http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : Pong, W.F. (검색결과 285 건)
- 무료
- 기관 내 무료
- 유료
-
-
朴鳳烈 서울대학교 1969 서울대학교 論文集 Vol.20 No.-
The dynamical connection between various compound models and higher symmetry will be investigated by the method of current algebra. It will be shown that both quark and triplet models will be qualitatively valid for generating the higher symmetry.
-
-
朴鳳琅 건국대학교 1967 學術誌 Vol.8 No.1
This is a study on the movement which has been taking place in the Christian churches of the Westrn world, especially in the American Scene in the first part of the post 20th century, often called "New Theology," or "Radical Theology," but generally "Death of God Theology." The origin of this movement is not without identifiable in certain particular persons or writings as shown in this thesis. But it is the present writer's observation that this radical Christian movement will adequately be understood only by pointing to a certain claim of the spirit of the time. The expression, death of God, implies the negative element of the modern consciousness. It is an agony in which the modern church experiences her life in the midst of the radically changing cultural climate of the post·modern era. Death of God Theology is not to be identified with Atheism either in terms of Anti-theistic Atheism, or naturalistic, materialistic Atheism, but to be understood in terms of a certain theological position which claims to accept the fact of the modern scientific, atheistic world view and to establish their christian insight within the context of the atheistic position. It is this sort of Gospel of christian Atheism, or theological claim that calls for our special attention here. In this thesis the present writer attempts to investigate theological implications of the five radical theologians, analizing their thoughts and claims in the context, first of the traditional christian thought, but especially of the present christian situation. The pivotal question in this thesis is what God would they mean when they say God is dead. Readers will find that their answers are varied. However the common denominator which underlies all their writings is the sense of loss. This sense of loss wall give the characteristic to this movement. The thesis includes seven chapters. The first two of these will serve as an introduction to the understanding of the death of God movement, while the remaining chapters deal with the five voices of the contemporary Death of God Theology. Readers are suggested to follow the main subject of each chapter and its subdivisions with special attention. They are as following : 1.The New Challenge 2.The Origin of the Death of God Theology What is the Death of God Theology? How this movement arose? Who are Death of God Theologians? Main sources 3.The Proclamation of the theological revolution : John Robinson The request of the theological revolution The End of Theism God as a Depth of Being The beyond in the midst : Christ Criticism and Conclusion 4.Atheistic Christology : Thomas Altizer The demand of the Death of God The Death of God as that of the historical christian God Nirvana and the Kingdom of God God as the Incarnate Christ Criticism and Conclusion : on the atheistic Christology 5.The New Optimism : William Hamilton Hamilton and the radical theology movement The Death of God The Obedience to Jesus and the new Optimism The Interpretation of Bonhoeffer's 〈Prisoner for God〉 Criticism and Conclusion 6.Post-Christian Era : Gabriel Vahnian What Vahnian attempts to do The Modern Promedeus : The scientific Humanism The Revolt of Science The religious deviation : Man's Religiosity The way out : the Secularization of Christianity and the Demythlozisation of the Gospel Criticism and Conclusion 7.To Speak of God in the Secular Fashion: Harvey Cox The Significance of Cox in modern theology What is meant by the Death of God? To speak of God in the Secular Fashion Criticism and Conclusion 8.The Final Conclusion
-
-
-
T.S. Eliot의 藝術秩序觀 小考 : 그 傳統과 個性의 問題를 中心하여
李鳳國 연세대학교 인문과학연구소 1963 人文科學 Vol.10 No.-
In Poetry and Drama (1951) T.S. Eliot sums up his literary activities: "…it is ultimately the function of art, in imposing a credible order upon ordinary reality, and thereby eliciting some perception of an order in reality, to bring us to a condition of serenity, stillness, and reconciliation." It would appear that his sense of history had been established by the time of his first anthology, Prufrock and Other Oservations (1917). He ranged through European literary tradition in search of values, and his effort brought to him a sense of order and his impersonal theory of poetry, both of which he represents in "Tradition and Individual Talent." By 1922 Eliot lays a new landmark in English poetry with "The Wasted Land" in which he embodies his ideas in verse. Starting with "Tradition and the Individual Talent" this paper surveys the course of his ideological development of Art as an order ending in Poetry and Drama.
-
-
Shakespeare 舞臺藝術의 特質 : Hamlet의 構成을 中心하여 With refernece to the Construction of Hamlet
李鳳國 연세대학교 인문과학연구소 1959 人文科學 Vol.3 No.-
Shakespeare, the greatest dramatist of all time ,"help, a mirror up to nature for an audience in the Globe Theatre. It stage was different in so many respects from present day theatres that we can hardly appreciate the excellence of his dramatic art without some understanding of the peculiar conditions of his theatre. Therefore, it seems to me that a fundamental way of approaching Shakespeare's drama to understand the conditions which the tried and competent dramatist had to take into account in building his plays and to try to understand what he as a dramatist was striving for on his stage. It will at least help us by increasing our understanding of his craft. From this point of view I considered the various characteristics of Shakespeare's theatrical art in relation to with the stage practice of his day and tried to show the exquisite adaptation of the construction of Hamlet to the limitations of his stage.
-
허봉식 동의공업대학 2001 論文集 Vol.27 No.1
In this paper, we presented a hierarchical shape matching algorithm utilizing hierarchical representation scheme for planar curves. A hierarchical representation tree for a given shape is transformed into normalized error signature(NES). NES is then used for hierarchical shape matching For which, thresholded NES is dynamically extracted for level-matching. Experimental results show that the proposed method is useful for efficient shape matching. However, more robust shape signature must be designed to distinguish convex-concave shapes exactly in the future.
연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
