자가검출회로 내장의 자가치유시스템 설계

서정일,성낙훈,오택진,양현모,최호용,Seo Jung-Il,Seong Nak-Hun,Oh Taik-Jin,Yang Hyun-Mo,Choi Ho-Yong 대한전자공학회 2005 電子工學會論文誌-SD (Semiconductor and devices) Vol.42 No.5

This paper proposes an efficient structure which is able to perform self-detection and self-repair for faults in a digital system by imitating the structure of living beings. The self-repair system is composed of artificial cells, which have homogeneous structures in the two-dimension, and spare cells. An artificial cell is composed of a logic block based on multiplexers, and a genome block, which controls the logic block. The cell is designed using DCVSL (differential cascode voltage switch logic) structure to self-detect faults. If a fault occurs in an artificial cell, it is self-detected by the DCVSL. Then the artificial cells which belong to the column are disabled and reconfigured using both neighbour cells and spare cells to be repaired. A self-repairable 2-bit up/down counter has been fabricated using Hynix $0.35{\mu}m$ technology with $1.14{\times}0.99mm^2$ core area and verified through the circuit simulation and chip test. 본 논문에서는 생명체의 구조를 모방하여, 디지털시스템에서 자가검출과 자가치유가 가능한 구조를 제안한다. 자가치유시스템은 인공 셀의 2차 배열과 여분의 인공 셀로 구성된다. 인공 셀은 멀티플렉서를 기본으로 한 로직블록(logic block)과 로직블록을 제어하기 위한 게놈블록(genome block)으로 구성된다. 인공 셀은 자가검출이 가능하도록 DCVSL (differential cascode voltage switch logic)구조로 설계된다. 만약 인공 셀에서 고장이 발생하면, 자가 검출되고 고장 난 인공 셀이 속한 열은 bypass기능만을 가지고 치유를 위해, 여분 셀과 이웃 셀을 이용하여 시스템을 재구성한다. 하이닉스 $0.35{\mu}m$공정을 이용해 $1.14{\times}0.99mm^2$의 코어면적을 가지는 2비트 업다운카운터를 제작하였고 회로시뮬레이션과 칩 테스트를 통해 검증하였다.

초고선명 방송을 위한 오디오 포맷 및 부호화 기법

서정일,강경옥,Seo, Jeong-Il,Kang, Kyeong-Ok 한국음향학회 2009 韓國音響學會誌 Vol.28 No.7

본 논문에서는 초고선명 방송 (UHDTV)에서의 고품질 실감 오디오를 재현하기 위한 오디오 신호규격 및 멀티채널 오디오 재생시스템 형상, 멀티채널 오디오 부호화 기법에 대한 기술개발 동향, 표준화 현황, 문제점에 대해서 살펴보고 국내의 방송 및 통신 환경에 적절한 해결 방안을 제시한다. In this paper, we describe technical trends, standard activities, and upcoming issues relating on UHDTV audio, which requires high quality realistic sound. We also propose a proper solution to it for domestic broadcasting and telecommunication environments.

알베르티의 『건축론』에 제시된 도시 개념

서정일,Seo, Jeong-Il 한국건축역사학회 2014 건축역사연구 Vol.23 No.3

This paper discusses Leon Battista Alberti's vision of the paradigmatic city. In his De re aedificatoria, Alberti proposes how the architecture of both individual buildings and cities should be ordered and embellished. Borrowing ideas from the ancient writers on one hand, and reflecting on actual urban reality on the other, Alberti proposes an ideal city where the sacred and the secular come together in hierarchical harmony, beautified under the principle of ornament. In Book VIII, dealing with secular public works of architecture, he writes about the composition of a new humanist city that transcends actual reality. Ornament, a central idea of his aesthetics, supports his conception of the paradigmatic city.

논단 1-배전 자동화 시스템의 기술개발 동향

서정일,Seo, Jeong-Il 한국전기산업진흥회 1997 電氣産業 Vol.8 No.6

한국중재법과 일본중재법의 비교 및 문제점 고찰

서정일,Seo, Jeong-Il 한국중재학회 1997 중재연구 Vol.6 No.-

국제거래계약상(國際去來契約上) 손해배상액산정(損害賠償額算定)의 한계(限界)에 관한 비교법적(比較法的) 고찰(考察)

서정일,Seo, Jeong-Il 한국중재학회 1996 중재연구 Vol.6 No.-

Fe(NO₃)₃ 수용액의 농도와 침지시간에 따른 지르코니아의 색상 및 특성 변화

서정일,박원욱,고재숙,Seo, Jeong Il,Park, Won Uk,Go, Jae-Sook 대한치과기공학회 2016 대한치과기공학회지 Vol.38 No.4

