“새로운 캐릭터 문화산업 만들기”: 『위니 더 푸우』와 『푸우 코너에 있는 집』

이충수 ( Choong Soo Lee ) 한국영미문화학회 2017 영미문화 Vol.17 No.3

The writer who created Winnie-the-Pooh and The House at Pooh Corner was Alan Alexander Milne. The characters occupy an important place to share in the form of culture of people. The characters are now being created and disappearing repeatedly. However, the character that started as a fairy tale from the time of childhood is a character that recalls the nostalgia with the memories of childhood even after becoming an adult. We understand the character of the Disney company which has the most loved and fans in the world and try to find a way to share literature and culture by trying to create a new character culture industry in literature. The characters in Winnie-the-Pooh are used in various fields such as animation, clothing, stationery, toys and publishing. Character culture industry is an industry that uses characters to fuse with culture. The character culture industry is expanding into all areas of life because it is extended to all areas where emotion is applicable as well as animation, games, cartoons and fancy. Characters are effective in reminding images in publications, visual media, corporations, organizations, organizations, sports clubs, and increasing visibility of product images. Winnie the Pooh is the first appearance. A bear doll brought by Christopher Robin is not an animal. In fairy tales, animals usually appear personified. However, here, bear dolls are personified and appear as heroes. In countries such as the United States, Japan, and Europe, the character culture is developed constantly through character development, character image, and continuous management to develop brand character. In order to revitalize the cultural industry, it is urgent to cultivate professional manpower such as scenario writer and character designer. It is necessary to create a unique atmosphere in which we can create a new culture industry with the world`s culture by moving away from the cultural industry centered on Japan and Disney. It is difficult for any one person to make efforts to raise and maintain the character brand value. Therefore, a foundation should be laid for a cultural enterprise with strong capital and technical power with systematic and comprehensive management capability. We should not hesitate to make animations to animate the images by applying letters and pictures that are embedded in the works in order to make the arts, plants, and characters in the fairy tale into a cultural industry and personify them for the times.

『피터 래빗 이야기』에 나타난 보완적인 그림책의 특징

이충수 ( Choong Soo Lee ) 한국현대영어영문학회 2014 현대영어영문학 Vol.58 No.2

The purpose of this paper is to analyze characteristics of the complementary picturebook in The Tale of Peter Rabbit. Since the birth of modern picturebook in the end of the 19th century, one of the outstanding writers and picturebook painters was Beatrix Potter. Her picturebook is a prototype of picturebook format. By studying from an old story and the interplay between text and picture, we can understand a tension between text and picture and resolve the discrepancy. There are the differences of the classification of the picturebook shape and the picturebook concept. We must distinguish picture books from illustrated books. The majority of picturebook can be labeled symmetrical, consonant, or complementary picturebook. The characteristics of the picturebook in The Tale of Peter Rabbit of Beatrix Potter are complementary works, forms of an old story, educational factors, animal characters, objective pictures or subjective pictures. (Hannam University)

동물신랑 동화에 나타난 사랑의 대상과 욕망: 『개구리 왕』과『미녀와 야수』중심으로

이충수 ( Choong Soo Lee ) 한국현대영어영문학회 2015 현대영어영문학 Vol.59 No.2

This paper aims to analyze the object and the desire of love in The Frog King and Beauty and the Beast through the psychoanalyses of Jacques Lacan reinterpreted from Sigmund Freud’s interpretation. The Frog King and Beauty and the Beast are the animal bridegroom tales. Animal and monster in the Western fairy tale met a beauty and married her. The story has been passed down over the year 2000 and has been distributed all over the world. Oedipus complex and the castration complex become ‘the Imaginary’ and ‘the Symbolic’ and are connected with the desire both dialectical still remains. The subject believes his desire is dependent on the penis. The child believes that the phallic stage is metaphor and symbol of the moment, he knows that it is fictional. and he steps back as a lure because the desire for ‘the Real’ is a metonymy. (Hannam University)

영어 고전동화와 한국 전래동화에 나타난 숫자 3의 의미

이충수 ( Choong Soo Lee ) 한국현대영어영문학회 2008 현대영어영문학 Vol.52 No.4

『아기돼지 삼형제』 다시 쓰기

이충수 ( Lee Choong-soo ) 대한영어영문학회 2010 영어영문학연구 Vol.36 No.4

This paper aims to find the differences such as its newly added contents, narrative structures, and general characteristics between the various versions of The Three Little Pigs. It also tries to observe the elements of parody in The Three Little Pigs and The Wolf and The Seven Little Kids. Joseph Jacobs collected The Three Little Pigs in English Fairy Tales in 1890. This fairy tale is one of the best known among children worldwide. There are many different versions. For example, there is The True Story of The 3 Little Pigs written by Jon Scieszka; The Three Little Pigs written by Roald Dahl: The Three Little Wolves and The Bad Pig written by Eugene Trivizas: The Wolf and The Seven Little Kids written by the Brothers Grimm; The Three Little Pigs written by Joseph Jacobs, as well as The Three Little Pigs written by Andrew Lang. Jacobs’ work is characterized vulgarism in the mouths of common people and presented as a traditional story. Lang’s one is characterized as a lesson for children. Scieszka’s one is an interesting story written from the perspective of the wolf. Trivizas’ fairy tale provides various interesting themes to readers. Through these we see the differences, the commonalities, the subversion and new possibilities for an interpretation of the traditional English fairy tale. (Hannam University)

