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The Structure and Mode of Consolation in Chaucer's The Book of the Duchess
현중식 中央大學校 人文科學硏究所 1994 人文學硏究 Vol.22 No.-
Every reader of the Book of the Duchess reads it with the prior knowledge that Chaucer wrote the poem, at the request of John of Gaunt, as an elegy for the wife of the Duke, Blanche, who died young. This foreknowledge influences our reading of the poem consciously and unconsciously, and it seems to me that there is a general tendency to overemphasize the close relationship between the poem and the actuality, between the person in the poem and their models. Six centuries after the death of the Duchess and the writing of the poem, we tend too much to find satisfaction in establishing parallels between the actual and the literary, in identifying the idealized characters with persons that actually lived. What is crucial in the reading of this poem, it seems to me, is the proper realization of not only the parallels, but also the distances, between the actuality and its artistic representation--an understanding which, I believe, Chaucer's contemporary audience would have had without the necessity of any further precautionary words than the very structure of the poem.
Vision of the Inner Life and Point of View in Mrs. Dalloway : 主題와 視點
Hyon, Joong-Shik 中央大學校 人文科學硏究所 1997 人文學硏究 Vol.26 No.-
Beginning the first part of the paper by quoting a passage from Bergson, I intend to show why Mrs. Dalloway could be called a "correlative", or an objectification in literary form, of a Bergsonian vision of reality, and discuss how an attempt to represent such a conception of reality would inevitably lead to the kind of technique Woolf employs and to the kind of novel she thereby produces ---a novel so different in kind from what we have long understood by that name. Then I will consider the "point of view" in Mrs. Dalloway,discuss what kind of special difficulties arise when we try to determine the point of view in Woolf's novel, and show how these difficulties are directly related with the central vision of the book. I would have liked to quote the whole passage from Bergson's Introduction to Metaphysics, which I think is a theoretical key to the understanding of Virginia Woolf's novel, but I have selected a few of the more illuminating portions therefrom, which are here presented in the order they appear in the passage. "There is one reality, at least, which we all seize from within, by intuition and not by simple analysis. It is our own personality in its flowing through time - - -our self which endures. We may sympathize intellectually with nothing else, but we certainly sympathize with our own selves."