작품 「Polyeucte」속에 나타나는 내적 갈등의 여러 양상

박무호 한국불어불문학회 1985 佛語佛文學硏究 Vol.20 No.1

Les critiques du 17^e et 18^e sie`cle n'ont pas estime´ 「Polyeucte」 de P. Corneille a` son juste titre. C'est parce qu'ils ont mis trop d'accent sur l'aspect religieux du caracte`re des personnages de cette oeuvre. Contrairement a` cela, nous allons mettre au point dans cet essai le conflit inte´rieur des personnages de 「Polyeucte」. Conforme´ment a` notre but, nous allons analyser respectivement les conflits inte´rieurs des personnages et, comme conclusion, nous allons formuler le sens structural que ces conflits apportent dans l'ensemble de cette oeuvre. Les personnages dans 「Polyeucte」 se heurtent a` des conflits divers selon la situation dans laquelle ils se trouvent. D'abord, Pauline sent le conflit d'une part entre le devoir pour son mari et l'amour pour son amant, et d'autre part entre le devoir pour son mari et celui pour son pe`re. Ensuite, Polyeucte sent le conflit entre le respect pour Dieu et l'amour pour sa femme. Quant a` Fe´lix, sa situation conflictuelle est compose´e de l'amour pour son beau-fils et le de´sir pour le pouvoir et enfin, celle de Se´ve`re est compose´e de l'honneur a` son propre compte et la tentative de rattraper l'amour de son ex-amante. Vu dans le cadre global de la lutte ouverte entre le christianisme et l'ordre e´tabli, les conflits auxquels les personnages se heurtent cre´ent un groupe de personnages qui sont subordonne´s dans l'ensemble du dilemme personnell pour produire la tendresse et la beaute´ morale. D'ou` vient l'e´motion dramatique de 「Polyeucte」.

문화·지원시설로서 서울새활용플라자의 공간기능 분석

박무호 한국문화공간건축학회 2018 한국문화공간건축학회논문집 Vol.- No.64

The Seoul Metropolitan Government promoted the construction of the Seoul Upcycling Plaza in order to provide the space for the production of up-cycling products and the opportunity for citizens to understand and experience up-cycling. In order to operate successfully, it is necessary to utilize buildings appropriately according to the original purpose set and to establish operating programs that encourage up-cycling businesses and citizens to share and visit frequently. This study analyzed the spatial function of Seoul Upcycling Plaza as facilities to support the production of up - cycle products and cultural facilities which experienced and understanded by citizens. Through this, we tried to grasp the way of coexistence of upcycle companies and citizens' spaces in terms of proliferating resource circulation culture. As a result, it aims to provide implications for similar facilities operation and planning. The Seoul Upcycling Plaza coincided with the process by which residents experience a series of processes that take place in residential companies that manufacture up-cycle products. In other words, it is operated in a way that the production activities of the enterprise coexists with the citizens' experience process. Second, the up-cycling education program is run under the slogan of "Daily life of up-cycling". First-time visitors receive opportunities to improve awareness rather than learning specific information through up-cycling training programs. Third, unlike the physical space configuration, the environment experienced in the Seoul Upcycling Plaza does not have the boundary of exhibition, publicity, and education in operation. The Seoul Upcycling Plaza is the first and largest facility to coexist with up-cycle companies and visitors' facilities. It will take a considerable amount of time and effort to become a sustainable operation model through up-cycling training programs and operation methods.

「문학과 현대문명의 문제」에 관한 토론

박무호 울산대학교 인문과학연구소 2001 人文論叢 Vol.20 No.-

본 토론자는 영문학에 대한 기초 지식도 아주 미약하고, 현대문명에 관한 담론에 대해서도 큰 관심이 없었을 뿐만 아니라 특히 90년대 이후 유행(?)처럼 번지던 포스트모더니즘에 대한 관심도 상식 수준을 벗어나지 않습니다. 따라서 영문학 작품을 중심으로 한 근ㆍ현대문명의 문제에 대한 발표자의 깊은 모색에 대해 중요한 문제들을 심도 있게 논의한다는 것은 거의 불가능한 일이지만, "보다 자유롭게 얘기할 수 있다" 는 세미나의 성격에 맞추어서 이후에 전개될 토론의 단초를 제공한다는 점에서 몇 가지 이야기를 나누고자 합니다.

