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A Note on Low-Correlation Zone Signal Sets
Gong, Guang,Golomb, S.W.,Song, Hong-Yeop IEEE 2007 IEEE transactions on information theory Vol.53 No.7
<P>In this correspondence, we present a connection between designing low-correlation zone (LCZ) sequences and the results of correlation of sequences with subfield decompositions presented in a recent book by the first two authors. This results in LCZ signal sets with huge sizes over three different alphabetic sets: finite field of size, integer residue ring modulo , and the subset in the complex field which consists of powers of a primitive th root of unity. We show a connection between these sequence designs and ldquocompletely noncyclicrdquo Hadamard matrices and a construction for those sequences. We also provide some open problems along this direction.</P>
?國光(Gong Guo-Guang) 동아인문학회 2007 동아인문학 Vol.12 No.-
The culture is not the unalterable, coagulation, deathly and stiff thing, but it is one kind of the most vivid, most at will and liveliest dynamic advancement. Especially, the Area South of Yellow River Culture is the essence and the mainstream in the Chinese traditional culture, What's more, which has manifested one kind of Chinese traditional culture root. In long historical periods, regardless of how the dynasty does change, and how the society does vicissitude, but the each kind of the newborn culture strain and shape may find its root in the Area South of Yellow River Culture. On the other hand, The Hakkas Culture which belongs to the Hakkas People is the inheritance of the Area South Of Yellow River traditional culture, meanwhile, it is representing one kind of new risk and experiment of the Chinese nation in the spirit domain, and it is also as well as a leap in acknowledge. Now, The Hakkas Culture disseminates everywhere, and it carries forward Area South of Yellow River Culture for the biggest time.
Anti-Oxidation of Cultured Cordyceps militaris Growing on Silkworm Pupa
Gong Cheng-Liang,Pan Zhong-Hua,Zheng Xiao-Jian,Xue Ren-Yu,Cao Guang Li Korean Society of Sericultural Science 2006 International Journal of Industrial Entomology Vol.12 No.1
Cordyceps, one of the well-known traditional Chinese medicines, consists of the dried fungus C. sinensis growing on the larva of caterpillar. It is commonly used as a tonic of restoring vital body functions. In order to evaluate the pharmacological effects of C. militaris, the anti-oxidation and antiaging effect of cultured C. militaris growing on pupa of silkworm Bombyx mori, were investigated. The results showed! that the contents of lipofusin in myocardium were reduced and the SOD activity in the liver were elevated in a dose-dependent manner while no effect was observed for blood GSH-Px activity and liver MDA content in mice perfused with the cultured C. militaris compared to those untreated mice. Furthermore, the average life span, maximum life span and 50% death time of the fruit flies treated with cultured C. militaris were markedly prolonged. The results suggest that the cultured C. militaris growing on pupa of silkworm possesses anti-oxidation and delay senescence activity.
Mechanical Stimulation-Induced Cross-Adaptation in Plants: An Overview
Zhong-Guang Li,Ming Gong 한국식물학회 2011 Journal of Plant Biology Vol.54 No.6
Mechanical stimulation (MS), existing widely but ignored usually in nature, is one of the environmental stress factors. MS not only affects growth, development, morphogenesis,and even survival of plants, but also induces the formation of cross-adaptation. In cross-adaptation, plants make use of common pathways and components to adapt to a range of different stresses after exposure to one specific stress. Here, we summarize current knowledge of MS-induced cross-adaptation to chilling, heat, salt, drought, and pathogen stress, as well as its possible mechanisms.
궁명 ( Gong Ming ),( Lee Guang Chun ) 한국동양예술학회 2019 동양예술 Vol.44 No.-
全球化始于文藝复興。當時的人們設想了一個以歐洲爲中心, 以男性爲主體的意識形態世界。而后的工業革命和殖民化進程中樹立了一種以西方文化爲依据的全球文化。這種文化在以種族中心爲背景的潮流中不斷强化中心价値。幷逐步形成完整的社會制度, 价値觀, 語言體系。而在當下的時代, 這一文化格局不可避免的對地域差異性帶來負面影響, 价値觀逐步趨同, 抹平。當下所謂的全球化本體价値依舊是以文化中心國爲存在的西方价値。自浪漫主義以后, 藝術的先行者們一直在"非敍事"、"非模倣"、"自主性"的旗幟下尋找藝術的本質, 恰如一層層地剝洋蔥皮, 以爲外層是表面的, 內里才是本質。但這樣的主體价値雖然抹殺了地域帶給文化的豊富性, 却无疑大大改善了區域之間的溝通, 促生着更加多元化的意識。大衆文化打通了所有邊界, 使之成爲交流的村落和政治經濟權力的階級體現。大衆亦可以通過消費反抗消費。這種由廣泛大衆參與文化建設的形勢―卽個體和公共主體的交互影響, 是已經到來的后工業時代的文化特点。藝術發展到這里, 藝術品正在成爲奢饰品與炫耀資本, 成爲高回報硬通貨與洗錢途徑, 在所謂“普遍价値”下, 迅速膨脹了整個市場, 導致視覺藝術體系都已沦爲以市場爲中心。這意味着巨大的利益使得藝術家追求文化以及社會价値的功能變得困難。商業藝術有其存在价値, 但其本體是可恥的, 它出售的是藝術的聖光, 而投机和聖光是不可兼容的, 所以資本一直試圖躲藏在藝術行動背后。 Art is a macrocognitive cognitive mode, with its current ethics, economics, technology, history and mythology. We are at an uncertain moment, and the process of changing the flow of globalization is carried on by Yu Yu-lIeh's destruction and reconstruction. This is also a matter for artists to re-establIsh artistic issues. Globalization dates from the Renaissance. At that time, the people thought of an ideological world based on Europe as the main theme of the world. Then the Industrial Revolution and colonialism established a global culture based on Western culture. This culture constantly contemplates the central value of the central trend in the race. And gradually forming a complete social system, values and language systems. In the present era, this cultural pattern inevitably brings negative effects on regional heterogeneity, and values gradually Interface. The so-called globalization value of the so-called globalization is still the value of Western culture. Since romanticism, the vanguard of art has always been " non-archItectural " and " non-ImpaIred " and " independence ". However, although the value of the community has not been brought to a cultural level, it has greatly improved the communication between the region and the region, and it is undoubtedly a great improvement on the scope of communication between the region and the community. The mass culture has penetrated all the boundaries, making it a class of communication villages and political and economic power. The public can also resist consumption by means of consumption. This is the cultural characteristic of the post-IndustrIalIst era, namely, the interaction between individuals and public entities. Art has developed here, and art is becoming a luxury and display of capital, and it becomes a high reward for the high return of hard currency and money laundering. This means that great interests make artists pursue culture and social values. The commercial art has its value, but it is shameful that it is the sacred light of art, and speculation and holy light are incompatible, so capital has been spent trying to hide behind art. As one of the convergence points of the world's many cultures, the author analyzes the main factors of the art market, and discusses the main factors and the influence of the basic factors and the influence of the factors on the basis of the basic factors and the reasons for the analysis of the factors behind the market, and the basic factors and historical causes of the factors behind the factors and historical causes.