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최만진 대한건축학회지회연합회 2022 대한건축학회연합논문집 Vol.24 No.1
Christian Bartenbach's daylighting design appeared at the forefront of modern architecture thanks to the eco-friendly and low-energy architectural trend that emerged from the 1960s. In particular, it became to receive global attention when his lighting design was used as a key theme for the ‘Hong Kong & Shanghai Bank’ at the end of the 1970s. Since his ideas were so unique that they went beyond the level of simple lighting equipment and had significant effects on modern architectural trends such as high-tech, eco-friendly, and smart-eco. According to the results of the study, the characteristics of his lighting design technique can be summarized into largely three ones. First, optical systems were devised and used to overcome the disadvantage of sunlight, which is difficult to control. These systems can be classified into sunlight induction, radiant heat prevention, and anti-glare systems. These systems enabled lighting even at places where lighting was impossible with classical methods. The second characteristic is lighting design from the viewpoints of behavior and aesthetics. Based on the ecological modern perception theory, he developed an original perception theory about the relationship between light and spatial perception called 'dark-brightness-technology' to design stable and comfortable lighting environments. He also implemented architectural aesthetics with sunlight such as creating spaces, executing high-tech-eco architectural designs, and expressing artistic objects. Finally, he is evaluated to have opened a new horizon by executing state-of-the-art smart lighting architecture that responds to changes in sunlight with artificial intelligence.
귄터 베니쉬 건축의 환경친화적 디자인 특성에 관한 연구 -뮌헨 올림픽 공원 사례를 중심으로-
최만진,Choi, Man-Jin 한국주거학회 2009 한국주거학회 논문집 Vol.20 No.6
The aim of this study on the Munich Olympic Park is to understand the characteristics and design techniques of the environmental design of G$\ddot{u}$nther Behnisch's architecture. This particular work is chosen because it represents a turning point in his architectural life in terms of his approach to environmental design. The goal of this paper is to research Behnisch's design techniques in order to realiz a way to apply nature-friendly design in contemporary-architecture. In Behnisch's architectural works, the organic design philosophies of Hugo H$\ddot{a}$ring and Hans Scharoun are clealy echoed. The site and natural surroundings are always important in his architecture. In terms of his environmentally-friendly approach, Behnisch's architecture can be defined as one which espresses a harmony between architecture and the naturale-surroundings. In terms of the structural aspect, Behnisch's architectural forms are not imposing, but rather waiting to be discovered naturally. In terms of spatial characteristics, Behnisch's spaces are based on organic characteristics and have a strong relationship between the outside and inside. In particular, the artificial architectural landscape in the Munich Olympic Park through cable-construction connects perfectly with nature.