다구찌의 손실함수를 이용한 MXDM 문제의 최선의 선호설비 선정

이강인 ( Lee Gang In ) 대한설비관리학회 2003 대한설비관리학회지 Vol.8 No.3

The purpose of this paper is to propose an interactive method, which is designed to select the preferred facilities for Multiple-mixed-characteristics Decision Making(MXDM) problems. The basic idea of the paper is to eliminate inefficient facilities based on the concept of Taguchi loss function rather than Utility/Value Function(UVF). In the paper Taguchi loss function is proposed as a measure that can be used by decision makers to more efficiently select the most preferred facilities. As a result, this interactive method could transform the characteristic value of MXDM problems into the size of Taguchi loss functions which are relatively easy to understand by decision makers.

농촌지역민들의 커뮤니케이션 채널 이용이 범죄위험지각에 미치는 영향

이강형 ( Gang Heong Lee ) 한국지역언론학회 2013 언론과학연구 Vol.13 No.3

이 연구는 텔레비전과 대인 간 커뮤니케이션 채널이 범죄에 대한 위험지각에 미치는 영향과 관련된 경쟁적 가설들(문화계발 효과이론 vs 비개인적 영향력 가설; 공명 가설 vs 주류 가설)을 검증하고자 하였다. 농촌지역 응답자 2,000명을 대상으로 실시한 설문조사 자료를 분석한 결과 대인 간 커뮤니케이션 채널이 개인적인 위험지각에 영향을 미친다는 비개인적 영향력 가설이 입증되었던 반면, 텔레비전이용이 사회적 수준의 위험지각에 영향을 미친다는 문화계발 효과 이론의 주장은 검증되지 않았다. 한편, 현실 속에서의 일상 경험에서 범죄의 위험에 노출될 가능성이 높고 낮음에 따라 텔레비전 시청이 사회 내에서의 범죄 발생 확률에 대한 지각에 미치는 영향력이 서로 다를 것이라는 주류 가설과 공명가설은 본 연구 자료에서는 입증이 되지 않았다. 오히려 농촌지역이 인구규모가 큰 지역에 거주하는 사람일수록 대인 커뮤니케이션 채널 이용이 개인적 위험지각에 미치는 영향력은 더 크게 나타났다. This study tries to test the competitive hypotheses to explain the relationship between television and interpersonal communication, and the perception of crime risk: cultivation effect hypothesis vs. impersonal impact hypothesis; mainstreaming hypothesis vs. resonance hypothesis. Using the survey data of the 2,000 rural residents sample, the results showed that the impersonal impact hypothesis, expecting the impact of interpersonal communication on the personal perception of crime risk, was confirmed instead of the cultivation effect hypothesis which tells the impact of television on the personal and social perception of crime risk. On the other hand, not confirmed was either of mainstreaming or resonance hypothesis which competitively explains the different relationship between television viewing and crime risk perception depending on the possibility of everyday exposure to real crime. Rather, interpersonal communication had an important impact on the personal perception of crime risk as the population size of the rural residence increases.

항공기 부품제작자증명에 관한 연구

이강이 ( Lee Gang I ),진영권 ( Jin Yeong Gwon ),이종희 ( Lee Jong Hui ),이광희 ( Lee Gwang Hui ) 한국항공우주정책·법학회 2003 한국항공우주정책·법학회지 Vol.17 No.-

Certification by Civil Aviation Law is necessary for aircraft parts and appliances as well as aircraft, engines, and propellers to ensure safety and reliability in operation. Advanced countries in aerospace industry as like U.S.A require Parts Manufacturer Approval for aircraft parts and Technical Standard Order Authorization for designated appliances. However. there are no legal requirements for cerification of aircraft parts and appliances in Korea until now. This study presents the draft to revise Civil Aviation Law, which is applicable to set up domestic certification system and maintain it equivalent to U.S. Federal Aviation Regulation.