코르네이유의『티트와 베레니스』연구 : 극적 구성의 변화를 중심으로

박무호 울산대학교 인문과학연구소 2002 人文論叢 Vol.21 No.-

Cette e´tude a pour but d´e´clairer les caracte´ristiques de Tite et Be´re´nice, qui est de 1670. Pour ce but nous analysons les caracte´ristiques de Tite et Be´re´nice, qui se sont re´ve´le´es lors de notre comparaison entre cette pie´ce et Cinna. Tout d´abord nous examinons les personnages. Dans Tite et Be´re´nice l´Empereur y paral^t presque toujours, mais les autres ne le respecte pas. Pour la confidente, nous analysons la confidente qui dans Cinna joue un ro^le tre´s limite´. Dans Tite et Be´re´nice le confident/la confidente prennent de l´importance. Ensuite, nous traitons les aspects du conflit qui est l´essence me^me du theva^tre. Dans Tite et Be´re´nice les conflits inte´rieurs qui sont du^s a`des passions opposeves dans le me^me personnage, sont diminue´es, et presque tous les conflits ne sont pas re´solus. En revenche, dans Cinna tous les conflits sont re´solues par la volonte´ des personnages. Enfin, nous cherchons a`voir le changement du ro^le the´a^tral selon les sexes. C´est-a`-dire que dans Cinna, les hommes tre`s privile´gie´s dirigent la pie`les a` leur devoir. Mais dans Tite et Be´re´nice, leur ro^le est inverse´. En conclusion, nous expliquons le cause de ce changement: l´abandon des lde´es politiques.

코르네유의 영웅희극 연구 -『티트와 베레니스』, 『퓔쉐리』의 등장인물들을 중심으로

박무호 한국프랑스고전문학회 2014 프랑스고전문학연구 Vol.17 No.-

Cette étude porte sur les caractéristiques des personnages de deux comédies héroïques, Tite et Bérénice et Pulchérie; spécialement leurs attitudes concernant l’amour. À cette fin nous analysons le profil des personnages, Tite, Bérénice, Domitian, Domitie(Tite et Bérénice) et Léon, Pulchérie, Martian(Pulchérie). Tout d'abord nous examinons Tite. Il hésite entre son amour pour Bérénice et son devoir politique. Entre ces deux passions, il ne peut pas se résoudre à en choisir une. À la fin, il ne se marie pas avec Bérénice, abandonne la financée Domitie, et rend libre le trône après sa mort. Cependant pour Bérénice il s’agit de rétablir un sentiment d’amour-propre. Elle aimait Tite et l’aime encore. Êtant exilée de Rome, elle peut se marier avec lui, mais avec moins de gloire. Après la confirmation de l’amour de Tite et Rome, elle décide de partir Rome avec les honneurs. Aimant Domitie, Domitian veut séparer Domitie et Tite. Mais il ne peut rien pour acquérir Domitie. Cependant Domitie oscille entre l’amour pour Domitian et la passion de régner. Donc, si Tite lui refuse le mariage, elle se décide à se venger de lui. À la fin, elle obtient à la fois Domitian et la trône. Léon de Pulchérie aime Pulchérie sans aucun devoir politique. Mais jeune et n’ayant pas l’avantage des rivaux, il laisse la décision à Pulchérie. Pulchérie aime Léon. Mais elle a aussi l’amour-propre de sa naissance. Après être choisie comme Impératrice, pour elle il s’agit de choisir un epoux. Connaîssant bien les défauts de Léon, elle épouse Martian, et fait de Léon le successeur de Martian. En conclusion, nous trouvons le trait commun des personnages. Les personnages masculins sont passifs, les femmes actives. Enfin nous pouvons reconnaître des traits communs entre les personnages des comédies héroïques et des dernières tragédies de Corneille.

