거대과학과 애니메이션 : 과학사 및 수학사의 관점으로 보는 3D CG 애니메이션의 의미

김일림 문화과학사 2016 문화과학 Vol.- No.87

중국 샤오싱(紹興)의 도시정체성 탐색

김일림 한국사진지리학회 2019 한국사진지리학회지 Vol.29 No.4

Shaoxing is an oriental Venice and outdoor museum that has been associated with Chinese history. Shaoxing is a historical city, related to Chinese history and modern culture, and the home of culture and arts, which is the spiritual space of Chinese, Chinese and Chinese culture. Recently, Shaoxing became known as LuXun hometown, and it was possible to discover various contents of living literature, literary person, and literary arts in the city gradually. This study explored the identity of Shaoxing in relation to Wang xizhi, the saint of calligraphy. The search results are as follows. First, the village where Wang xizhi, the saint of calligraphy, inhabited, second, the area where his book(Lantingxu) was born, and third, the places where other calligraphers lived. Therefore, Shaoxing can be positioned as a city where culture and arts are concentrated, especially as a mecca of calligraphy and art culture. It can also be storytelled to lay the groundwork for the high value-added cultural tourism industry in advanced countries.

한국의 전통 불교문화경관의 재해석

김일림 한국사진지리학회 2019 한국사진지리학회지 Vol.29 No.2

Korean Buddhism created a unique tangible of landscape and intangible landscape unique to Korea. The tangible landscape is a characteristic of Korea only with a Landscapes of dot-line-yard, and the intangible landscape is a unique view that lives on missions, Buddhist rituals, and temple life. The tangible Landscapes of dot-line-yard, the Dotted Landscapes represent the phases of Buddhist temples in Buddhist temples in the order of the Buddhist main hall, the Bodhisattva, and the local faith. The line vertical landscape is symbolically placed on the vertical line from the entrance to the Daeungjeon and the Sansingak according to the vertical idea of Buddhist doctrine. The yard madang landscape can be seen as a result of overcoming the historical change through the formal courtyard during the 4dong of the main hall. An intangible landscape is a scenery where the solemnity created by a monk and a believer in a nonmaterial landscape forms a spectacular view. Mission performance landscapes are performance scenes based on the practice of performing zen meditation and doctrine study. Buddhist rituals are the scenes of Buddhist rituals performed every year, every month, and every year. Buddhist living landscapes means living communities of faith such as farming and mistletoe for daily Buddhist service and self-sufficiency temple operation. Therefore, the Buddhist cultural landscape of Korea can interpret the Buddhist community as the tangible-intangible heritage.

한중일 세계 종교유산의 가치탐색

김일림 한국사진지리학회 2018 한국사진지리학회지 Vol.28 No.4

In 1972, UNESCO selected a worthy heritage that could be preserved and managed jointly by humankind, and introduced the World Heritage system by agreement. As of 2018, 167 countries have registered 1,092 World Heritage sites. Common features of the world religions are the common denominator of Buddhist heritage. The difference between world religions is as follows. Religious heritage of China is characteristic of mountain Buddhism, which is located in a superb view of the early Buddhism and the mountains all over China (Taeshan, Wuyi, Odaesan, Huangshan, etc.) in the form of a cave (Dunhuang Mogao Cave, Luoyang Yongmen Cave, Daedong Ungang Cave). Religious heritage in Japan is a type of religion formed by the adherence of natural worship, ethnic religion, and Buddhism, which is a foreign religion, due to the natural environment of the island nation. Also, Korea 's religious heritage is Buddhism and Confucian heritage. This is a characteristic of traditional culture and religion as a result of Buddhism and Buddhism in the Joseon Dynasty, which is the state religion of the Koryô period. The value of the World Heritage will be brighter when it is recognized that the value of the World Heritage in the future is not a national context, but a coexistence and a shared global heritage.

