탈식민지 이론과 중국의 문화비평

정봉희 단국대학교 한국문화기술연구소 2008 한국문화기술 Vol.6 No.-

從20世紀80年代到90年代傳到中國的后現代主義理論和批評在中國的文化批評和文學批評中産生了廣泛的影響, 活躍了批評文壇。 在接受過程中對后殖民主義理論的飜譯, 介紹, 評价鞏固了后殖民主義在中國理論和批評界的地位, 爲文學和大衆文化的批評提供了行之有效的方法論, 在國際化的時代, 喚起了對民族話語。后殖民主義理論首先在西方的漢學和中國學中起了重要的作用。 后殖民主義理論作爲現代文化政治理論和批評的整合, 與后現代主義解構權力中心的傾向一脈相承, 擺脫了結構主義和文本主義的傾向, 再生産了國際化和本土化的兩極話語。通過后殖民主義的接受, 中國的文學和文化批評把西方中心主義和民族國家的話語引入到了現代化的宏大敍事中。 通過后殖民主義理論的傳播與實踐, 反省了在西方文化覇權和多元主義時代, 如何重構中國的形象問題, 反思了如何認同東西方文化差異和共性, 如何樹立民族的文化身分的安全感和均衡性的問題。 爲此, 該論文分析了接受后殖民主義理論的中國社會文化的背景, 闡述了會殖民主義理論在中國接受過程, 以及后殖民主義理論與中國文化批評的關系。

포스트모던 시대의 한국 대중문화에 대한 성찰적 종교교육 체계의 구현 가능성 - 대중문화 담론과 기독교 담론 간 관계의 탐색적 고찰을 중심으로

민웅기 단국대학교(천안캠퍼스) 한국문화기술연구소 2016 한국문화기술 Vol.21 No.-

As popular culture is rapidly changing in the postmodern era, it is necessary to formulate a right communication system between popular culture and religion. Christian discourse is a religious conviction and a system of thought that deserves attention during deep discussions on the relation between popular culture and religion. Although popular culture in the postmodern era respects diversity, the cultural relativism makes people agonize over the ethical validity. Moreover the good and adverse effects of discourse on popular culture lead to the discussion that each function of Christian discourse should be connected or separated. The study is expected to organize a sustainable relationship between discourses on religion and popular culture.

1930년대 후반~1940년대 초반 한국 문예의 “골동품” 모티프 -『문장(文章)』을 중심으로

홍지석 ( Ji Suk Hong ) 단국대학교 한국문화기술연구소 2011 한국문화기술 Vol.12 No.-

This paper examine the ‘Antique’ motif of Korean Literature and Art between late 1930’s~early 1940’s focusing on the texts of‘洗眈’ MunJang’(1939~1941), the Journal of Literature and Art. In that period, members of MunJang are fond of Antique motives like pottery, stationery, old bookˇˇas a subject matter or theme of their work. This phenomenon is very interesting because the leaders(artists) of that pheno menon-Lee Tae Jun, Kim Yong Jun, Kim Whan Kiˇˇ-are the pathfinders of Korean Modern Art and Literature in 1930’s. So their Antiquarianism sometimes has been understood as a reactionary phenomenon of Art and Literature. Some researchers regard their Antiquarianism as a decisive influence of Japanese colonialism and Imperialism. However this paper deals with their Antiquarianism as a modernistic resonance. If we look closer their way of treating antique motives, we could find various indications of Modern Art and Society. This result are as follows, 1)compulsive obsession for hygiene(cleanliness), 2) double attitude to the part/integral 3) attempting to achieving the simultaneity of past/present.

