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大場健司(Oba, Kenji) 한국일본문화학회 2018 日本文化學報 Vol.0 No.77
Recent previous studies on Abe Kōbō (1924-1993) tend to argue about the relationship between Abe and other media such as playwrights or movies. On the other hand, this article discussed about Abe’s acceptance of music. Abe wrote about Pink Floyd, a British rock band in UK, in his novel Kangaroo Notebook (1991). He adapted Pink Floyd in the viewpoint of the history of “music concrete.” He accepted such electronic music under the influence of postmodernist such as Karatani Kōjin (1941-).
大場健司(Oba, Kenji) 한국일본문화학회 2019 日本文化學報 Vol.0 No.80
Recent previous studies on Abe Kōbō (1924-1993) tend to argue about the works written by Abe in the 1950s Japan. This means that such previous studies paid attention to Abe as a writer of Japan Communist Party. However, after the expulsion from the party, Abe wrote works under the influence of anarchism, which cannot be reduced into Marxism. Hence, This study focuses the relationship between his anarchism and social context at the time.
「パラレル・ワールド」と「穴」の水脈 - 安部公房『砂の女』とポール・オースター『闇の中の男』 -
大場健司(Oba, Kenji) 한국일본문화학회 2021 日本文化學報 Vol.0 No.88
This paper compares The Woman in The Dunes (1962) by Abe Kōbō (1924–1993) with Man in the Dark (2008) by Paul Auster (1947–). The Woman in The Dunes depicts self-differentiation in “holes” in a world influenced by the existentialism of Jean-Paul Sartre (1905–1980). However, Man in the Dark depicts “Parallel Worlds,” which reflects the influence of Jacques Derrida’s (1924–1993) ghost theory and the science-fiction film, The Matrix (1999).