겸손한 목격자의 유쾌한 대꾸하기 - 체화된 페미니즘들로 살펴본 퀴어 퍼포먼스 연구 -

이강임 ( Lee Gang Im ) 한국연극교육학회 2019 연극교육연구 Vol.35 No.-

This paper discusses on the topic of jolly feminism’s speaking back to the normatic authority called ‘the phallus,’ which constructs the biopolitical frame of ‘the protecting Man and the protected Woman.’ Methodologically, I examine the issues related to the topic in regard to the perspectives of embodied feminism, such as Judith Butler’s postmodern feminism, Ann Fausto-Sterling’s neurofeminism, and Donna Haraway’s technofeminism. I study the topic of ‘doing gender,’ ‘gender trouble,’ and ‘undoing gender’ from the level of gene to the philosophical meaning of recognition and love. In the introduction, I explain key concepts of embodied feminism, like gender trouble, gender undoing, body as nature’s construction, body as continuum, the myth of gene(gender), postgender, posthuman, and the female Man. In the main part of this paper, first, I draw the outline of embodied feminisms, regarding the issues of ‘sex,’ ‘gender,’ ‘sexuality,’ and bimodality of the body. I see gender as a continuum and fluidity, which permits the transportation and the transformation of the body. Second, I bring forth the idea of speaking back from the gender ‘monster’ as a jolly queer witness of our posthuman conditions and predicaments. Third, as the case studies, I select three queer performance pieces, American Lesbian Theatre Group Split Britches’ < Belle Reprieve, 1990 > and < Menopausal Gentleman, 1997 >, and transsexual performance artist Kate Bornstein’s < Hidden/A Gender >. In these pieces, I illuminate the theme of ‘gender trouble and gender undoing,’ which constructs and deconstructs the normative binary gender frame, Woman/Man. Using the figure of the female man(the female man©), I show how the jolly queer artists dismantle the binary system of gender in its form of pureness and oneness. In these performances, the acts of trans transpire across the hard line of the normative binary system, leading to a new kind of sexual identification. In < Belle reprieve, 1990 > and < Menopausal Gentleman,1997 >, the queer artists as the female man demands recognition, life, love. In < Hidden/A Gender >, the binary normative sex/gender system is playfully accused for doing harms to transgenders and intersexes. The ethical and economical predicaments of the queers are narrated through the figure of the female man©. In the last part, I suggest the jolly feminist’s way of speaking back is very useful to deal with the sexist representaion of the sexed bodies and the gender politics in the real world.

욕망의 헤테로토피아 건축하기-사라 룰의 <옆방에서 혹은 바이브레이터 플레이> 수행적 공간 연출-

이강임 ( Lee Gang-im ) 한국연극교육학회 2020 연극교육연구 Vol.37 No.-

It is fairly necessary for the theatre director to conceive what the theatre space for the work in planning would like to be. Furthermore, conceiving theatre space is the first and basic tool to embody the work in process. Therefore, time-space matter has been the very important issue in the academic field of performance studies. Since the concept of time-space is also based on our very subjective and individual experience, it is a fact that the researchers have had a hard time in dealing with time and space in performance studies. For the author of this paper, as a theatre director and a scholar, I have been searching for the materials about theatre and time-space, but I have not found much resources for that matter. I had tried to illuminate time-space matter from the perspectives of performance studied in a paper titled 「performance space directing: focused on the performativity of space」. As for that paper, I explained the concept of performativity of theatre space, but I could not have a scholarly achievement in examining how the director in focus conceived the theatre space in detail. In that paper, I borrowed the concept of performativity defined by Judith Butler, stating that “in social space like theatre space, space does not express the real relationship and identity, but space itself is the very process in which the relationships and identifications are produced.” As a continuing project of the earlier paper, in this paper, not only I delve into the peformative quality of space, but also I apply the very concept of performative space to my own directing work, Sarah Ruhl’s < In the Next Room or the Vibrator Play > in 2017. My thesis is that social space like theatre space is not an empty container, but a site in which the very complex social relations and differences like ‘gender,’ ‘class,’ and ‘race’ cross and overlap. In this paper, using interdisplinary research method of performace studies, I try to look at the various concepts about space which inspired me to conceive theatre space for Sarah Ruhl’s < In the Next Room or the Vibrator Play >. The scholars and practitioners like Doreen Massey, Henri Lefevre, Jacques Rancière, Elizabeth Grosz, bell hooks, Luce Irigaray, Zaha Hadid offered me huge insights about the concept of time-space. Conclusively, I define performative space directng as image cartography. Through my discussion of space directing as image cartography, I talk about the desired images of house, home, sexuality, and love in Sarah Ruhl’s < In the Next Room or the Vibrator Play >. Using the diverse theoretical backgrounds in this practical paper, I suggest the model of both theoretical and practical paper.

