http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : Kenji OBA (검색결과 4 건)
- 무료
- 기관 내 무료
- 유료
-
Kenji OBA 이화여자대학교 이화인문과학원 2016 탈경계인문학 Vol.9 No.3
Most literary criticism of Ghosts (1986) by Paul Auster (1947– ) have focused on the relationship with postmodernism and American Renaissance literature. By contrast, this research compares Paul Auster’s Ghosts with The Ruined Map (1967) by Abe Kōbō (1924–1993) through the medium of allusions to paintings by Pablo Picasso (1881–1973). Both Abe and Auster commonly wrote about disappearance and identity crisis in urban space. In The Ruined Map, there is a “Picasso lithograph” in the room of a client who asks a detective to find her missing husband. This lithograph, clipped out of a magazine and depicting a woman looking up and left, was quoted from Metamorphosis (Die Verwandlung, 1915) by Franz Kafka (1883–1924). Metamorphosis contains a picture, which depicted a woman and lost its “aura” through being clipped out of a magazine. Being influenced by Kafka, the “Picasso lithograph” appears in The Ruined Map. This lithograph paradoxically represents existentialistic material in urban space through phenomenological reduction. In Ghosts, it is important that all female characters cry. Their tears represent the “process of mourning” that works against “ghosts” as lost possibilities. At that time, Jacque Derrida (1930–2004) also argues the theme of possibilities. Auster connected the theme of disappearance from the present life (context) with possibilities as well as Derrida. Moreover, there is another hidden “Weeping Woman.” She is Picasso’s The Weeping Woman (1937). The names of main characters of Ghosts, such as Blue or Black, indicate the colors in The Weeping Woman. Hence, Auster wrote Ghosts under the influence of Abe, Picasso, and Derrida.
-
大場健司(Oba, Kenji) 한국일본문화학회 2019 日本文化學報 Vol.0 No.80
Recent previous studies on Abe Kōbō (1924-1993) tend to argue about the works written by Abe in the 1950s Japan. This means that such previous studies paid attention to Abe as a writer of Japan Communist Party. However, after the expulsion from the party, Abe wrote works under the influence of anarchism, which cannot be reduced into Marxism. Hence, This study focuses the relationship between his anarchism and social context at the time.
-
「パラレル・ワールド」と「穴」の水脈 - 安部公房『砂の女』とポール・オースター『闇の中の男』 -
大場健司(Oba, Kenji) 한국일본문화학회 2021 日本文化學報 Vol.0 No.88
This paper compares The Woman in The Dunes (1962) by Abe Kōbō (1924–1993) with Man in the Dark (2008) by Paul Auster (1947–). The Woman in The Dunes depicts self-differentiation in “holes” in a world influenced by the existentialism of Jean-Paul Sartre (1905–1980). However, Man in the Dark depicts “Parallel Worlds,” which reflects the influence of Jacques Derrida’s (1924–1993) ghost theory and the science-fiction film, The Matrix (1999).
-
大場健司(Oba, Kenji) 한국일본문화학회 2018 日本文化學報 Vol.0 No.77
Recent previous studies on Abe Kōbō (1924-1993) tend to argue about the relationship between Abe and other media such as playwrights or movies. On the other hand, this article discussed about Abe’s acceptance of music. Abe wrote about Pink Floyd, a British rock band in UK, in his novel Kangaroo Notebook (1991). He adapted Pink Floyd in the viewpoint of the history of “music concrete.” He accepted such electronic music under the influence of postmodernist such as Karatani Kōjin (1941-).
DBpia연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