박병일의 심리지리적 현대 도시 풍경화

송혜령 ( Song Hye Ryeong ) 단국대학교 한국문화기술연구소 2025 한국문화기술 Vol.38 No.0

이 논문은 실천적 보행의 가치를 보여주는 박병일의 작품을 분석하여, 산수화에서 발전된 현대 도시 풍경화의 현대적 의의와 도시 속 자행(自行)되는 걷기의 사회문화적 가치를 탐구한다. 작가에 의해 실천된 보행이 이루어낸 예술적 변화와 사회적 변화를 확인함으로써 박병일의 현대 도시 풍경화가 가지는 동시대적 가치를 살펴본다. 첫 번째 장에서는 박병일의 작품이 가지는 현대 도시 풍경화로서의 특징과 그 가치를 분석한다. 작가의 보행이 실천됨에 따라 산수화에서 변화한 현대 도시 풍경화의 사생을 탐구하여 박병일 작품에 대한 역사적·미술사적 탐구를 진행한다. 사생에 대한 재해석으로 인해 발생한 조형적 언어의 다원화와 발전한 개성을 살펴보며 박병일 작품이 가지는 개성들을 파악한다. 작가의 보행, 작가만의 블록형태 미점준, 여백에 대한 현대적 해석이 가지는 의의를 이해한다. 두 번째 장에서는 상황주의의 실천과 전략을 통해 바라본 박병일 작품의 의미와 도시를 걷는 것이 형성하는 사회문화적 가치를 연구한다. 심리지리적 지도로서의 박병일 작품을 이해하고자 환경과 개인의 관계를 자본주의적 관점에서 해석한 상황주의의 주장들을 살펴본다. 도시의 사회문화적 의미를 이해하고, 상황주의에 의해 실천된 전략을 정리함으로써 박병일의 작품 속 해당 요소들을 발견한다. 그를 통해 도시를 걷는 것이 가지는 현대적 가치를 인식하고, 현대 도시의 일상을 풍경화로 담아내는 박병일 작품의 의미를 정리한다. This paper analyzes the works of Park Byung-il, which embody the value of practical walking, to explore the contemporary significance of urban landscapes derived from traditional Korean landscape painting and the sociocultural value of walking in urban spaces. By examining the artistic and social transformations brought about by the artist’s practice of walking, the study investigates the contemporaneity and relevance of Park Byung-il’s urban landscapes. The first chapter analyzes the characteristics and significance of Park Byung-il’s works as contemporary urban landscapes. It explores the evolution of urban landscapes from traditional Korean landscape painting through the artist’s practice of walking, conducting a historical and art-historical examination of his works. The chapter examines the diversification of artistic language and the development of individuality resulting from the reinterpretation of sketching. It identifies the unique aspects of Park’s works, including his practice of walking, his distinctive block-shaped dot technique, and his modern interpretation of spatial voids, while elucidating their artistic significance. The second chapter examines the significance of Park Byung-il’s works and the sociocu ltural value of walking in urban spaces through the lens of Situationist practices and strategies. It explores Park’s works as psychogeographic maps, analyzing the relationship between the environment and the individual from a capitalist perspective, as argued by Situationist theories. By understanding the sociocultural meaning of the urban context and summarizing the strategies practiced by the Situationists, the chapter identifies these elements with in Park’s works. This analysis highlights the modern value of walking in urban spaces and consolidates the significance of Park Byung-il’s works in capturing the everyday life of contemporary cities through urban landscapes.