동화에 나타난 삼킴의 의미 분석: 『빨간 모자』, 『아기돼지 삼형제』, 『헨젤과 그레텔』

이충수 ( Lee Choong-soo ) 대한영어영문학회 2014 영어영문학연구 Vol.40 No.1

This paper aims to find the meaning of ‘being swallowed’ in fairy tales. The notion of ‘being swallowed’ is not only found in fairy tales but also in ancient myths. In 1697, two different stories give examples of mother-in-laws being swallowed by animals. In Red Cap written by Perrault; the grandmother and the girl were swallowed by a wolf. Another example is found in the Grimm’s fairy tale, In The Three Little Pigs, Two little pigs were swallowed by the wolf but only one survived. In Hansel and Gretel, Hansel and Gretel eat the gingerbread house, but the witch wants to eat the children. The meaning of ‘being swallowed’ represents the ceremony of adulthood in the characteristic of death and rebirth. When children's readers read a fairy tale, they experience separation from a familiar world, inducing an uncanny feeling. (Hannam University)

외식창업 성공요인 분석

이충수(Choong-soo Lee) 인문사회과학기술융합학회 2018 예술인문사회융합멀티미디어논문지 Vol.8 No.11

외식업체 가운데 10년 이상 사업을 계속하는 곳은 7.3%에 불과하며, 부가가치세를 납부한 전국음식점 60만 곳 가운데 5년 이상 영업을 계속한 음식점도 20%이며, 나머지 80%는 5년안에 문을 닫는다고 한다. 또한 전체 음식점 가운데 개업 후 6개월 안에 영업을 그만 두는 곳이 12.1%, 1년 안에 폐업하는 음식점도 전체의 25.6%에 달한다고 한다. 외식업에 대한 창업이 활발하게 일어나고 있으나 많은 수가 실패하는 것으로 해석되고 있다. 본 연구에서는 계층분석법(Analytic Hierarchy Process:AHP)을 이용하여 소상공인 외식 창업의 성공요인을 분석하여 외식 창업자들에게 중요한 성공요인의 중요도 및 우선순위를 파악하여 시사점을 찾아내는 것을 목적으로 한다. AHP를 이용하여 실험을 한 결과 창업 성공요인은 아이템(0.29), 창업자(0.27), 점포(0.23), 경영능력(0.21) 요인 순으로 상대적 중요도가 높은 것으로 나타났다. 아이템의 세부요인에서 음식맛과 품질 및 신선도, 창업자 요인에서는 창의성 및 혁신, 경험 및 기술, 점포요인에서는 음식점의 분위기와 입지/상권, 경영능력 요인에서는 소통능력과 마케팅의 우선순위가 높았다. Only 7.3% of catering companies have been in business for more than 10 years. Of the 600,000 national restaurants that have paid VAT, 20% of restaurants have been operating for five years or more, and the remaining 80% are closed within five years. Of the total restaurants, 12.1% quit business within six months of opening, and 25.6% of restaurants shut down within one year. Although start-up in the food service has been actively occurring, many failed. The purpose of this study is to analyze the success factors of food service founder using the Analytic Hierarchy Process (AHP) and to find out the implications of the important factors and priorities of the success factors. The importance of success factors was found to be in the order of item (0.29), founder (0.27), store (0.23), management ability (0.21). Food taste and quality/freshness in item factors, creativity/ innovation and experience/technology in founder factors, store mood and location/commercial area in store factors, communication ability and marketing in management ability factors were high priority.

AHP를 이용한 온라인 게임 평가요인 분석

이충수(Choong-Soo Lee) 국제e-비즈니스학회 2008 e-비즈니스 연구 Vol.9 No.3

FORTRAN 77에서 예외처리기의 설계 및 구현

이충수(Choong Soo Lee),이병관(Byung Kwan Lee),이경환(Kyung Whan Lee) 한국정보과학회 1987 한국정보과학회 학술발표논문집 Vol.14 No.2

본 논문에서는 예외조건의 검출 및 처리가 가능한 Ada, PL/I 등에서의 예외처리기를 프로그래밍 언어관점에서 살펴보고 FORTRAN 77 언어의 신뢰성, 생산성을 향상시키고 FORTRAN 77 언어를 사용한 EMBEDDED SYSTEM 의 구축을 가능하게 하기위하여 FORTRAN 77 언어를 위한 예외처리기(EXCEPTION HANDLER)를 설계하였으며 VAX 8200 컴퓨터의 VAX/VMS V4 OS 에서 선행처리기의 기법으로 구현하였다.

영어 고전동화와 한국 전래동화에 나타난 동ㆍ식물 연구

이충수 ( Lee Choong-soo ) 대한영어영문학회 2009 영어영문학연구 Vol.35 No.3

This paper is to find and analyze animals and plants in the familiar English classic fairy tales and Korean traditional fairy tales. It is also to search for meanings and symbols through English classic fairy tales and Korean traditional fairy tales. There is a frog in Sleeping Beauty. It means man’s organ. Snow White is Grimm’s best work. There is an apple in Snow White. In Cinderella a pumpkin changes into a cart and rats change into horses, hosts, and lizards into servants. There is a date palm in Cat Cinderella. There are pears, hazels and pigeons in Grimm’s Cinderella fairy tales. There is a fish in the Chinese version of Cinderella. There are beans in Russian, Korean and Grimms’ versions. Bean represents the sexual organ and symbol of the middle mediation. A cow helps the hero of Kongji Patji in Korean Fairy Tale. This animal symbolizes the mother or a high existence. A pigeon bird exists in the connects world of nature. It is called the world of culture and the world or woods where humans live. (Hannam University)