reveal a clever oppression against laborers by the ruling class. These dramatic devices gave an audience the exact understanding of the ruling class. The exposure to the contradiction done by the ruling class caused the same sense with audiences. This same sense aimed for the union of laborers and audiences. Laborers’ unified will was expressed in the state of a struggle against hostile contradiction. This playisfullofinthatlaborersthemselvesleadafieldlabormovementthrough situational truth of “Madang play” which represents the feelings of the public. Laborers, who had been onlookers in the play, strived to deal with the current affairs with the public through a affirmative play. “Settle Dongil textile company’s affairs” is significant in that it is the first play of all the play for a labor movement. <동일방직 문제를 해결하라>는 1970년대의 민주노조 투쟁사례인 동일방직 사건을 다룬 연극이다. 이 연극은 동일방직 해고 노동자가 주체가 되어 만든 최초의 노동극이라고 할 수 있다. 1970년대는 언론이 억압받던 시기였기 때문에 동일방직 해고 노동자들이 부당하게 겪은 사건은 사회적으로 은폐되어 있었다. 동일방직 해고 노동자들은 자신들이 겪은 부당한 사건을 많은 사람들에게 알리려고 노력하였고, 가장 효과적인 방법으로 연극을 선택하였다. <동일방직 문제를 해결하라>는 관객들이 지배계급의 사회적 모순을 폭로하는데 일차적인 초점을 맞추고 있다. 이 연극은 긍정적인 인물로 노동자계급을 상정하고 부정적인 인물군으로 지배계급을 상정하고 있다. 지배계급은 한국 전통극의 풍자와 희화화의 방식을 사용하여 그들의 허위의식과 모순을 비판하고 있다. 또한 지배계급이 교묘하게 노동자들을 억압한다는 것을 폭로하는 극적 장치는 역할바꾸기, 코러스, 해설자이다. 이는 관객들에게 지배계급의 실체를 정확하게 인식시키는 기능을 한다. 지배계급이 지닌 모순에 대한 폭로는 관객들과의 공유의식을 불러일으키고 있다. 이러한 공유의식은 노동자들 스스로의 단합과 더불어 관객들과의 단합에 지향점을 두고 있다. 노동자들의 단합된 의지는 사회적 모순에 대한 투쟁의지로 나타나게 되는 것이다. 이 연극은 노동자들 스스로가 연극의 주체가 되어 마당극정신인 상황적 진실성을 통하여 현장적 운동성을 담보해 나갔다는 점에서 많은 시사점을 제시한다. 그것은 연극의 객체였던 노동자들이 스스로 주체가 되어 당면한 문제를 민중들과 함께 고민하려고 하였으며 건강한 연극을 통하여 새로운 방향을 찾아나가려고 했다는 점이다. 또한 이후 공연된 노동극의 전사(前史)적 성격을 지닌 작품이라는 점에서 중요한 의미를 지닌다고 할 수 있다.

IPTV서비스를 위한 하이브리드 맞춤 추천

임지희,김은주,장두성 한국정보통신설비학회 2018 한국정보통신설비학회 학술대회 Vol.2018 No.08

In order to efficiently provide various media contents of IPTV to users, we proposed ‘hybrid personalized media contents curation system’ through the various processing steps for organizing the media contents. In addition, The proposed methodology has five processing steps : content modeling module, log analysis based user profile generation module, candidate set generation module for organizing the media contents, post-processing modules such as ranking/filtering. Finally, to demonstrate the effectiveness of this system, we conducted a quantitative evaluation such as ‘watch ratio analysis’. The proposed method shows up to 3 times higher page view count as compared with baseline models.