문학공간의 데이터베이스 실용화방안 연구

김수복 ( Soo Bok Kim ) 한국언어문화학회 2006 한국언어문화 Vol.0 No.29

Door checker 작동력 해석 프로그램 개발

김수복(Kim, Soo Bok) 한국자동차공학회 2010 한국자동차공학회 학술대회 및 전시회 Vol.2010 No.11

The operation efforts by user are depended on arm profile shape of door checker in door. We used to satisfy the target efforts by trial and error making the door checkers of different arm profile several times. In this paper by developing program of calculating efforts on CATIA, the number of trial and error will be reduced..

신동엽 문학공간의 에듀테인먼트 활용 연구

김수복 ( Soo Bok Kim ) 한국언어문화학회 2011 한국언어문화 Vol.0 No.44

Edutainment is meaningful that induce lifelong study and active participation in the knowledge-based society in 21st century. Although some courses already have tried a related research, a result has been unsatisfactory and it was not actively discussed in literature education. This research focus on locality and dynamics of literary space and try to suggest edutainment plans which allow personal experiences. The research divide Shin Dong-yup`s literary space into historical space, popular·actual space, and mythical?archetypal space and examine educational value that each space has. The possibilities of integrated education between literature and history are suggested through historical space. Moreover, popular?actual space and mythical·archetypal space indicate recognition of reality and creative methodology which can be applied to education for creative writing. Three suggestions are proposed; ``an experiential learning applying storytelling``, ``a museum of literature as literary theme park``, and ``a creation of paintings of fairy tale and learning comics``. First, an epic 〈Geumgang〉 is selected as the work that can be used in ``an experiential learning applying to storytelling`` since it includes plentiful illustrative factor, educational and thematic factor. It is considered that easiness of experiential learning and the connection with other cultural contents. Moreover, a model for experiential learning using storytelling of 〈Geumgang〉. The model is organized for integrated study of history and literature and, in particular, the role of fields experts are emphasized. That is, two fields experts play in costumes as ``Shin, Ha-nui`` and ``Jeon, Bong-joon`` who are leading characters in 〈Geumgang〉 and it will incite learners effectively. The second suggestion is construction of a museum of literature as literary theme park which maximizes the effect of an experiential learning and originates related cultural contents. The museum of Shin Dong-yups`s literature would be classified into ``Geumgang Theme park``, ``Choraechung Them park``, and ``Azalea Them park`` and his poems would also be arranged into each theme park. For active operation of museum, a cultural performance and a management of cyber-literary-museum could be suggested. Shin`s poetical drama 〈A Shade dug in lips〉 and his operetta 〈Seokga Pagoda〉 can be applied for cultural performance. The videos of poetry recitation and cultural performance, information about augmented points, and web communities can be offered through cyber-literary-museum. The third is a creation of paintings of fairy tale and learning comics. It can make practical application of learning comics. There would be works that deal with Shin`s lifetime and that deal with his dramatized poems. The participation of experts, who are literary researcher, storyteller, illustrator, and educator, is crucial in the process of creation. All this proposals are suggested through personal experience in educational field and local research. This research proposal is worthy of notice since it is very feasible in practical way.

