SMART 원자로 축소 모사모형에서의 압력분포 측정

이병인(Byoung In Lee),김경민(Kyung Min Kim),조형희(Hyung Hee Cho),정경훈(Kyeong Hoon Jeong),박진석(Jin Seok Park) 대한기계학회 2010 대한기계학회 춘추학술대회 Vol.2010 No.11

1/10 scaled SMART reactor model was made to evaluate the flow-induced loads before the standard design approval of the SMART reactor. The experimental test was conducted in the room temperature and tap water was used as the working fluid. In the test, the temperature of the water is constantly maintained at 300K and the volumetric flow rate was controlled by the rotating speed control of 4 pumps. In this paper, when the flow rate was 800, 680, 560 LPM at 4 pump operating, the pressure distribution on the surface of the model was measured to estimate the flow characteristics. The results showed that the most of the pressure drop was occurred at the steam generators and the reactor core and the flow rate had great effect on the total pressure drop of the test model.

한국산 마늘 품종 삼척, 대서, 서산의 Giemsa C-banding 의한 핵형분석

이병배(Byoung Bae Lee),김혜영(HeiYoung Kim) 한국원예학회 1994 한국원예학회 학술발표요지 Vol.12 No.1

선박용 엔진의 흡기포트 형상에 따른 텀블 및 내부 유동 특성에 관한 수치적 연구

이병화(Byoung-Hwa Lee),장영준(Young-June Chang),전충환(Chung-Hwan Jeon) 한국마린엔지니어링학회 2008 한국마린엔지니어링학회지 Vol.32 No.4

표고시설재배의 실태조사 및 분석

이병일(Lee Byoung-Yil),손정익(Son Jung-Eek),김목원(Kim Mok-Won),홍순길(Hong Soon-Kil) 한국생물환경조절학회 1999 한국생물환경조절학회 학술발표논문집 Vol.8 No.2

경산자인단오제의 정체성과 발전방향 경산자인단오제 연행의 분야별 문제와종합적 개선방안

이병옥 ( Byoung Ok Lee ) 한국공연문화학회 2009 공연문화연구 Vol.0 No.19

Gyeongsanjain Dano Festival is a local festival of Yeongnam that was initially designated as Intangible Cultural Heritage No. 44 Hanjanggun Nori in 1971 and finally became Gyeongsanjain Dano Festival in 2007. At first, few parts of it were designated for preservation and it was succeeded as a whole without connections between each part. Problems also rise from the fact that it has not been closely studied. Gyeongsanjain Dano Festival is mostly classified into five parts: Keungut, Yeowonmu, Hojanggut, Hanmyoje, and Jainpalgwangdae. This study has closely discussed each part as follows: 1. Keungut 1) Process and Contents of Keungut-Characteristics of Gut in Daegu and Gyeongsan 2) Presence of Performers that can Execute Traditional Gut of Local Area 3) Problems with the Name of Keungut-Ex: `Hanjanggungut` or `Keungut` 4) Problems of Dano Festival without Parts to Summon and Send off Spirits before and After Keungut and Restoration Measures 2. Yeowonmu 1) Essence of Yeowonmu and Yeowonhwa 2) Problems with the Mass Game of Hundreds of High School Girls 3) Origin and Succession of Yeowonmu 3. Hojanggut 1) Changes in Characters of Hojanggut 2) Composition and Characteristics of Hojanggut 3) Problems with the Name and Characteristics of Hojanggut 4. Jainpalgwangdae Nori 1) Similarity with Newly Created Shows 2) Problems with the Name of Palgwangdae 3) Difference with the Composition of Other Mask Dances 4) Dances and Movements Distinguished from Other Mask Dances in Yeongnam. The following are the solutions suggested for Gyeongsan Jain Dano Festival. First, for the restoration of Gyeongsanjain Dano Festival, Dano festivals and Byeolsinje of nearby areas with clear traditions could be benchmarked. Second, the major content of Gyeongsanjain Dano Festival is `Hanjanggungut,` and it has to be the leading content of the festival. Third, the structural principle of Korean festival must be adopted and the process and principle must correspond to those of other traditional shows. Fourth, as Gyeongsanjain Dano Festival is the comprehensive form of art, folk, and festival, each part must be closely related in a well-planned scenario. Fifth, Intangible talents and successful training must be widely acknowledged for successful transmission and responsible performances. Sixth, traditional festivals must be restored along with the discovery and development of various festival repertories and spectacles such as tour programs and experiential tours that contribute to local economy.

