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RISS 인기검색어
- 검색키워드
- 저자 : Klaus G. Witz (검색결과 3 건)
- 무료
- 기관 내 무료
- 유료
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Portraiture and Essentialist Portraiture
Klaus G. Witz 한국질적탐구학회 2015 질적탐구 Vol.1 No.1
The present paper deals with only one, the most distinctive aspect of “Portraiture” and of “Essentialist Portraiture” in qualitative research or inquiry, viz. that writing a “Portrait” is analogous to a painter painting a portrait of a person. The paper describes this “Portraiture – Portrait-painting” paradigm both for Lawrence-Lightfoot’s original idea of Portraiture in general and for Essentialist Portraiture, and discusses how research of this kind is situated among other traditions in qualitative methodology. Even in portraits of larger social objects such as in Lawrence-Lightfoot’s original portraits (“real life drawings”) of six “good high schools,” or in portraits of activities, programs or services in institutions and organizations, the source of inspiration is the truly human such as can be seen in painted portraits of individuals, both in Western and other traditions of portrait painting. In other words, portraiture represents a general approach to try to give a more direct impression of things intrinsically human in human nature, experience, and consciousness, in a way that has some more objective validity and is accessible to a larger audience. And it can do this in a broad range of social contexts and at many levels.
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Colwyn, Age 5 1/2, “Protecting Mom and Dad”
Klaus G. Witz,Sung Ah Bae,Hyunju Lee,Youngcook Jun,Yongsock Chang 아시아질적탐구학회 2022 아시아질적탐구 Vol.1 No.1
The present paper is part of a larger case study of a 5 1/2 year old Korean boy, Colwyn, with his mother, Dr. Bae. Dr. Bae interviewed Colwyn twice, about 2 months apart; the first interview was audiotaped, the second videotaped. The present paper is based primarily on the second interview where Colwyn tells several wildly imaginative stories of himself like a superhero “protecting mom and dad.” Our aim is to communicate a sense of Colwyn’s “feeling, consciousness, state” when he is telling these “stories”, using the portraiture philosophy of Lawrence-Lightfoot and Davis and the “Participant-as-ally - Essentialist portraiture” approach of Witz and his students. The paper suggests that Colwyn’s “telling stories” in that Interview involves a highly self-actualized way of “being involved with his ‘I’”, which was apparently prompted by Interview 1 and is expressed in the drawing in Fig. 1. (In Interview 2 he constantly comes back to this drawing and uses it as a jumping off point for ideas in the stories). In addition, when he is telling a story, his whole being (feeling and mind) is “as if flowing in a direct channel,” manifesting as a constant stream of inspiration (creativity), ideas and diverse kinds of energy which is coming from within him, and that is carried on a powerful undercurrent of moral feeling of “being good.” At the same time telling the story represents a state of “subjectively being in a unity with” his mother’s feelings of appreciation and love. These things represent intense genuine spiritual engagement that at the same time manifests itself as creative expression in painting and in verbal interaction, already at this young age. This conclusion is supported by various additional data available.
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Youngcook Jun(Youngcook Jun),Klaus G. Witz(Klaus G. Witz ) 아시아질적탐구학회 2022 아시아질적탐구 Vol.1 No.2
This paper presents a portrait of a Korean woman Wonmahn (pseudonym) who engaged in Won Buddhist religious life including Mind Practice. Mind Practice allows the participant to reflect on one’s own state of mind and observe how it triggers other emotions, feelings, or effects in human relationships and in relation to facing troubles in everyday life. We try to understand how her Mind Practice affected her inner states of mind, feelings, attitudes etc. more deeply based on the “Participant as Ally - Essentialist Portraiture” approach. The in-depth interviews were conducted 6 times between the fall of 2011 and 2013. We tried to find out significant passages of transcripts and then articulate them on her ways of evolving to inner maturity through Mind Practice activities. This portrait illustrates her nature and impression with some alive passages and a timeline for grasping unity or oneness of the whole person. Also she repeatedly tried to be aware of her own mind states whenever she encounter troublesome situations in order to become a better person revealing higher aspects. In this portrait, we explore that such “higher aspects” are related with her values, commitments or inner changes as a whole person. Further we try to understand that her higher aspects are manifested as a “subtle and pervasive inner consciousness” in a person.
RISS
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