DDP(동대문디자인플라자) 방문객의 분포특성

박무호 한국문화공간건축학회 2018 한국문화공간건축학회논문집 Vol.- No.61

Research on the movement of visitors in the spatial environment and design field of cultural facilities is relatively active. However, from the experiential point of view, it mainly analyzes the behavioral characteristics through the investigation of the viewing time, the viewing line and the moving distance. However, in the case of the visitor survey in this way, it is necessary to select the target audience selectively due to the limitation of the survey time and the input resources, and it is a reality that it is difficult to include a large number of visitors as the survey target. In order to secure these disadvantages, this study surveyed the distribution of the total visitors over 2 days (48 hours) - to grasp the present situation of the space utilization of the target facilities in detail. A total of 25 researchers were added and the distribution of visitors was surveyed based on 30 minutes every hour. For this purpose, the DDP internal space is divided into 9 survey areas, and the external space and Dongdaemun History and Culture Park exhibition hall are divided into 12 survey areas. Through this study, it was possible to elucidate spatial planning implications for the space planning and strategy establishment by analyzing the visitor usage status of DDP (Dongdaemun Design Plaza) space. According to the distribution of visitors and the distribution density of visitors, various methods could be conceived for space planning and strategy establishment. For example, a space with a high number of visitors and a high density should function as the publicness and circulation distribution of the entire DDP, and the provision of viewing information and sufficient guide information should be provided as a space for pre-orientation. Especially, it is considered that the space with high density of visitor distribution should be strengthened in comparison with other spaces such as operational personnel (security, beautification, etc.) and material resources related to civil service. On the other hand, it is possible to plan a space with a low distribution of visitors and a low distribution density as a space for a special class such as an enthusiast, or a method of constructing a deep viewing area for general visitors.

La Vraisemblance와 La Bienseance의 규칙에 관한 연구

朴茂豪 울산대학교 1988 연구논문집 Vol.19 No.1

17세기 프랑스 문학, 특히 고전극에 있어서, 극을 둘러싸고 있는 여러 규칙의 문제는 매우 중요하게 다루어지는 것들 중의 하나이다. 그러나 3단일의 규칙에 치중한 나머지, 우리는 대중(관객)까지도 포함하는 두 규칙 la vraisemblance와 la bienseance의 규칙을 간과하기 쉽다. 따라서 본 논문에서는 이들 두 규칙에 대해, 각 이론의 기원에서부터 17세기 프랑스문학에 정착되기 까지의 이론적인 측면과, 어떻게 실제 작품에 적용되는가를 Pierre Corneille의 작품을 중심으로 살펴 보았다. 그리고 이들 두 규칙이 지니는 상호관계에 관한 논의에 의해, 결국 la vraisemblance의 규칙은 넓은 의미에 있어서의 la bienseance 규칙에 통합할 수 있으며, 바로 이러한 의미에서 <고전주의 시학, 그것은 바로 Bienseance의 시학> 이라 불릴 수 있는 것이다. Dans la litterature francaise du 17siecle, speciallement dans la theatre classique, le probleme des regles est un des problemes les plus importants. Mais, parce que nous avons seulement souligne les trois unites, il est facile de negliger les deux regles, qui renferment l'opinion commune(ou le spectateur). L'une est la regle de la vraisemblance, l'autre celle de la bienseance. Alors, dans cette etude, nous discutons les points suivants: ⅰ) les aspects theoriques--des origines theoriques de ces regles, les conceptions des divers theoricients, et les theories perfectiones dans le theatre classique. ⅱ) les aspects reels--comment les regles sont-elles adaptees les oeuvres(celles de Pierre Corneille). Et apres, nous discutons les liaisons mutuelles de ces regles. En somme, la regle de la vraisemblace peut etre integree dans la regle de la bienseance en un sens elargi et en ce sens,<la poetique classique, c'est la poetique des bienseances>.