한국 전통춤의 분류와 양식적 특징 -정병호의 분류법 검토를 중심으로-

이병옥 ( Byoung Ok Lee ) 한국공연문화학회(구 한국고전희곡학회) 2013 공연문화연구 Vol.0 No.27

이 연구는 전통춤의 유형을 분류하고 장르별로 양식적 특징을 비교하여 한국전통춤의 근원적 특징을 고찰하는데 있다. 전통춤의 분류는 정병호의 분류법을근간으로 문제를 보완하여 정병호?이병옥의 분류법으로 재정립하였다. 그 특징은 ①대분류로 일반화된 2대 분류(궁중춤, 민속춤)를 인정하고 상분류에서 정병호의 4분류법을 수용하여 상호문제를 해결하였다. 즉 궁중춤은 향연춤, 제례춤으로 분류하고, 민속춤은 의례춤, 민간춤, 예인춤으로 분류하였다. ②대?상?중?하분류까지 4단계로 하위분류하여 전통춤 모든 종목을 분류하는 유형분류법을마련하였다. 그중에서 특히 예인춤은 기방계춤, 재인계춤, 신당계춤의 분류를 주목할 수 있다. ③여러 가지 분류방식도 상황에 따라 필요하겠지만 기능적, 직능적, 사회적, 예술적 개념을 종합한 통합분류로 정립하였다. 이어서 전통춤의 분류법에 입각하여 유형별로 양식적인 특징을 고찰하고 상호 비교하였다. 특히 전통춤 2대 분류인 궁중춤과 민속춤의 양식적 특징을 비교하였고, 예인춤의 양식적 특징을 고찰하고 하위분류인 기방계춤, 재인계춤, 신당계춤의 특징을 비교하였다. 또한 민간춤의 특징과 의례춤의 특징을 각기 고찰하였으며, 민속춤의 하위분류인 민간춤, 예인춤, 의례춤의 양식적 특징을 비교표로 정립하였다. 끝으로정병호와 이병옥이 정리한 한국 전통춤의 원형적 요소가 되는 신체부위별 춤사위의 양식적 특징을 살펴본 결과, 손가락춤은 없고 주로 추는 부위는 손목춤, 손바닥춤, 팔춤, 어깨춤이다. 그리하여 손가락춤, 목춤, 고개춤 등 말초부위는 발달하지 않았다. 또한 발디딤새는 비정비팔이 중심이며, 걸음걸이는 굴신인 디딤새→돋음새→오금새, 디딤새→뜀새의 원리로 걷는다. 그밖에 특징은 수족상응춤, 3박자의 호흡춤과 엇박춤을 들 수 있다. The purpose of this study was to classify the types of traditional dance and compare the formal characteristics of each genre to examine the original characteristics of Korean traditional dance. The classification method of Byung Ho Jung was applied to classify the traditional dance, but its problems were improved to reestablish it as the classification method of Byung Ho Jung and Byung Ok Lee. Its characteristics are as follows: ① The generalized classification into two genres (royal dance and folk dance) was accepted and Byung Ho Jung`s four-tier classification in the upper tier was accepted to resolve the problems. Therefore, royal dance was classified into banquet dance and ritual dance, while folk dance was classified into ceremonial dance, commoner dance, and artistic dance. ② A classification method was established to classify all categories of traditional dance into four tiers to present it as a chart. In particular, artistic dance was classified into Gibang Dance, Jaein Dance (entertainer), and Shindang Dance (shaman). ③ Various methods of classification would be needed, but an integrated classification method was established in terms of functional, professional, social, and artistic concepts. Then, the formal characteristics of the dance were examined and compared based on the method of classification of traditional dance. In particular, the formal characteristics of royal dance and folk dance were compared and the formal characteristics of artistic dance were examined to compare the characteristics of Gibang Dance, Jaein Dance, and Shindang Dance. Also, the characteristics of folk dance and ritual dance were examined and the formal characteristics of commoner dance, artistic dance, and ceremonial dance were compared in a chart. Finally, the formal characteristics of the dance of each body part that becomes the archetypical elements of Korean traditional dance organized by Byung Ho Jung and Byung Ok Lee include wrist dance, palm dance, arm dance, and shoulder dance, while the peripheral parts of fingers, neck, and head were not developed. The foot position is Bijeongbipal and the steps follow the principle of Didimsae→Dodeumsae→Ogeumsae and Didimsae→ Dduimsae. Other characteristics include hand-foot coordination dance, 3-beat breathing dance, and off-beat dance.

스프레이 절화장미 수경재배 시 절곡지수가 정식 초기 상품생산에 미치는 영향

이병정(Byoung Jeong Lee),정병룡(Byoung Ryong Jeong),안동춘(Dong Chun An),김진기(Jin Gi Kim) 한국원예학회 2013 한국원예학회 학술발표요지 Vol.2013 No.5

융합환경에서 지상파 드라마 편성유형이 VOD 구매에 미치는 영향

이병성(Lee, Byoung Sung),최성진(Choi, Seong Jhin) 한국전시산업융합연구원 2015 한국과학예술융합학회 Vol.19 No.-