고은 시의 "바다"의 공간인식

김수복 ( Soo Bok Kim ) 한국언어문화학회 2013 한국언어문화 Vol.0 No.52

철전기분해장치(FNR)에서 단위공정에 따른 질소와 인의 제거

김수복,김영규,Kim, Soo Bok,Kim, Young-Gyu 한국환경보건학회 2013 한국환경보건학회지 Vol.39 No.1

Objectives: The purpose of this experiment was to illuminate the relationship between the phosphorus removal rate of unit operation and the phosphorus removal rate of phosphorus volume loading in the Ferrous Nutrient Removal process, which consists of an anoxic basin, oxic basin, and iron precipitation apparatus. Methods: This study was conducted in order to improve the effect of nitrogen and phosphorus removal in domestic wastewater using the FNR (Ferrous Nutrient Removal) process which features an iron precipitation reactor in anoxic and oxic basins. The average concentration of TN and TP was analyzed in a pilot plant ($50m^3/day$). Results: The removal rate of T-N and T-P were 66.5% and 92.8%, respectively. The $NH_3-N$ concentration of effluent was 2.62 mg/l with nitrification in the oxic basin even though the influent was 17.7 mg/l. The $NO_3$-N concentration of effluent was 5.83 mg/l through nitrification in oxic basin even though the influent and anoxic basin were 0.82 mg/l and 1.00 mg/l, respectively. The specific nitrification of the oxic basin ($mg.NH_3$-Nremoved/gMLVSSd) was 16.5 and specific de-nitrification ($mg.NO_3$-Nremoved/gMLVSSd) was 90.8. The T-P removal rate was higher in the oxic basin as T-P of influent was consumed at a rate of 56.3% in the anoxic basin but at 90.3% in the oxic basin. The TP removal rate (mg.TP/g.MLSS.d) ranged from 2.01 to 4.67 (3.06) as the volume loading of T-P was increased, Conclusions: The test results showed that the electrolysis of iron is an effective method of phosphorus removal. Regardless of the temperature and organic matter content of the influent, the quality of phosphorus in the treated water was both relatively stable and high due to the high removal efficiency. Nitrogen removal efficiency was 66.5% because organic matter from the influent serves as a carbon source in the anoxic basin.

철 석출장치가 결합된 무산소.호기공정에 의한 인 제거 특성

김민호,김영규,김수복,Kim, Min-Ho,Kim, Young-Gyu,Kim, Soo-Bok 한국환경보건학회 2010 한국환경보건학회지 Vol.36 No.6

In this study, the (phosphorous removal) the characteristics of phosphorous removal due to (the iron compound precipitated) iron compound precipitation by iron electrolysis in (the anoxic. oxic process) anoxic and oxic processes (equipped with the) in an iron precipitation device were analyzed. During the device operation period, the average concentration of BOD, T-N, and T-P were 219.9 mg/l, 54.6 mg/l and 6.71 mg/l, respectively. The BOD/$COD_{Cr}$ ratio was 0.74, and the BOD/T-N and BOD/T-P ratios were 4.0 and 32.8, respectively. The removal rate of (the organic matters) organic matter (BOD and $COD_{Cr}$) was very high at 91.6% or higher, and that of nitrogen was 80.5%. The phosphorous concentration (of the final) in the treated water was 0.43 mg/l (0.05-0.74 mg/l) on average, and the removal efficiency was high at 90.8%. The soluble T-P concentrations in (an) the anoxic reactor, oxic reactor (II) and final treated water were 1.99 mg/l, 0.79 mg/l and 0.43 mg/l, respectively, which indicated that the phosphorous concentration in the treated water was very low. Regardless of the changes in the concentrations of (organic matters) organic matter, nitrogen and phosphorous in the influent, the quality of the treated water was relatively stable and high. The removal rate of T-P somewhat increased with the increase in the F/M ratio in the influent, and it also linearly increased in proportion to the T-P loading rate in the influent. In the treatment process used in this study, phosphorous was removed (using) by the precipitated iron oxide. Therefore, the consumption of organic (matters) matter for biological phosphorus removal was minimized and (most of the organic matters were) was mostly used as the organic carbon source for the denitrification in the anoxic reactor. This (can be an economic) treatment process (without the need for the supply of additional organic matters) is economic and does not require the supply of additional organic matter.

