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ISM을 이용한 해양안전정보시스템 고도화를 위한 구조분석
최태일(Tae-IL Choi),김영기(Young-Ki Kim),김동균(Dong-Gyun Kim),한욱(Xu Han),박계각(Gyei-Kark Park) 한국지능시스템학회 2010 한국지능시스템학회 학술발표 논문집 Vol.20 No.1
본 논문은 브레인스토밍(Brainstorming)법을 이용하여 해양안전정보시스템 고도화에 영향을 미치는 요소들을 선정한 후, ISM(Interpretive Structural Modeling)법을 이용하여 이들 요소들을 계층화 한다. 요소 상호간의 관련성을 분석 및 도식화하여 해양안전정보시스템 고도화에 필요한 요소들 간의 우선순위 및 연관관계를 분석하였다.
미술비평의 효용성에 대해 다시 묻는다 : 아서 단토의 ‘미술종말론’에 대한 비평적 독서
최태만(Choi Tae Man) 현대미술학회 2006 현대미술학 논문집 Vol.10 No.-
'The End of Art' written by Arthur Danto has caused diverse discourses on the definition of art as well as the use and abuse of art criticism. He proposes that, since Andy Warhol presented his quasi ready-made objects 'Brillo Box' in 1964, contemporary art has been confronted with the end of art. It means not the crucial end of art itself but the end of a narrative insisted by Clement Greenberg, that is, the end of the modernist narrative. In fact, since Marcel Duchamp introduced the ready-made, the notion of art has been deconstructed. Insertion of non-art materials in art started to be proliferated. Moreover, Joseph Beuys manifested that 'Everyone can be artist', and Andy Warhol's Brillo Box also generated disputation about what is art. According to Danto, in Brillo Box, the long tradition of mimesis in art cannot be established, so it pronounced 'the end of art' . Because contemporary art is professional and self-defined, it has to do with philosophy. He said, after Warhol's Brillo Box, the history of art also reached the point where it had to tum into its own philosophy. Therefore, contemporary artworks need to gam assistance from philosophy, and this condition allowed plural possibilities. Dance's approval of pluralism and recognition of equality in art provides a new vision against old conventions which were produced and commonly enforced by art history and criticism in the modern era. In this article, I raise a question that his contention, on the one hand, can evoke abuse of art criticism. On the other hand, it can stimulate non-necessity of criticism. He argues that artwork is faced with every possibility without any norms. Though, his theory on the end of art is not supported by precise evidences except Brillo Box. In conclusion, I propose that the necessity of art criticism should be still efficient, even though it belongs to the art world as an institution, for the interpretation and evaluation of art. Philosophy is not the only one resource but an applicable means for art criticism. Art criticism is not merely based on the philosophical approach but also might be influenced from other institutional systems including education, journalism, gallery, museum, market, etc.
최태일(Tae-Il Choi) 대한전기학회 2019 전기학회논문지 Vol.68 No.9
A record-breaking heatwave of long-term disasters last summer was a serious threat to public safety. Since the power equipment of an apartment is owned by the customer, there is a limit to the power company providing the service in case of power outage. In order to overcome this problem and continuously supply stable electric power to the people, we developed a remote monitoring and control system of apartment power equipment using artificial intelligence (AI) sensors. AI sensors can prevent power outages by notifying power companies and apartments managers in real time when an overload or an unbalance occurs in the transformers of an apartment power equipment. A pilot system was installed in two apartments in the Seoul area, and after evaluating the effect of the operation, the system will be expanded to other areas.
최태만(Choi Tae Man) 한국근현대미술사학회 2011 한국근현대미술사학 Vol.22 No.-
The purpose of this paper is to reassess the contribution of Lee Kyung-sung as art critic who became active since 1953, focusing on his criticism published in the 1950s. Although some artists also wrote criticism on artwork, Lee was the only professional art critic during the decade. Despite harsh milieu, he developed his own critical viewpoint while writing reviews on exhibitions, in which he claimed that Korean artists should seek reality and modernity in their artworks for the development of Korean art. He was able to publish his criticism in limited venues such as newspapers and magazines. Thus, most of his writings tend to be brief, yet his criticism was severe and pointed. Although his criticism tends to provide evaluations rather than close analyses and profound interpretations about his contemporary art, his criticism published in the 1950s provides important basic information of art and art criticism of the period, which serves significantly in restoring Korean modern art.
최태일(Tae-Il Choi) 대한전기학회 2019 전기학회논문지 Vol.68 No.8
Energy Management System (EMS) is a system of tools used to monitor, control and optimize the generation, delivery and/or consumption of energy. An inTegrated Energy Management System (TEMS) had been developed to manage electricity, heat, gas and water, and installed to testify the performance of energy efficiency. Test results proved the successful energy saving effect and tried to apply to a university focusing on the economic point of view. After showing considerable amount of energy saving than expected, TEMS will be expected to expand to other universities, factories and buildings, contributing to the reduction of CO₂ emission.
한국에 생육하고 있는 회양목과 화분의 (花粉) 형태학적 연구
최태기(Tae Kie Choi),김계환(Kae Hwan Kim) 한국산림과학회 1991 한국산림과학회지 Vol.80 No.2
The pollen morphology of 7 taxa, 3 genera of Buxaceae growing in Korea was investigated by means of light(LM) and scanning electron microscope (SEM). The results were as follows ; 1. A key to the genera of Buxaceae on the basis of pollen morphology was provided. 2. Pollen Length that Buxus was 21.9㎛-28.31㎛, Pachysaradra was 34.9㎛-43.0㎛ and Sarcococa was 27.2㎛-39.6㎛ and that muri width and length were 0.3㎛-4.6㎛, 0.9㎛-4.3㎛, and that Lumen length was 0.4㎛-2.4㎛. 3. Sculpture patterns were reticulate (Buxus) and chain shape (Sarcococa and Paclaysandrao). 4. Aperture type was polyforate.