이윤택 “민족극”의 남근중심적(phallocentric) 신화 해체하기

이강임 ( Gang Im Lee ) 한국연극학회 2007 한국연극학 Vol.0 No.31

연기 예술에 있어서의 영감의 과학 - 영감의 원천인 상상력과 이미지에 대한 과학적 접근을 통한 연기 방법론과 훈련 모델 계발 -

이강임 ( Gang Im Lee ) 한국연극학회 2014 한국연극학 Vol.1 No.54

The creative process of acting has been considered as the field of genius and talent so that the scientific approach to the acting process was thought to be impossible and unnecessary. Many people involved in the arts of acting have experienced any kinds of artistic inspiration, but they could not explain the existence of inspiraion scientifically. If the inspiration is ‘the creative state of mind’ and we can explain how our mind works, we could be led to the science of inspiration. Traditionally, our mind has been treated as the isolated entity from our body. However, from the perspectives and discoveries of cognitive science, our mind is the cognitive process happening between our body and environments. In this paper, based on ‘the theory of mind’ from cognitive science, I try to postulate the science of inspiration. The key theory is ``simulation theory`` so that I apply this simulation theory to the actual acting training model called ‘image simulation training.’ In the course of discussing the acting process and scientific approach to sense, feeling, imagination, image, thought, and language, the acting theorists and practitioners such as Denis Diderot, Konstantin Stanislavsky, Michael Chekhov, and Kristin Linklater are the important reference points. At the end of this paper, I insist that the postulation of the science of artistic inspiration is necessary for the clear communication in the acting training and education.

농·어촌 지역 주민들의 미디어 장르별 이용에 따른 신뢰 형성의 문화계발 효과

이강형(Lee, Gang Heong),신동호(Shin, Dong Ho) 동국대학교 사회과학연구원 2016 사회과학연구 Vol.23 No.1

이 논문은 농·어촌 지역민들의 장르별 미디어 이용이 지역민들의 일반 및 대인 신뢰 형성에 미치는 영향을 문화계발 효과의 이론적 관점에서 실증적으로 검증하고자 했다. 논문은 우선 이론적으로 미디어 이용이 문화계발 효과를 일으키는 인지적 메커니즘에 대해 논의하고, 미디어 이용이 신뢰 형성에 미치는 효과를 메시지에 대한 실시간 정보처리(online process)결과로 나타나는 제2차 문화계발 효과로 규정했다. 장르별 미디어 이용의 효과를 검증하기 위해, 다단층화집락추출을 통해 농어촌 지역민 3,939명을 대상으로 설문조사를 실시했으며, 분석 결과는 다음과 같다. 먼저, 텔레비전 시청 총량이 일반 신뢰와 대인 신뢰에 미치는 영향은 미미했으며, 오히려 개별 미디어 장르별로 차별적인 효과가 나타났다. 예를 들어, 텔레비전 오락 프로그램, 저녁 일일연속극, 아침 드라마, 뉴스 등이 전반적으로 대인과 일반신뢰 형성에 긍정적인 영향을 미친 것으로 확인되었다. 다음으로, 개별 장르별 효과는 지상파 방송사 별로 효과의 크기나 방향에 있어서 약간씩 차이가 나는 것으로 나타났다. MBC의 경우 뉴스, SBS는 드라마, KBS는 다큐멘터리가 일반 또는 대인 신뢰에 대한 긍정적 또는 부정적인 영향력이 높았다. 또한 방송사별 장르의 영향력의 경우 KBS와 MBC/SBS 사이에서는 일부 장르에서 차이가 뚜렷하게 드러났지만, MBC와 SBS 사이에서는 아무런 차이가 나타나지 않았다. This study tried to investigate the effect of rural residents’ use of media genres on social or interpersonal trust from the perspective of cultivation theory. The paper, first, discussed the cognitive mechanism to explain how people’s media use has cultivation effects. Most of all, we defined the media uses’ effect on trust as the second-oder cultivation effect as a result of people’s online processing of media message. To investigate the effect of using specific media genres on social and interpersonal trust, the large-scale survey was conducted toward 3,933 samples in rural area. As a result, the total amount television use, which is assumed to be a main element of the decline in trust in cultivation theory, had a trivial effect on trust. Instead, the study found that a specific genres had significant impacts on trust. For example, the genres of entertainment, evening-time soap opera, morning-time drama, and news had a positive effect on interpersonal and social trust. Next, the effect of each genre varied according to television channels. For example, MBC news, SBS drama, KBS documentary had a relative stronger effect on trust as compared to other channels. It also was found that KBS showed different impacts as compared to MBC and SBS in some genres, but MBC and SBS had no difference in either genre.