Influence of Domperidone on the Response of Blood Pressure in Rats : Domperidone이 백서의 혈압반응에 미치는 영향

김화영(Hwa Young Kim),최희웅(Hee Woong Choi),최동준(Dong Joon Choi),김원식(Won Shik Kim),최철희(Cheol Hee Choi),이수관(Soo Kwan Lee),김수복(Soo Bok Kim),임동윤(Dong Yoon Lim) 조선대학교 의학연구원 1989 The Medical Journal of Chosun University Vol.14 No.2

천리마시대 북한 시의 서정적주인공

조안나 ( Jo Anna ),김수복 ( Kim Soo Bok ) 단국대학교 한국문화기술연구소 2016 한국문화기술 Vol.21 No.-

In a poem, there exist a speaker, hearer and the poet and readers outside the poem. At this moment, the person who speaks in a poem is called a speaker, or poetic speaker, and in North Korea, people are using the term of ‘a lyrical main character’ to refer to the speaker. Giving an eye to this point, this writing is intending to look into the relationship between a poet and poetic speaker centering on the ‘lyrical main character’ manifested in North Korean poems during the era of Chollima Movement. In addition, this study explored the lyrical main character by limiting a period to the era of the so-called Chollima. The hitherto research on North Korean poems has been concentrated on the study into lyrical poems in general, or poetic properties mostly targeting the Korean War, or the liberation period and the 1990s. In a bid to overcome the limitations like the existing researches on the poems in North Korea have been concentrated in a specific era, and engaged in a monotonous analysis of them, this study looked at the North Korean poems by choosing the limitative period of the era of Chollima. First, this study explored the recognition attitude towards the terms of ‘Lyrical poem’, ‘Poet’, and ‘Poetic speaker’ in North Korea. According to the meaning marked in 『Dictionary of Literature & Arts』, North Korea seems to guarantee literary feelings, but in reality, they put restrictive conditions that all art works should express the ideology and the spirit of the times of North Korea. Next, this study looked into how the poetic speaker is exposed in actual poems through 『Chosun Munhak』. The lyrical main character can be roughly into three sorts, i.e. the main character which is suggested as ‘I’ in a poe, an observer who delivers a narration, and a central character in a poem though not specified as ‘I.’ These lyrical main characters carry out various role respectively like pride as a worker, and aspects of supplying information of the era of Chollima, etc. Lastly, this study briefly looked into why they sing lyricism in the era of Chollima which is in need of work. From their position, it can be said that work must be fierce for certain, but the aimed work during the era of Chollima is what they should definitely achieve, and also their goal of life. That’s why there exist beauty and tragic properties together in work of this period. Therefore, this study makes a cautious conjecture that they might be using lyricism with more emphasis in an effort to cover up such a tragedy.

白石 詩의 ‘집’의 空間 認識

김수복 단국대학교 1999 論文集 Vol.34 No.-

This thesis has demonstrated that the symbols of the home in Baek-seuk's poetry indicate the significance of space. The home in Korea's modern poetry is operated as the space not only for reconciliating but for reflecting. During the period when Koreans were deprived of sovereignty of the home involved the significance of the space in which to perceive the self anxious to achieve to national homogeneity. The poetry of Kim, So-wol reveals lost sovereignty turned out the consciousness of the absence of the home. The will of the self was transformed into the psychological facets of transcendentalism and revival. As a result, the home is the place that signifies that the nature of life itself is altered because of lost sovereinty and that there can spring a hope of restoring the communal life of the nation. Baek-seuk's poetry, also, reveals that home indicates the consciousness appearing in communal life. It is home symbolizes 'room', 'kitchen', and 'fence', which mainly function as a kind of motif. Baek-seuk's inner consciousness has something has to do with reality awakening the primitive emotion of the nation, not with the romantic dream of the home town. It can be safely concluded that the symbols of 'room', 'kichen', and 'fence', indicate the significance of space : 1) The home in Baek-seuk's poetry is the space where the family lives a communal life or the family decides to reflect on the self and settle down after a long roaming life. The former is corroborated in the poems, 「A Tribe from the Valley A fox Grows」,「Good Old Nights」,「A Terrible Old Landlady Resembling A Tiger Yonder」,「A song for a Bedwetter」, and the latter in 「A wall」,「A Country, Yoo-dong, Southern Shineuijoo when Mr. Park, Shibong Lives」. 2) The kitchen is a place not merery for cooking but for making a full a circle of the emotions of communal life. 「The Tavern」and 「The Lonely Sight」reveal the significance of the space in which we lead a communal life. 「Dawn」and 「Midnight demonstrate that local food creates the basis of common emotions in local life. Such cuisine involves the spirit to restore the national subjectivity through local life. 3) The fence, the boundary line of a house, does not alienate the inhabitants but strengthens the communal consciousness of the space, 「Early Winter」and 「Outside of the Gate Proclaiming Justice」demonstrate that the fence repreaents the sight of the local life, but 「The Place There Are Many Things to Fear」indicate the significance of the fence as the space which plays a major role in dreaming about life which produces manner and shamaniam. 「The Red Gate Built in Honor of Justice and Virtue」makes the epic description of the fall of the reputed family. The significance of the fence as the space holds the mirror up to the reality of communal life by means of local life and the decline of the family of the best rank and station.

