Othello: Nothing에서 시작된 비극적 질투

최경란 단국영어영문학회 2005 Athenaeum Vol.11 No.-

Edward Albee의 The Zoo Story에 나타난 현대인의 고립감 : Jerry의 자살의 동기를 중심으로

최경란 檀國大學校英美文化硏究所 1997 英美文化 Vol.6 No.-

This paper is an attempt to build up a new outlook to explore the rich metaphors alluding to human alienation and bondage as described in Edward Albee's The Zoo Story. It goes through the characteristic narratives of the play to amplify human alienation as the primary curse of the modern society. The paper gives ample examples to illustrate the complex spectrum of arenation as they relate to human disintegration and social breakdown. The tragic implications of loneliness and alienation of modern men are personified in Jerry, the hero of the play. Through a new interpretative framework he is observed as the terminally bound human being struggling to obtain a break-through toward freedom. His tragic ending is explained in terms of the imposing impersonality of the modern society and the enfeebled and submissive human reaction to the binding and cruel environment. The paper takes heed to human emotion taking precedence of social apparatus in coping with the tragic environment. It also notes of the prevailing scene of human miseries in which one can be more vulnerable to suffering, when emotionally deprived. The paper also notes the important trait of the play giving discredit to personalized and artificial human contacts to restore human relations. The paper tries to trace multiple meanings concealed behind the personal tragedy. It is framed within the social rehabilitation to be build upon common bondage and shared emotion among human beings. In this way, the disconnected relations among men in the modern society are interpreted more as signifying imperfections of the human community than personal maladjustments and limitations. This paper endeavors to set forth the important metaphor of the play; the futile act of the hero to have a solid union with a fellow human being is ironically the very act promising a lead into human salvation. The metaphor became transparent by the tragic end of his self-denial which comes out as not an act of condemnation but an act of new promise to human resurrection.

희곡의 한 형태로서 희극 : 주로 Shakespearean Comedy를 중심으로 Chiefly on Shakespearean Comedy

崔京蘭 단국대학교 1983 論文集 Vol.17 No.-

Division of Shakespeare's plays into comedies, tragedies, and histories is somewhat arbitrary, for Shakespeare himself did not make the division we observe today. First of all, it is very difficult to define the meaning of comedy. Most definitions of comedy go back to Aristotle's Poetics. Since Aristotle we have been accustomed to think of comedy as drama concerned with the ridiculous in human nature and ending happily; of tragedy as drama of man's nobility, ending unhappily. But a story beginning in sadness and ending in happiness can hardly be an adequate essential quality of Shakespearean comedy. Shakespearean comedy is an Elizabethan type of comedy. However, it differs from Elizabethan drama. It is commonplace to speak of the different kinds of Shakespearean comedy. Shakespeare comedy is usually divided into four categories-early comedies, festive comedies, dark comedies, and romances. Each of these categories has its own characteristics. Especially Shakespeare's two plays, All's Well That Ends Well and Measure for Measure, are called 'dark comedies' or 'problem plays'. The lovers in these two plays do not show as much delight as the lovers in the earlier comedies. However, the plays end well as a result of skillful planning called 'bed-trick', and those characters who had hated each other are reconciled. The impression that remains, however, is one of sadness and disillusionment. Shakespeare's last plays written between 1608 and 1611 Cymbeline, Pericles, The winter's Tale, and The Tempest are called romances by critics. These plays are concerned with wonderful actions that cover a long period and are full of findings as well as losses, reconciliation and forgiveness. The dominant motif in these four plays is the restoration of losses.

Coriolanus小考

崔京蘭 단국대학교 영어영문학회 1988 Athenaeum Vol.- No.4

Coriolanus는 절대적인 가치 앞에서 타협할 줄 모르며, 현실세계에 용납되기에는 너무나 출중한성격의 소유자이다. 만일 그가 평민들과 같이 상황에 따라 변할 수 있는 성격을 지녔다면, 그리고 마지막 장면에서 Aufidius가 모욕과 조롱으로 그의 자존심을 손상시켰을 때, 분노로 자신을 잃지않고 군중들을 흥분시키기 않았다면 그의 비극은 초래되지 않았을련지도 모른다. 결국, 이 작품은 두 대립되는 인간성 또는 상충되는 가치 사이에서의 갈등으로 비극의 pattern은 형성되어 진 것이다. 즉, 이들 두 세계, Coriolanus와 평민들과의 대립되는 세계가 모두 양 극단으로 치우친다는 공통점을 지니고 있다. 이와같이 작품 안에 대립되는 두 요소의 적절한 배치와 진행으로서 Coriolanus는 Shakespeare의 다른 비극작품에 못지않는 예술적 조화를 이룬 작품이라 하겠다.

커피전문점의 유형과 공간디자인 마케팅 표현요소 연구

최경란,임선우,성윤정,안은희,박진아,김개천,이찬,정상진,이재정,윤재은,하준수,조현신,박신미 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.4

고등학생 무용경연 참여자의 완벽주의 성향과 경쟁불안과의 관계

최경란,박미영 한국무용예술학회 2019 무용예술학연구 Vol.76 No.4

The purpose of this study is to examine the relationship between perfectionism and competitive anxiety among dance high school students preparing for college entrance examination in the evaluation situation of dance competition. This study can be concluded as follows; 1) Perfectionism and cognitive anxiety were correlated positively with each other (r=.363) at the level of p<.05. Specifically, students' cognitive anxiety was affected by such variables as excessive concern about mistake, parents' criticism, suspicion of performance and individuals' criteria. 2) Perfectionism and physical anxiety were correlated positively with each other at the level of p<.01. (r=.275). Specifically, students' physical anxiety was affected by such variables as excessive concern about mistake, parents' criticism and suspicion of performance. 3) Perfectionism and confidence were correlated negatively with each other at the level of p<.01. (r=-0.06). Specifically, students' confidence was affected by such variables as parents' criticism, individuals' criteria and suspicion of performance.

