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A Case Study on Liver Function Improvement Using Ortho-Cellular Nutrition Therapy (OCNT)
서명수 셀메드 세포교정의약학회 2024 셀메드 (CellMed) Vol.14 No.7
Objective: A case report of liver function recovery through corrective Ortho-Cellular Nutrition Therapy (OCNT). Methods: OCNT was applied to a Korean man in his 40s who suffered from hangovers, halitosis due to diabetes, and fatigue. Results: After starting OCNT, the patient did not suffer from hangovers after drinking alcohol, and diabetes symptoms improved while fatigue decreased. Conclusion: For diabetic patients who frequently feel fatigued and have habitual alcohol consumption, OCNT can help alleviate symptoms.
The Word of a Sword and the Sword of a Word: A Reconsideration on the ‘Eagle Speech’ (Exod. 19. 4-6)
서명수 연세대학교 신과대학 연합신학대학원 2015 신학논단 Vol.82 No.-
Liberation is the most important theme of the biblical narratives that describe the oppressive situations. Especially the narrative history of ancient Israel from the exodus to the conquest has been central to liberation reading of the Hebrew Bible from its inception. In the same manner many people could be inspired by the liberation motif of the exodus in the oppressive situations. For example, in the course of social change in the nineteenth century many Highlanders in Scotland emigrated because of famine and enclosure. Some were enticed to leave the Highlands with the brighter prospects for the New World such as Canada and Australia. At those time the liberation theme of the exodus made emigrants have a new religious enthusiasm and be brave to across the Atlantic Ocean. For some Highlanders, the challenge of moving from the Highland to the New World could be envisaged in terms of the exodus, in which Moses led the Israelites to the promised land. The Highland as a land of oppression were comparable with Egypt, and the leaders of emigrant groups could be compared with Moses.1) Just as Moses did some ministers in Scotland preached the emigrants to go to the New World. This literary-religious imagination was taken by Christian ministers in the first half of the twentieth century. They also preached their congregations about the liberation motif in the book of exodus for anti-colonial struggle. In Latin America the liberation motif of the exodus has been a main resource of liberation and struggle against an unjust oppression.
서명수 프랑스문화예술학회 2000 프랑스문화예술연구 Vol.2 No.-
Le theatre presuppose les deux choses suivantes. Premierement il est l'art de la double communication : d'une part la communication fictive intra-scenique entre les personnages et d'autre part la communication reelle extra-scenique entre l'auteur(ou le metteur en scene) et le public. Deuxiemement le theatre, tel qu'il represente directement un evenement sur la scene, est aussi l'art d'une caracteristique restreinte au niveau spacio-temporel. La convention theatrale est a la fois l'ensemble des regles qui regissent le processus de la creation, et le moyesn de depasser cette limite spacio-temporelle et de se permettre la representation de diverses formes. Ces deux presuppositions impliquent que le fonctionnement de tous les elements du theatre est aussi double selon leur niveau de communication et ce fonctionnement est necessairement rhetorique. Sous cet angle, on a aborde dans la presente etude l'espace theatral pour expliciter son fonctionnemene double et rhetorique. En introduisant la notion jackosonienne de la rhetorique, metonymie et de metaphore, on est arrive a conclure que la fonction dramatique de l'espace produisant l'histoire fictive au niveau de la communication intra-scenique est le resultat de la metonimisation de l'espace treatre et que la fonction poetique de l'espace produisant le sens implicite de cette histoire au niveau de la communication extra-scenique est celui de la methphorisation de l'espace. On peut alors anticiper sur le contenu de la conclusion qui montre en effet qu'on peut bien appliquer la notion et la methode aux etudes des autres domaines du theatre : temps, objet, histoire etc. Mais il faut neanmoins proceder encore a l'etude sur la fonction esthetique de l'espace dont on manque ici, pour expliciter globalement le fonctionnement de l'espace theatral.