문학예술기행의 문화산업적 의미

박덕규 단국대학교 한국문화기술연구소 2005 한국문화기술 Vol.1 No.-

북한 TV드라마의 유형과 체계

김미진 ( Mi Jin Kim ) 단국대학교 한국문화기술연구소 2013 한국문화기술 Vol.16 No.-

The purpose of this study is to advance the active research on North Korean television drama (hereinafter “TV drama”) in the future by conducting a general research study on North Korean TV dramas that was rather lacking to a certain degree in comparison to other genre of North Korean arts and culture by reviewing preceding research studies. Culture genres such as movies or theater plays where the performance is given in a fixed place are subject to restrictions in time and space, but television shows are not subject to such limitations. Unless someone turns off a television, the contents viewed on the TV are indiscriminately conveyed to the viewer. In other words, from the point of view of a culture recipient, the TV is a much more accessible medium than movies or theater plays and through TVs, TV dramas are the most easily accessible genre to recipients. Today, literary fares called “literary art” are provided to their citizens in North Korea. Hui-Yeol Ahn’s “Study on Juche Theory of Literature and Art: Types and Forms of Literary Arts” classifies the type of literary arts into literature, movies, theater plays, operas, music, dance, art and acrobatics. These types of literary arts have been subdivided and categorized in accordance with the characteristics of their forms. When examining the position in which TV dramas are placed among the genre of North Korean literary arts pursuant to Hui-Yeol Ahn’s categorization, “Television Plays” are sub-categorized under theater plays, “Television Movies” are subcategorized under movies. In light of such findings, it can be said that North Korean “Television Plays” simultaneously take on the form of a play which is characteristic of dramatic arts and the form of a movie which is displayed in the form of visual arts. That is to say that “Television plays are a new form of literary art that has been adapted to its own unique figurative nature by succeeding the means and methods of a movie-like format and the dramatic form of theater arts.” The Korean Central News Agency, North Korea’s representative broadcasting network and system wholly governmentcontrolled and managed system, broadcasts the “news report” at 5 P.M., Kim Jung-Il propaganda related programs from 6 P.M. until 8 P.M., the “news report” at 8 P.M. and then airs TV dramas after the “news report” starting at 8:30 or 8:50 P.M. for about 50 minutes. The TV drama programming by the Korean Central News Agency mostly airs one episode a day. However, two consecutive episodes have been occasionally aired and there were times where reruns of previous episodes have been aired again a few months later. This study will first review studies on North Korean TV dramas that have been undertaken in South Korea and then propose a systematic and expansive research project on North Korean TV dramas to be carried out in the future.

1950년대 북한 잡지에서의 여성교양 소설 연구 - 『조선녀성』을 중심으로

임옥규 ( Lim Ok-kyu ) 단국대학교 한국문화기술연구소 2017 한국문화기술 Vol.23 No.-

Educating women was the task in 1950s`, that was the period of shifting socialism, of North Korea. 『Joseon Nyeoseong』 was used for that. 『Joseon Nyeoseong』 that was enlightened women by following North Korean official policies and taking a role of ideology·refinement magazine. The study analyzes 1950s`, which is a formative period of North Korean system, discourse of 『Joseon Nyeoseong』 and imagery of literatures. By analyzing, it is supposed that understanding the discourse of women refinement and finding cultural refinement or the truth of mobilization enlightenment. Because 『Joseon Nyeoseong』 was important media to propagate the justification of ideology and instigate North Korean women as a method of political ideas. In 1950s`, there is a gap between refinement discourses and the truth. This study tried to find the nature of state-dominated women refinement, mechanism of restructuring women and the hierarchy of gender role those are conducted with integrated ideology of North Korean society and national growth-centered development policy.