해양보호생물인 거머리말의 보전에 대한 대중의 지불의사액 - 조건부 가치측정법의 적용

최경란,김주희,유승훈 해양환경안전학회 2022 해양환경안전학회지 Vol.28 No.5

Zostera marina (ZM), a type of seagrass registered as a marine protected species in South Korea, provides valuable ecosystem services to humans, such as improving marine water quality, providing food, spawning grounds and habitats for marine life, and absorbing carbon dioxide. Therefore, the government is seeking to preserve ZM by designating ZM-protected areas. This study examined the public willingness to pay (WTP) for the preservation of ZM using contingent valuation. The one-and-one-half-bounded model was adopted for WTP elicitation, and the single-bounded model was also applied for comparison. The spike model was employed to deal with many zero WTP responses. The household average WTP was estimated as KRW 4,087 per year, securing statistical significance. The national value was KRW 84.1 billion per year. The preservation value of ZM estimated in this study can be used as important data for economic analysis of various projects or policy implementation for its preservation. 우리나라 해양보호생물로 등록된 거머리말은 해양수질 개선, 해양생물의 먹이와 산란장, 서식지 제공, 이산화탄소 흡수 등 인간에게 중요한 생태계서비스를 제공한다. 정부는 거머리말 보호구역 지정을 통해 훼손된 서식지를 복원하여 거머리말을 보호하고자 노력하고 있다. 본 연구는 조건부 가치측정법을 적용하여 거머리말의 보전에 대한 대중의 지불의사액을 추정한다. 구체적으로 전국 1000가구를 대상으로 한 설문조사를 수행하여 자료를 수집했으며 이때 지불의사 유도방법으로는 1.5경계 모형을 채택하였다. 수집된 자료의 분석에는 영의 WTP를 다루기 위해 스파이크 모형을 적용하였고, 단일경계 모형도 추정하여 1.5경계 모형과 비교한 결과, 두 모형 사이에 큰 차이가 없는 것으로 나타났다. 거머리말의 보전에 대한 평균 지불의사액은 연간 가구당 4,087원으로 추정되었고 통계적으로 유의했다. 이 값을 전국 가구로 확대하면 국가적인 가치는 연간 841억 원에 달한다. 이 값은 거머리말의 보전에 대한 경제적 가치 또는 편익으로 해석할 수 있으며 거머리말 보전과 관련된 정책 수행에 대한 경제성 분석 시 중요한 기초자료로 활용할 수 있다.

현상적 투명성의 개념을 통한 문루건축 공간의 상호 연계성 연구

최경란,임선우,성윤정,안은희,박진아,김개천,이찬,정상진,이재정,윤재은,하준수,조현신,박신미 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.4

주거에서 발생하는 공간-권력에 대한 담론 연구

최경란,임선우,성윤정,안은희,박진아,김개천,이찬,정상진,이재정,윤재은,하준수,조현신,박신미 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.4

승무의 구조적 특징에 나타난 철학적 함의

최경란,박미영 한국무용연구학회 2023 한국무용연구 Vol.41 No.1

Purpose: The purpose of this study is to examine the structural characteristics in the rhythm and development process of Seungmu and to derive the philosophical implications inherent in Seungmu. Methods: An inductive analysis method based on humanities literature research was used. Results: First, the accompaniment music of Seungmu is Daepungnyu instrumental music, and Buddhist chanting existed as the main accompaniment music for shamanic rituals or dance accompaniments. Second, the chanting performance of Seungmu has the meaning of repeating the process of creation and extinction of the universe, and contains the desire to escape from the pain of reincarnation. The purim of Jangsam is an expression of impulse and latent desire to achieve the state of exhilaration to extinguish resentment. Third, Seungmu has structural characteristics of perfect harmony and fusion of musical composition in which dance and sound become one. Fourth, the development process of Seungmu is the process of going from Buddhist prayer to Taryeong and Gutgeori to drumming, which contains the expression of the desire to reach the sublimated state and the transcendental state of being one with nature. Conclusion: In other words, it can be seen that Seungmu pursues the realm of unity of life that changes vividly to achieve harmony and unity in all exaggerations. 연구목적: 이 연구는 승무의 장단과 전개과정에서 구조적 특징을 살펴보고 승무에 내재된 철학적 함의를 도출하는 데에 목적이 있다. 연구방법: 인문학적 문헌조사를 바탕으로 한 귀납분석법을 사용하였다. 결과: 첫째, 승무의 반주 음악은 대풍류 기악곡이며 염불은 무속의식이나 무용반주의 주요 반주악곡으로 존재했다. 둘째, 승무의 염불과장은 우주의 생성과 소멸의 과정을 되풀이하는 의미로 윤회의 고통에서 벗어나고자하는 염원을 담고 있다. 장삼의 뿌림사위는 충동과 잠재된 욕구의 표출로서 한을 소멸하고자 하는 신명 상태를 달성하기 위함이다. 셋째, 승무는 춤과 소리가 하나가 되는음악적 구성의 완벽한 조화와 융합의 구조적 특징을 갖는다. 넷째, 승무의 전개과정은염불에서 타령, 굿거리로 넘어가 북을 치는 과정으로, 승화된 경지에 이르고자 하는염원의 표출과 자연과 나의 합일을 이루는 초월적인 망아의 상태를 담고 있다. 결론: 승무의 구조적 특징은 승무의 전(全) 과장에서 보이는 조화와 통일로서 숭고한 미의식의 경지이며, 고통과 번뇌의 내면세계를 해소하는 사상적 구조로 정리될 수 있다.