<코코>애니메이션을 통한 멕시코 인류무형문화유산 ‘죽은자의 날’의 문화탐색

김일림 한국사진지리학회 2022 한국사진지리학회지 Vol.32 No.4

As of 2008, the intangible cultural heritage of humanity has been newly integrated into three types: Representative, Urgent, and Best Practice. As of 2022, 140 countries have participated and 631 cases have been registered. The intangible cultural heritage of humanity is divided into five core areas: oral traditions, performing arts, social rituals and festivals, knowledge and practice of nature and the universe, and traditional craftsmanship. Mexico registered 10 heritage sites and 1 model case, including ‘Day of the Dead’. In the ‘Day of the Dead’ confirmed through the <Coco> animation, the living remember the dead, make an altar with favorite foods and items, sugar skulls, and family photos, and lay marigold flowers to reach home from the cemetery. It is said that it helps to let go and return to the present life. This tradition can confirm the social and cultural function of the Mexican community seeking family harmony and happiness. This can be interpreted as a cultural convergence that embraces all the religious cultures of Halloween in Europe, All Saints Day and All Souls’ Day in Catholicism. We can see that death is the identity of Mexico’s indigenous community, which means a place of celebration with family, not fearful, not the end, and not a sad day.

도시민의 생활양식의 변화

김일림 대한지리학회 2008 대한지리학회 학술대회논문집 Vol.- No.-

일본 애니메이션의 과학적 상상력 고찰

김일림 일본연구소 2017 일본비평 Vol.9 No.2

체코 체스키크롬로프 역사지구의 도시경관특성과 보존방향성

김일림 한국사진지리학회 2024 한국사진지리학회지 Vol.34 No.1

Recently, as a historic district, the World Heritage is a settlement heritage, and is highly utilized for the preservation and restoration of its ruins. In particular, small cities from the Middle Ages in Europe have preserved a variety of architectural styles and have an excellent attraction for tourism. The historic district of Cesky Krumlov in the Czech Republic was registered by UNESCO in 1992, and in 2009, a festival was held to commemorate the 700th anniversary of the city’s formation, making it a major site of global interest. This city was formed in the 13th century, and the various architectural styles maintained by each local family until the 18th century have been maintained as symbols of the cityscape. The city can be divided into the interior of the city, the castle, and the castle’s garden, centered around the Vltava River. Currently, about 300 buildings registered as cultural heritage are being restored and coexist by operating public buildings in residential areas and hotels, museums, information centers, shops, and art galleries that are helpful to the lives of residents. This historic district, in cooperation with local heritage management offices, local governments and conservation agencies, is making ongoing efforts to provide financial support and a World Heritage management plan with a focus on conservation.

1990년대 한국 대중문화 담론 속의 ‘일본’

김일림 중앙대학교 일본연구소 2014 日本 硏究 Vol.0 No.37

South Korea has re-recognized Japan positively since 1990s through popular culture, such as Manga and Anime. The positive impression of Japan has been built by the Korean new generation who was born in 1960~70s. This younger generation played a leading role for the discourse on popular culture in 1990s. They transformed the negative impression of Japan to positive one as below. First, they clearly recognized the facts that Korean had plagiarized Japanese popular culture. When they faced the facts, the moral relationship between Korea and Japan overturned in the field of popular culture. Secondly, the younger Korean generation who was born in 1960~70s acknowledged the generation of All-Campus Joint Struggle League who led a movement for democracy in Japan in the late 1960s as a NEW Japanese. The former identified with the latter in political, cultural and ethical aspects. In fact, Both pursued common value such as democracy, minority, and creativity. Most of all, the generation of All-Campus Joint Struggle League developed contemporary Japanese sub culture which became a worldwide hit in 1990s and was recognized positively by the younger Korean generation with this kind of identification and empathy. Therefore, the positive impression of Japan has been formed on the basis of evolving democratic environment which Korea and Japan shared. Thirdly, the Korean younger generation considered Japan as a market to which they could penetrate with their superior digital technologies. Japan was the first target to enlarge their cultural industries and build a global success. Since 1990s, Diversity, usualness, and creativity have been very highly regarded and deemed attached to Japanese sub culture. The positive recognition of Japan in Korea was one of the signals that a new generation who is free from colonial trauma appeared and Korean society started new steps.

자료사진 : 고막천 석교

김일림 한국사진지리학회 1995 한국사진지리학회지 Vol.3 No.1

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