박물관 전시부문의 사인체계와 관람행동의 변화분석

박무호,임채진 대한건축학회 2005 대한건축학회논문집 Vol.21 No.7

The ultimate goal of this study was to plan an exhibition space of a museum by investigating the audience behaviors and experiences in one. For that purpose, a multilateral analysis was conducted of the changes to the audience behaviors in terms of the composition and development of exhibition items and spatial structure while giving alterations to the sign system affecting the audience behavior patterns observed at the Seoul Museum of History. The analysis results were as follows : First, the audience behaviors were examined for correlations. The findings revealed that the stopping points and traveling distance and time were valid as the analysis indices to represent the entire audience behaviors. Second, for such audience behaviors as representing conversations and experiences, the inclination of individual audience turned out have the deciding influences. Thus they were rather unfit to show the degree of in-depth viewing. Third, the findings implied that small changes to the signs increased the path of traveling in the aspect of exhibition environment. But it seemed that they didn't cause changes to the traveling time, conversations, use of items for experience, and stopping points of the audience. Fourth, in analyzing the spatial structure using the space syntax and predicting for the audience behaviors as many researchers have, it's important to consider the sign system for the sake of validity. The scope of the study was restricted to the Seoul Museum of History. In the future they should make ongoing efforts to deal with the lack of its diversity with the audience behavior codes considering the objects of analysis from the perspective of exhibition environment.

박물관 전시공간구조와 관람빈도의 상관성에 관한 고찰 : 전시공간의 유형분류와 전시방식을 중심으로-

박무호,조나영,임채진 대한건축학회 2005 대한건축학회논문집 Vol.21 No.1

A movement of visitor is a practical means that provides a spatial arrangement of exhibits and validity to that principle Thus, an exhibition of a museum cannot be completed by an intrinsic value of exhibition Itself Rather, the meaning and value of exhibition can be genuinely evaluated by a visitor's experience and reactions Therefore, focusing on an relationship between exhibits' spatial configuration and a Visitor In a museum, this thesis will establish effective indicators of analysis and their validity in predicting a frequency of Visitor's Visit depending on the structural form of exhibition space As for the research methodology, space syntax was used to predict spatial configuration of museum's exhibition and a tracking frequency With a total of 8 exhibition halls, this research investigated the structural characteristics of unit exhibition space by each exhibition domain on the aspects of topological relations based on spatial topology of each floor, metric relations of convex space, and freedom of movement The results of this study showed that predictable indicators of analysis and a method of approach were found to be different depending on the range of analysis when predicting a frequency of an Visitor (by floor, exhibition method and exhibition domain) In conclusion, this study suggests that It be difficult to approach a formational aspect of Visitor by establishing uniform and fragmental indicators from an analysis of spatial configuration Further study should be conducted on an establishment of analysis range and an application of analysis indicators by considering an environmental aspect of exhibition

랜드마크 시설로서 동대문디자인플라자의 기능과 역할- 동대문디자인플라자의 공간구성과 공간적 경험을 중심으로 -

박무호,임채진 한국문화공간건축학회 2017 한국문화공간건축학회논문집 Vol.- No.59

In the city of Seoul, the Dongdaemun Stadium's playground facilities, which are underdeveloped and deteriorated in function, will be constructed as a complex space for relaxation, greenery, and culture linked with the Cheonggyecheon, and the Dongdaemun Stadium will be promoted as a mecca for the design industry that will lead the prosperity of future industries. Since then, Dongdaemun Design Plaza opened its doors on March 21, 2014, with the unconventional design of Zaha Hadid's organic form. The purpose of this study is to analyze the spatial characteristics and spatial experiences of Dongdaemun Design Plaza, which is currently operating, and to grasp the function and role of the landmark facility constructed under the name of urban regeneration in the old city center. First, Zaha Hadid tried to physically create a landscape by integrating diverse historical, cultural, urban, social and economic elements of Dongdaemun through the architectural language of 'Metonymic Landscape'. Dongdaemun Design Plaza provides a new spatial experience as a landmark facility. The streamlined space, which is made up of an unstructured form with a blurred boundary between buildings and parks, provides a special spatial experience that has not been felt in the surrounding buildings. The Dongdaemun Design Plaza was constructed as a horizontal landscape with no boundaries between architecture and landscape in the form of a horizontally laid-out landscape, as opposed to vertical buildings surrounding it. This intention is to serve not only the visitors who visited the Dongdaemun Design Plaza but also the users of the surrounding commercial and nearby areas as a facility to share and not be occupied by providing a rest area as a park and open plaza.