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하나(일(一))와 여럿(다(多))의 상호전환 작용으로서 아리스토텔레스의 예술이론
노영덕 ( Young Deok Rho ) 한국미학예술학회 2006 美學·藝術學硏究 Vol.23 No.-
The core of an Aristotle`s theory on art is the concept of Mimesis as an imitation of `the universal`. In Aristotle, the art as the imitation after the nature means to imitate `the highest`, `the probabilities` and it must contain the vividness and verisimilitude, extracting the universals from the individuals before individuating it again. According to Aristotle, as `the universal` is contained in `the individual` art which imitates `the universal` must depict `the universal` of eidos that will come true in the future. As `the universal` of eidos is `entelekeia`, after all, art has to be concerned it. Therefore He asserts that the poem is more philosophical than the history. Because philosophy is concerns the universal truth, and the poem describes `the universal`, but the history utters the simple individual affairs. We can think that Mimesis intervenes in the poem not in the history. This mimesis is the work which conversions `the individual` into `the universal` and vice versa. In other words, excellent artist shall insight an abstract universal from `the individual` and he can turn over it into `theindividual` in real world again. And aristotle also points out another gift of a good poet. It is the ability of commend on metaphor in poem. The metaphor, according to Aristotle, is an ability which can find out the similarity among the difference for the nature of poetry and it is to translate the name of the one thing to the another. As the nature of the metaphor is an analogy, the metaphor means to see a thing in terms of the sight of the other and to be able to offer the cognitive extension by a new sight. Here, what is called a new sight means the very imagination. Because, essentially, the imagination is to look upon the image of one thing as another. Aristotle asserted that it is a sign of genius to be good at a metaphor, for the skillfulness of metaphor means to detect the likeness among the unlikeness in rapid. Now the writing of poem depends upon the ability to conversion `the individual` with `the universal` and to be good at the metaphor attributed to imagination. These Aristotle`s concept of mimesis and his theory on art has influenced the neo-classism afterwards. And his concept of mimesis is fixed as that of imitation on the universal thing in real world.
오가피(Acanthopanax sessiliflorus Seeman) 열매로부터 지질 화합물의 분리 및 동정
김수연 ( Su Yeon Kim ),이대영 ( Dae Young Lee ),서경화 ( Kyeong Hwa Seo ),노영덕 ( Young Deok Rho ),김계원 ( Gye Won Kim ),최대성 ( Dae Sung Cheoi ),백남인 ( Nam In Baek ) 한국응용생명화학회(구 한국농화학회) 2012 Journal of Applied Biological Chemistry (J. Appl. Vol.55 No.2
오가피(Acanthopanax sessiliflorus Seeman) 열매 10.0 kg을 실 온에서 70% EtOH 수용액으로 추출하고 이 추출물을 ethyl acetate (EtOAC) 분획, n-butyl alcohol 분획, H2O 분획으로 나 누었다. EtOAc 분획에 대하여 silica gel 및 octadecyl silica gel chromatography column chromatography를 반복 실시하여 4종의 화합물을 분리, 정제하였다. NMR, IR, EI/MS, 및 GC/ MS 등을 통하여 화합물 1(stigmasterol), 화합물 2(linoleic acid), 화합물 3(β-sitosterol), 화합물 4(stigmast-5-en-3β,7β-diol) 의 구조를 결정하였다. Acanthopanax sessiliflorus Seeman fruits (Araliaceae) were extracted at room temperature with 70% aqueous ethanol (EtOH). The concentrated extract was partitioned with ethyl acetate (EtOAc), n-butyl alcohol, and H2O, successively. From the EtOAc fraction, four compounds were isolated through the repeated silica gel and octadecyl silica gel (ODS) column chromatographies. According to the results of physico-chemical and spectroscopic data including NMR, IR, and gas chromatography/ mass spectrometer, the chemical structures of the compounds were determined as stigmasterol (1), linoleic acid (2), β-sitosterol (3), and stigmast-5-en-3β,7β-diol (4).
벼(Oryza sativa L.) 지상부로부터 신규 Flavonolignans 및 Lignan glycosides의 분리 및 동정
정락훈(Rak-Hun Jeong),이대영(Dae-Young Lee),조진경(Jin-GyeongCho),Sabina Shrestha,박지해(Ji-Hae Park),서경화(Kyeong-Hwa Seo),이민호(Min-Ho Lee),노영덕(Yeong-Deok Rho),백남인(Nam-In Baek),이대영(Dae-Yung Lee),서우덕(Woo-Duck Seo),강 한국약용작물학회 2012 한국약용작물학회 학술대회논문집 Vol.2012 No.2