白石 詩의 '산'의 空間 認識

김수복 단국대학교 1998 論文集 Vol.33 No.-

The purpose of this study is to observe the attitude to the recognition of space reflected in t symbolic type of 'Mountain' of Pack Suck's poetry. Pack Suck was a poet to portray our national experience of the inner life, figuring the folk and local materials in the poetical form. The folk and local motives of his poems make us recognize the instinctive world of our life warmly, overcoming the loss of our national identity. This is due to his awareness of local dialect similar to 'More's Great Power'. His poetic cognitive world is based on the local space of his birthplace around the district of Pyungbook located deep in his inner life. Such local emotions are likely to topple toward the sentimental localism, but his poems try to overcome such a danger. He has the poetic intention to figure the reality to remind our national instinctive emotion rather than romantic cognition yearning for the local world of his birthplace. Basically in his poetic cognitive world, such symbolic types of 'Mountain' as 'Hill', 'Mountain Slope', 'Secluded Place', 'Mountain Path' form his imagination chiefly. The symbolic recognition of 'Mountain' in our poetry is a symbolic of 'Chosun Spirit', or shows the recognition of spiritual world through the vertical ascension, but Peak Suck's recognition of the space of 'Mountain' shows the intention to figure the spiritual world of the folk and local life through horizontal cognition. Well, I would like to summarize his recognition of the space reflected in such spatial types of 'Mountain' as 'Hill', 'Mountain Slope', 'Secluded Place', 'Mountain Path', and conclude as follows: i) His recognition of space, 'Hill', shows the recognition of folk and local life against 'Gazrang Hill'. 'Gooksudang Hill' in such poems as “Gazrangjip”, “Old Woman like a Tiger in the House beyond the Hill”. This cognitive attitude has the spatial symbolic meaning that 'Hill' is the living place as a background of folk and local life connected from village to village. ii) If the folk and local recognition of 'Hill' is an imaginative expression of recollection and childhood-experience, the spatial recognition of 'Mountain Slope' is mainly a narrative recognition of real life. The spatial recognition of 'Mountain Slope', in which a narrative real life roots, contains the recognition of the poor life and the reality of nothern emotion at that time in such poems as “Goya”(=Bygone Night), “Nun”, “Jeongju Castle”, “Sambang”. iii) 'Secluded Place', the spatial type of 'Mountain' appears as a space showing our national universal recognition of life in his “Mountain Valley”, “Mountain Lodging”, “Banquet Music”, “White Birch”. Such a recognition of “Mountain Valley”implies the spirit of folk's life as a space of our national archetypal life. iv) If 'Hill', 'Mountain Slope', 'Secluded Place' are an imagination forming our national archetypal life through the retrospective recognition of life, “Mountain Path”, “Mountain”contain the recognition of the world of self-recovery. His spatial recognition of “Mountain Path”, “Mountain” operates as strong sensible space for self-recovery injured from a nomadic life in “Me, Natacia and White Donkey”, “Stadium Way”, “Shi-bong Park Ryudong Southern Shineuju”.