Purpose: The increased aesthetic requirements and demands of patients have resulted in the developments of coloring liquid for zirconia. Methods: In this study, zirconia block was dipped into $Fe(NO_3)_3$solution, which showed a color and then concentration of $Fe(NO_3)_3$and zirconia's color and physical properties depending on the dipping time were observed and compared with exclusive coloring solutions. As the result, the following conclusions were obtained. Results: When compared with the specimens that were colored using exclusive solutions, $L^*$ value rose overall depending on the concentration of $Fe(NO_3)_3$and $a^*$ value was red in the form of (+) in all the specimens. Also, $b^*$ value was in the form of (+) at 0.5 to $1{\ss}fl$, but was in the form of (-) at 1.5 to $2{\ss}fl$. The dipping time did not highly influence $L^*$ value, but $a^*$ value and $b^*$ value were directly opposite to the specimens, which were not colored, except the sample that was dipped for only 2 seconds. When compared with exclusive coloring solutions, $Fe(NO_3)_3$had the most similar color at 0.5 to $1{\ss}fl$ and the longer the coloring time, the higher the rate of color change became. In relation to the density change depending on the addition of $Fe(NO_3)_3$, there was the lowest density at $2{\ss}fl$ and the density was increased in the specimens that were not colored. Conclusion: These results show that $Fe(NO_3)_3$solution can be used to make colored zirconia. It is expected that newly made colored zirconia can be used in clinical practice because the colored zirconia not only possesses the mechanical properties that all ceramic core material should have but also was biocompatible to a living cells.

농도구배와 평균속도가 삼지화염의 부상 특성에 미치는 영향에 관한 실험적 연구

서정일,김남일,오광철,신현동,Seo, Jeong-Il,Kim, Nam-Il,Oh, Kwang-Chul,Shin, Hyun-Dong 대한기계학회 2003 大韓機械學會論文集B Vol.27 No.8

A triple flame in a mixing layer was studied experimentally with concentration gradient and mean velocity by using a multi-slot burner, which can stabilize the lift-off flame. Flame stabilization condition, lift-off heights, and some other characteristics were examined for methane and propane flame within a range of very low concentration gradient. Pitot-tube and LDV(Laser Doppler Velocimetry) were used for velocity. Mass spectroscopy and Rayleigh scattering signal were used for concentration gradients. Thermo-couples and SiC TFP(Thin Filament Pyrometer) were used for temperature. It was found that minimum values of the lift-off heights exist at a certain concentration gradient for constant mean velocity and this means that the propagation velocity has a maximum value. The scales of flame to the burner nozzle and intensity variation of the diffusion flame were suspected as the cause.

루이스 멈퍼드의 건축비평에서 미적 상징의 문제

서정일,Seo, Jeongi 한국건축역사학회 2017 건축역사연구 Vol.26 No.1

One of the essential characteristics of Lewis Mumford's architectural criticism is the coherent emphasis on symbolism. Such emphasis stems from his understanding of city and humanity in the context of civilization: first, that the architecture symbolizes institutions of urban civilization; second, that the technical aspect of human nature should be balanced with its artistic aspects. Mumford believed that each architectural type requires an appropriate symbolic expression corresponding to its purpose and that a new symbolic expression, in a new cultural context, should replace the conventional expression. He took symbolism for an intuitional expression, and read multi-layered meanings of architecture: 'practical function' by way of rational reason and 'symbolic function' by way of intuition. He pursued a balance between practicality and beauty to rectify the situation of modern civilization, in which symbolism, the expression of its intuitional aspect, is in crisis. Ultimately, for Mumford, the essential task of architectural critic is of the interpretation of symbolism, aiming at the correspondence and communication between the architect(artist)'s intuition and critic(interpreter)'s via the media of symbol. The critic can play some privileged role of interpreting even symbols unintended by the architect. The ideal architectural critic, after all, would be the one who is able to understand the city, technology and human beings in the perspective of civilization and to interpret the architect's artistic expression in its highest form through intuition. Mumford established himself as such a critic and evaluated the status of aesthetic accomplishment of his contemporary architecture and technological civilization, giving emphasis on the artistic practice in architecture as a solution.

실감 오디오 방송을 위한 초다채널 오디오 시스템 및 표준화 동향

서정일,강경옥,Seo, J.I.,Kang, K.O. 한국전자통신연구원 2012 전자통신동향분석 Vol.27 No.6

본고는 3DTV, UHDTV(Ultra High Definition Television)와 같은 실감방송 환경에서 실감 오디오 서비스를 제공하기 위한 초다채널 오디오 기술의 최근 연구 및 개발 동향을 소개한다. 스테레오와 5.1 채널로 대표되는 기존의 오디오 기술은 2차원 평면상에서만 음장을 형성할 수 있다는 표현의 한계를 가지고 있다. 3D 영화의 성공과 UHDTV로 대표되는 초고화질 비디오와 부합하기 위해서는 오디오도 3차원 공간상에서 표현되어야 하며 이를 위해서는 필연적으로 출력채널 수가 증가하여야 한다. 이러한 초다채널 오디오는 22.2 채널과 같은 대용량의 오디오 데이터를 압축하는 기술뿐만 아니라 다양한 오디오 출력 환경에 적응적으로 오디오 콘텐츠를 표현하는 기술에 대한 연구/개발이 필요하다.