박솔뫼의 재난서사에 나타난 생태의식 연구 - 원전 사고 이후를 그린 작품들을 중심으로

심영아 단국대학교(천안캠퍼스) 한국문화기술연구소 2019 한국문화기술 Vol.27 No.-

The purpose of this article is to analyze the criticism of modern industrial civilization and ecological thought in Park Solmoe’s “Stumbling Toward the Dark Night,” “Every Afternoon We” and “Winter’s Eyes”. These works, which depict the virtual future after the Kori nuclear accident, can be read as criticism of anti-ecological society based on modernity. This paper analyzed this criticism of modernity and ecological thought in three aspects. First, these works, by unrealistic situation or gloomy daily life, represent the world in which the familiar reality disappears and the human existence itself is threatened. And by specifying that the cause of the disaster is the nuclear accident, it implies an ecological thought which criticize the present society. Second, these works criticize the modern industrial civilization by clearly suggesting that the disaster that makes the future disappear is a result of blind economic development aimed at ‘developed countries’. Third, against the violent economic development and modern ideology of progress, the characters of these works choose rambling without purpose and going to theater. They meet with the ruined world and regain solidarity with it through purposeless rambling, and participate in reality and form community through the theater. In these works, rambling and theater have a positive meaning against the ideals of development and progress. This analysis is an attempt to find a form of ecological thinking that is latent in 21st century Korean literature, which is called the postmodern era. 이 글은 박솔뫼의 「어두운 밤을 향해 흔들흔들」, 「우리는 매일 오후에」, 「겨 울의 눈빛」에 나타난 근대 산업문명 비판과 생태 의식을 분석하는 것을 목적 으로 한다. 고리 원전 사고 이후 가상의 미래를 그린 이 작품들은 과학과 경제 개발을 기반으로 한 근대 산업문명에 대한 비판으로 읽힐 수 있으며, 이런 점에서 생태계 파괴를 비롯한 현재 세계의 전반적 위기의 원인을 근대 산업문명 으로 보는 생태주의적 사고와 맥을 같이 한다. 본고는 이러한 근대 비판과 생태 의식을 세 가지 측면에서 분석하였다. 첫째, 이 작품들은 원전 사고 이후 익숙한 현실이 사라지고 인간 실존 자체가 위협받는 세계를 환상적 상황 혹은 암울한 일상을 통해 그리고 있으며, 이런 재난의 원인이 원전사고임을 명시함 으로써 현실 비판적인 생태 의식을 내포한다. 둘째, 이 작품들은 세계 종말을 미래 실종이라는 관점으로 제시하고, 그 근본적 원인으로서 산업문명의 폭력적 경제 개발을 비판하고 있다. 아울러 미래를 사라지게 만든 원전 사고를 근대 산업문명의 필연적 귀결로 제시함으로써 근대 산업문명을 비판하는 생태의식을 드러낸다. 셋째, 이 작품들의 등장인물들은 목적 없는 산책을 통해 폐허가 된 세계와 다시 만나고 인간 중심주의적 근대에는 불가능한 방식으로 세계와의 연대를 회복한다. 또한 직접 목격이나 증언이 아닌 극장이라는 매개를 통해 현실에 참여하고 공동체를 형성한다. 이들의 산책과 극장 가기는 폭력적 경제 발전과 근대적 진보 이념에 대한 무위의 저항으로 해석된다. 이상의 분석은 박솔뫼의 작품에 대한 미시적 이해를 심화하는 동시에 포스트모더니즘, 탈근대의 시대로 불리는 21세기 한국 문학에 잠재되어 있는 생태적 사유의 한형태를 찾아보려는 시도이다.

한국 현대 동화 인물의 이중적 자아에 관하여 -「수선된 아이」와『금이 간 거울』을 중심으로

김경우 단국대학교 한국문화기술연구소 2007 한국문화기술 Vol.4 No.-

김정은 시대 북한 화장품의 ‘선전’과 ‘실제’: - 화장품을 통해서 본 북한여성 문화

강동완 ( Kang Dong Wan ) 단국대학교 한국문화기술연구소 2019 한국문화기술 Vol.26 No.-

This study set out to investigate the North Korean regime’s perceptions of cosmetic production by raising questions such as “What meanings do cosmetics have for women in North Korea?,” “Why does the regime of North Korea encourage the production and development of cosmetics?” and “How is the North Korean society changed by the use of North Korean cosmetics?” The study aimed to figure out the ways that cosmetics were promoted to people in North Korea so that the regime of North Korea would achieve the political rhetoric of “improvement of people’s life.” The investigator conducted an interview with female North Korean defectors that experienced the era of Kim Jong-un, thus examining the “reality” of their perceptions of North Korean cosmetics promoted by the regime. Considering that the act of make-up itself can lead to the classification of social strata based on gender awareness, the North Korean regime’s intention and perception of make-up can be another factor to analyze the North Korean society. This was the reason why the present study focused on the gap between political “promotion” intended by the regime of North Korea in its political system and “reality” found in North Koreans’ perception and action of it.