최근 비선형적 시청행위 확산에 따라 VOD에 대한 소비자들의 요구가 증가하고 있다. 그러나 기존 VOD에 관한 많은 연구들은 VOD 서비스가 활성화되지 않았던 사업초기 IPTV 가입자의 이용행태 중심에, 설문조사를 기반으로 하였으며 명확한 유·무료 구분이 없었다. 이러한 점을 보완하기 위해 본 연구에서는 2012년 1월부터 2013년 6월까지 1년 6개월 동안 디지털케이블TV 가입자들이 실제 이용한 유료 VOD 실데이터를 기반으로 분석을 시도하였다. 또한 VOD의 주된 매출원 중 하나인 지상파 드라마를 분석대상으로, 드라마 편성유형이 디지털케이블TV 가입자의 VOD 구매에 미치는 영향을 분석하였다. 드라마의 편성유형은 월화드라마, 수목드라마, 주말드라마, 아침일일드라마, 저녁일일드라마, 기타로 구분하였다. 연구 결과, 분석대상 101개 지상파 드라마의 VOD 편당 평균 구매건수는 약 4,152건으로 나타났으며, 편성유형별로 가장 높은 성과를 보인 월화드라마의 평균 구매건수는 7,790건이었다. 반면 아침일일드라마의 VOD 편당 평균 구매건수는 257건으로 가장 저조한 실적을 보였다. As the broadcasting environment is changing and the nonlinear viewing patterns are getting generalized, the needs for VOD service of consumers are also increasing. But most of the preceding studies on the similar topic were mainly focused on the subscribers’ VOD consumption patterns of the early days of IPTV, when the VOD service were not widely known and used. Moreover, not only most of those studies were just based on questionnaires, but there was also no obvious distinction between free and paid VOD service. To make up for the weak points of those previous studies, this study has performed on a more extended pool of subjects including digital cable TV subscribers. Moreover, this paper deals with the actual paid VOD consumption data of the digital cable TV subscribers from 2012 to 2013 to make this study of more academic values. And The model of this study was designed by analyzing the preceding studies on the similar topic and examined minutely the subject content mainly of TV dramas on the terrestrial broadcasting channels which are main sources of revenue in the VOD service. Then this study analyzed the affect TV dramas the programming type to purchase VOD contents in the digital cable TV subscribers. As to the programming type, the contents are categorized as Monday-Tuesday dramas, Wednesday-Thursday drama, weekend dramas, morning daily dramas, evening daily dramas, and the others. As a result of the research, this study has analyzed 101 drama series which had been aired on the terrestrial broadcasting channels and then aired on VOD. It turns out that the average number of purchasing drama VOD per episode is 4,152. If we look to the programming type, Monday-Tuesday dramas recorded the highest number in average VOD purchases as 7,790. The lowest one was daily morning dramas, 257.

한국복식(韓國服飾)의 이미지 요소(要素)가 적용(適用)된 글로벌 패션디자인 연구(硏究)

이병화 ( Byoung Haw Lee ) 한국패션비즈니스학회 2002 패션 비즈니스 Vol.6 No.1

As the whole world is rapidly becoming hollow connected by networks, the fashion world in the 21s century is about to mould the identity of one`s own country by establishing image of one`s own country and originality. Therefore the purpose of this study is in the development of designs in order to making the image of Korean dress and ornaments firmly in the global fashion by grafting and applying the elements of Korean dress and ornaments to the modern fashion. The method of this study consists of production of works after investigation of the images of Korean dress and ornaments applied to the modern fashion or detail elements in the Korean research papers and works. The elements of images of Korean dress and ornaments which used for the production of works like Dongjeong, Baerae, Dangeu doryeon, Chima heori, Goreum, Jeogori, Euryeyong chima, Saegdong, Jogakbo, Jatmullim, Geumbakseuran are made of use as motives, and one or several mixed elements are designed in a work. The result of the production of work is as follows : First, the design which made use of the element of Chima jegori make strong image of Korean dress. And by grafting several elements to one work, the more strong Korean image was created. Second, in the design which made use of ornaments and detailed decoration method, I deas are offered for detailed design skills. The materials which was investigated academically along with the study through the actual manufacturing are expected to become a foundation stone of making firm images of Korean dress and ornaments.

현대(現代)패션에 나타난 Animality의 조형성(造形性)에 관(關)한 연구(硏究)

이병화 ( Byoung Hwa Lee ),허갑섬 ( Kap Sum Huh ) 한국패션비즈니스학회 2000 패션 비즈니스 Vol.4 No.1

The purpose of this study is firstly to have the grasp of the tendency of animality represented in modern fashion. The second purpose is to analyze the form modeling of animality represented in modern fashion and the third one is to examine into an aesthetic character of animality represented in modem fashion. The method we adopt for this study is to analyze the designers` work which shows the fashion animality. The result of this study is follows. The tendency of animality represented in modern fashion presented in a printed form which patterned the animals` cuticle, a shape of animals, a symbolic image, and a future suggestive expression. The form modeling of animality is a reality and the aesthetic character is the vigorous beauty and the gorgeousness of original colors. So, animality represented in modern fashion is to offer the various ideas as well as to lead the curiosity about the fashion in the future and the coexistence into the fashion.