미디어 아트를 위한 범용 센서 입력 및 출력 제어 장치 개발

이강성(Gang Seong Lee),이돈응(Don Oung Lee) 한국전자음악협회 2008 에밀레 Vol.- No.6

민간경호원의 위기대응능력 향상을 위한 교육시스템 발전방안

이강문(Lee, Gang-Mun) 한국민간경비학회 2014 한국민간경비학회보 Vol.13 No.1

본 연구는 문헌연구와 경호무도 관련 전문가들을 대상으로 한 심층면담을 통해 현 신변보호업무를 수행하는 민간경호원을 중심으로 경호무도교육의 실태와 문제점을 살펴보고, 민간경호원의 업무수행능력 향상을 위한 경호무도의 체계적인 교육 시스템에 대한 발전방안을 제시하는 것이 목적이다. 5년 이상 경호무도 관련 전문가 6명을 심층면담하고, 면담 내용을 범주화 한 결과, 최종적으로 세 개 영역에서 총 8개의 주제가 도출되었으며, 이러한 연구 결과를 토대로 하여 경호무도교육의 발전방안을 제시하면 다음과 같다. 첫째, 신임교육 시간 중 경호무도 과목에 대한 시간 비중을 대폭 늘려야 한다. 둘째, 무도교육의 직무교육을 현실화 시키고 소관부처의 감독 역량을 높여야 한다. 셋째, 경호무도 검정시스템을 제도화하여야 한다. 넷째, 첨단 테러장비에 대한 분석을 통한 경호무도 수련 기법에 대한 연구도 꾸준히 이루어져야 한다. 다섯째, 전문적ㆍ체계적인 경호무도교육훈련 프로그램의 개발과 경호무도 교육전문가를 배출하여야 한다. 마지막으로 산학협력 체계 구축방안으로서 경호무도가 자격제도와 연계될 때 더욱 발전할 수 있다. The most important element in the Martial Arts training of bodyguards will require the ability to cope with the crisis. The purpose of this study is to consider the improvement measure of the education system of Secret Service Martial Arts using in-depth interview. In this study, 8 topics of 3 categories were deducted through in-depth interview with 6 experts related security service Martial Arts and the research result is proposed as follows. First, the training time for martial arts classes should be increased significantly. Second, The task education should be actualized and the ministry and office concerned should concentrate ability of supervision. Third, the examination system of security service Martial Arts should be institutionalized. Fourth, The research of secret service Martial Arts training techniques should continue through analyzing advanced equipments. Fifth, the security service Martial Arts training master should be produced in company with developing training program. Finally, the security service Martial Arts linked certification will come a long way with Business and Academic Cooperation system.